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IMDbPro

Abbott y Costello salvan al hombre invisible

Título original: Abbott and Costello Meet the Invisible Man
  • 1951
  • Approved
  • 1h 22min
CALIFICACIÓN DE IMDb
6.6/10
6.5 k
TU CALIFICACIÓN
Bud Abbott, Lou Costello, and Adele Jergens in Abbott y Costello salvan al hombre invisible (1951)
FarceScrewball ComedySlapstickSupernatural HorrorComedyFamilyHorrorSci-FiSport

Dos torpes detectives privados ayudan a un hombre, acusado injustamente de asesinato y que se ha vuelto invisible, a limpiar su nombre.Dos torpes detectives privados ayudan a un hombre, acusado injustamente de asesinato y que se ha vuelto invisible, a limpiar su nombre.Dos torpes detectives privados ayudan a un hombre, acusado injustamente de asesinato y que se ha vuelto invisible, a limpiar su nombre.

  • Dirección
    • Charles Lamont
  • Guionistas
    • Hugh Wedlock Jr.
    • Howard Snyder
    • Robert Lees
  • Elenco
    • Bud Abbott
    • Lou Costello
    • Nancy Guild
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    6.5 k
    TU CALIFICACIÓN
    • Dirección
      • Charles Lamont
    • Guionistas
      • Hugh Wedlock Jr.
      • Howard Snyder
      • Robert Lees
    • Elenco
      • Bud Abbott
      • Lou Costello
      • Nancy Guild
    • 64Opiniones de los usuarios
    • 34Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos110

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    + 103
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    Elenco principal66

    Editar
    Bud Abbott
    Bud Abbott
    • Bud Alexander
    Lou Costello
    Lou Costello
    • Lou Francis
    Nancy Guild
    Nancy Guild
    • Helen Gray
    Arthur Franz
    Arthur Franz
    • Tommy Nelson
    Adele Jergens
    Adele Jergens
    • Boots Marsden
    Sheldon Leonard
    Sheldon Leonard
    • Morgan
    William Frawley
    William Frawley
    • Detective Roberts
    Gavin Muir
    Gavin Muir
    • Dr. Philip Gray
    Sam Balter
    Sam Balter
    • Radio Announcer
    John Daheim
    John Daheim
    • Rocky Hanlon
    • (as John Day)
    Walter F. Appler
    • Professor Dugan
    • (sin créditos)
    Howard Banks
    • Officer
    • (sin créditos)
    Bobby Barber
    Bobby Barber
    • Sneaky
    • (sin créditos)
    Richard Bartell
    • Bald Man
    • (sin créditos)
    Phil Bloom
    Phil Bloom
    • Fight Spectator
    • (sin créditos)
    John Breen
    • Trainer
    • (sin créditos)
    Milt Bronson
    Milt Bronson
    • Ring Announcer
    • (sin créditos)
    Ralph Brooks
    Ralph Brooks
    • Man at Bar
    • (sin créditos)
    • Dirección
      • Charles Lamont
    • Guionistas
      • Hugh Wedlock Jr.
      • Howard Snyder
      • Robert Lees
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios64

    6.66.4K
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    Opiniones destacadas

    dougdoepke

    One Way of Looking at the "A&C Meet..." Series

    To me, this is arguably the best of the "A&C Meet…" series. The boys get mixed up with a prizefighter accused of murder who escapes the cops and gangsters by turning invisible with the help of an experimental serum. Naturally, this leads to an array of amusing hijinks.

    The comic potential here is greater than in other A&C monster entries (…Meet Frankenstein; … Meet the Mummy; etc.) because the menace here has the power of invisibility. That means the menace can challenge the boys in public without the public knowing it. On the other hand, the other monsters can't mix in public without being seen which narrows the comic potential to haunted houses or other non-public spaces.

    For example, take the punching bag scene. It looks like Lou (Costello) has lightning speed rocking the bag when in reality it's the invisible boxer Tommy (Franz) who's doing it. There're a number of set-ups like this where the public is astonished by Lou's apparent powers, while actor Costello milks the comic potential.

    That's not to say the other monster entries are not funny to varying degrees. But the monsters are restricted in these movies to scaring everyone in over-the-top fashion, whereas being invisible greatly expands the possibilities, such as the nightclub scene with the poor flummoxed waiter (Syd Saylor) who can't figure out who's doing what.

    Anyway, the movie's consistently amusing and inventive. However, I wish we saw more of that great flashy blonde Adele Jergens (Marsden) and that great phony gangster Sheldon Leonard (Morgan). Seeing them together here resembles a match made in some cheap nightclub heaven. All in all, this is one of my A&C favorites among their many comedies.
    8hitchcockthelegend

    Certainly one of the best in the series.

