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The Red Skelton Show

  • Serie de TV
  • 1951–1971
  • TV-G
  • 1h
CALIFICACIÓN DE IMDb
8.1/10
1.5 k
TU CALIFICACIÓN
Red Skelton in The Red Skelton Show (1951)
Trailer for The Red Skelton Hour in Color: Crown Prince of Comedy
Reproducir trailer0:48
1 video
99+ fotos
Sketch ComedySlapstickComedy

El cómico Red Skelton presenta un programa variado de sketches cómicos, y un abanico de estrellas, para hablar a toda una generación.El cómico Red Skelton presenta un programa variado de sketches cómicos, y un abanico de estrellas, para hablar a toda una generación.El cómico Red Skelton presenta un programa variado de sketches cómicos, y un abanico de estrellas, para hablar a toda una generación.

  • Creación
    • Marcel Marceau
  • Elenco
    • Red Skelton
    • David Rose and His Orchestra
    • Art Gilmore
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.1/10
    1.5 k
    TU CALIFICACIÓN
    • Creación
      • Marcel Marceau
    • Elenco
      • Red Skelton
      • David Rose and His Orchestra
      • Art Gilmore
    • 11Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Ganó 2 premios Primetime Emmy
      • 4 premios ganados y 16 nominaciones en total

    Episodios660

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    The Red Skelton Hour: The Red Skelton Hour In Color: The Crown Prince of Comedy
    Trailer 0:48
    The Red Skelton Hour: The Red Skelton Hour In Color: The Crown Prince of Comedy

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    Red Skelton
    Red Skelton
    • Self - Host…
    • 1951–1971
    David Rose and His Orchestra
    • Themselves…
    • 1951–1971
    Art Gilmore
    Art Gilmore
    • Announcer…
    • 1954–1971
    Tom Hansen Dancers
    • Themselves…
    • 1957–1970
    Jan Arvan
    Jan Arvan
    • Paw Kadiddlehopper…
    • 1953–1971
    The Alan Copeland Singers
    • Themselves…
    • 1964–1969
    Bob LeMond
    Bob LeMond
    • Announcer…
    • 1951–1955
    Ray Kellogg
    Ray Kellogg
    • Police Officer…
    • 1953–1971
    The Skelton Dancers
    • Themselves…
    • 1956–1964
    Lucille Knox
    Lucille Knox
    • Self - Commercials…
    • 1951–1953
    Gilchrist Stuart
    • Butler…
    • 1954–1971
    Currie Pederson
    • Dancer
    • 1962–1970
    Jimmy Cross
    Jimmy Cross
    • Drunk…
    • 1954–1970
    Chanin Hale
    Chanin Hale
    • Silent Spot…
    • 1963–1971
    Pat McGeehan
    • Self - Announcer…
    • 1951–1952
    David Rose
    • Orchestrator…
    • 1954–1968
    Bonnie Evans
    • Dancer
    • 1964–1970
    David Sharpe
    David Sharpe
    • Old Lady -- Silent Spot…
    • 1964–1969
    • Creación
      • Marcel Marceau
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios11

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    Opiniones destacadas

    jwr4

    One of the best

    Red Skelton, Jackie Gleason, Milton Berle, Burns and Allen, etc., etc. Will there ever be others that will equal them? I doubt it. Their shows were meant to entertain, not to push a political agenda as so many programs seem to do today.

    As I understand, Red had several offers to do other television work but turned them down because he was expected to "modernize" his comedy, which he refused to do. Good for you Red! Shows were not flashy. There was no loud distracting music. Just pure comedy entertainment.

    The dvds or videos should be part of the collection of anyone who loves a good laugh.
    10hines-2000

    Awe-inspiring, wondrous Red Skelton

    It was wonderful to have a youth where our family would get together weekly to watch the miracle performer of all time Red Skelton. Red had world class scripts or could be an ad-lib genius and improvise to perfection. The characters he created are beloved for the ages, Clem Kadiddlehopper, San Fernando Red, Freddie the Freeloader, Cauliflower McPugg, tippler Willie Lump-Lump, Sheriff Deadeye, Lord Beaverhead, and George Appleby. He had the cream of the crop of entertainers including, John Wayne, Milton Berle, Martha Raye, Tim Conway, Phyllis Diller, Mickey Rooney, Nipsey Russell, George Gobel, Robert Goulet, Merv Griffin,Vincent Price, Lou Rawls and Liberace. The wonder was our family felt like we were part of his family. The whole world was a better place when Red Skelton was in it.
    9edwagreen

    Yes, May the Lord Bless Red ****

    Red Skelton was still another major star who made the transition from movies to television with ease.

    His shows certainly brought a laughter to the American households of years back.

    He would begin the show with an opening monologue. Afterwards, we would have a variety of characters. Remember Gertrude and Heathcliff in the monologue? How can we ever forget San Fernando Red? I remember one episode where as a king Red introduced his queen by referring to her as your fatness.