    Our intrepid bumbling duo deliver the goods in one of the better offerings on their considerable CV. Here they are freshly qualified Private Investigators thrust into a murder investigation with an invisible man. That alone should tell you that the fun flows at a very decent clip, so with that I just need to say that some of the sequences here are comedy gold. Like a scene at a restaurant that is excellent, or Costello pretending to work the ball in the gym, and a final reel of a boxing match that really gets the laughter flowing. Watching these guys act as if with a real invisible man is wonderful, and of course the effects team also deserve praise for doing such a damn fine job with the invisible man of the piece.

    Not quite as good as...Meet Frankenstein, but it's darn near close. 8/10
    7lee_eisenberg

    worth seeing (pun intended)

    In "Abbott and Costello Meet the Invisible Man", detectives Bud Alexander (Bud Abbott) and Lou Francis (Lou Costello) have to protect a man framed for murder. This becomes proportionally easier once the man gives himself an invisibility serum. Some of the best scenes are when Lou watches him disappear, when a cop sees (or, rather, doesn't see) the man driving a car, and even a scene where Lou accidentally puts a bunch of people to sleep. The end scene is also a shocker.

    These movies sometimes seem like they were just excuses for everyone to goof off. If so, then they did well. This one was also helped by the fact that it didn't have any songs, which sometimes weakened A & C's movies. Really funny.

    I guess that I'll have to see this again, now that I know that Fred Mertz appeared in it.
    Doylenf

    Nice little comedy with clever script...A&C fans will enjoy it...

    This entry in the Universal series of A&C comedies ranks with the top half-dozen of their films. The notion of having the pair meet one of Universal's most famous "creatures" is a good one--and somehow, despite some wildly overdone slapstick--it works.

    The pair play bumbling detectives who attempt to prove an innocent man (Arthur Franz) has been framed for murder. The special effects are particularly good and were done by the same man, John Fulton, who did the original camera effects for 'The Invisible Man'. A highlight of the film has Costello in the fighting ring being helped by his invisible client.

    Nice work by Arthur Franz as the man who takes the serum, Nancy Guild as the feminine interest, Adele Jergens and Sheldon Leonard. Fans of A&C will rank this one among their best.
    8ccthemovieman-1

    A Surprising Amount Of Laughs And Maybe A&C's Best

    I only watched this once, but that's my loss. I should see this again. Although not a big fan of these guys, I thought this was their funniest film, along with Abbot & Costello Meet Frankenstein. Although the latter is considered their best and most popular movie, my vote just might go to this one.

    This film was simply a lot of laughs from start to finish and the special-effects with the invisible man are good, too - even over 50 years later! The boxing scenes at the end of the movie are incredibly hokey but they are humorous as the "invisible man" helps Costello in the ring.

    Sometimes silly, sometimes stupid but generally fast-moving, this film is highly- recommended for those looking for an innocent, old-time comedy with a surprising amount of laughs.

    Más como esto

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    6.6
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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The last names of Bud Abbott and Lou Costello's characters, Bud Alexander and Lou Francis, are actually their real middle names.
    • Errores
      The boxer, Tommy Nelson, is invisible and in order to stay this way he must not wear ANY clothes. This would include shoes. And yet when he walks across the mat in the boxing gym his footprints are very apparent, but as if he he wearing shoes and not bare feet.
    • Citas

      Bud Alexander: [a motorcycle cop comes up on the car Tommy's driving] I hope he has his license.

      Lou Francis: I hope he's in the car!

      Officer: [at the back window] Pull over to the side!

      Lou Francis: [points to the front seat] Tell him, he's driving!

      Officer: [moves up, looks at the empty driver seat] I said pull over to the...

      [stops in a daze, cut to him on the psychiatrist couch looking at the doctor's watch]

      Dr. James C. Turner, Police Psychiatrist: Now tell us again what you saw.

      Officer: I told you three times already.

      Det. Roberts: Well tell it to him again.

      Officer: I saw a car with nobody driving somebody.

    • Versiones alternativas
      There is an Italian edition of this film inside DVD "IL CERVELLO DI FRANKENSTEIN", distributed by DNA Srl (2 Films on a single DVD). The film has been re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
    • Conexiones
      Featured in 100 Years of Horror: Phantoms (1996)
    • Bandas sonoras
      Rock-a-bye Baby
      (uncredited)

      Music by Effie I. Canning

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    Preguntas Frecuentes

    • How long is Bud Abbott and Lou Costello Meet the Invisible Man?
      Con tecnología de Alexa
    • List: Wacky boxing

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de agosto de 1951 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Meet the Invisible Man
    • Locaciones de filmación
      • Colonial Street, Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, Estados Unidos
    • Productora
      • Universal Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 627,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 22 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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