    Go know that Red would use his comedic talents to really hide from his tragic life. He lost a son to leukemia at age 11 or so. His wife, Georgia, died by suicide.
    6DKosty123

    Red Skelton -An Original Modern Clown

    The networks always took the trouble until the very end with Red to write scripts & provide an orchestra (Nelson Riddle) & create an outstanding forum for Red to perform on. In turn Red showed how he could clown in every direction.

    Each show would open with some music & dancing. Then Red would do a monologue & he could do a monologue very well. Johnny Carson, as a writer for Red, went to school & learned from Red how to do monologues which served Johnny well for 30 years when he took over the Tonight Show & late night TV. He had learned from the best.

    In fact, Red taught Johnny how to ad-lib and Red was the master of the ad-lib. No matter what part of the show something went wrong in, Red would ad-lib something & make it funnier for his viewers. After the monologue, there would always be a sketch with Red as one of his characters. This is usually when his guest stars for that show would appear.

    Almost everybody appeared as a guest on his shows. It didn't matter if they were other comedians or serious dramatic actors, they would appear with Red and he would play off all of them with his unique comedy. After the sketch, some shows would then feature either a musical guest or a Nelson Riddle number.

    Then would come the "silent spot". These were classic sketches in which you hoped the picture on your screen (pre TV cable) wasn't too snowy so you could see what was so funny. In a way, the Silent Spot & Jackie Gleason's "The Poor Sole" who also did silent comedy were the only silent comedy the Vietnam Generation were really exposed too.

    Then Red would close the show by coming on stage & politely wishing all a "good night & God bless." He was right, God did bless us that his talent was with us so many years on this show. Skelton's comedy was never cerebral, just always funny.

    His prowess with Physical Comedy was only rivaled by Jackie Gleason, but Red was just a little better at the physical. Even in later years when Johnny Carson did sketches on TONIGHT which he tried physical comedy, a lot of his inspiration came from working with Red. This was an era of kinder, gentler comedy. There were no dirt, or lewd routines. Red did do political humor. Johnny Carson picked up on that too.

    I wish they would produce some of the entire seasons of The Red Skelton show on DVD. The singlets I have seen on VHS & DVD so far don't do overall justice to him. Red's movies were too few, though some of them were quite good. If the seasons came out, a couple of Red's shows that would be interesting would be the night Johnny Carson replaced an injured Red, & the often forgotten show where Red was ill & Ed Sullivan stepped in to replace Red!!. Red later returned the favor on the ED SULLIVAN SHOW when Ed was ill too.

    Those were the days, & now all these folks are gone. If DVDs get far enough into the Skelton archives, they won't be forgotten.
    9bkoganbing

    America's Clown

    Red Skelton was one of the first to recognize that television was a coming medium of entertainment. He was not the only Hollywood personality to do this, but the difference between them and him is that he was on top on the big screen. Many had careers extended or a new lease on life was given to Hollywood names that no longer had box office pull. That was not true with Red Skelton, when he debuted in 1951 on CBS television he was on top of his box office appeal.

    What a rich array of characters he brought to the small screen. Anyone my age and a bit younger remembers Clem Kadiddlehopper, San Fernando Red, Freddie the Freeloader and so many more. These are indelible impressions formed on America's consciousness when it needed a laugh or two.

    The thing that always impresses me about Red Skelton is that he was so good at all types of comedy, he was quick with some unwritten dialog, he could do standup, he was a pantomimist the equal of Harpo Marx in my opinion. No less an authority than Groucho Marx thought that. I think Red Skelton would have been a big star on the silent screen when pantomime was what it was all about.

    He was the son of a former circus clown turned druggist and that's where he got his love for entertaining. He always described himself as a first and foremost a clown. But he was the proverbial sad clown, he had a lot of troubles in life with the substance abuse of his wife Georgia, and the death of their son Richard from leukemia. I well remember that being a big news item when I was a lad.

    He said he was put on earth to make people laugh, and Red, so you did.

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    • Trivia
      Red Skelton had a reputation among comedy writers as being extremely difficult to work with, since he didn't like writers in general, and resented CBS for insisting that he use them on his show. He wanted to write all the sketches himself, his reasoning being that no one knew his characters as well as he did. Prior to taking the position as head writer on the show, Sherwood Schwartz, had it written into his contract with CBS that Skelton was under no circumstances allowed to discuss anything about a show's script with him before he was given it prior to taping, which often resulted in Skelton not knowing what a sketch was about, nor even what character he would be playing until shortly before airtime. That's why Skelton would often break character in the middle of a skit and turn to the audience and say something like "Don't blame me, folks, I don't write this stuff."
    • Conexiones
      Featured in Blushing Bloopers (1990)
    • Bandas sonoras
      Holiday for Strings
      by David Rose and Sammy Gallop

      WB Music Corporation (ASCAP)

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    Preguntas Frecuentes18

    • How many seasons does The Red Skelton Hour have?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 30 de septiembre de 1951 (Estados Unidos)
    • Países de origen
      • Canadá
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Red Skelton Hour
    • Locaciones de filmación
      • CBS Television City - 7800 Beverly Boulevard, Fairfax, Los Ángeles, California, Estados Unidos
    • Productoras
      • CBS Television Network
      • National Broadcasting Company (NBC)
      • Sursum Corporation
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    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.33 : 1

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