Un loco al volante

I had discovered this obscure Red Skelton movie on YouTube recently and just decided to watch it now because of many glowing reviews on this site. In a nutshell, Red is an accident-prone fella who eventually becomes a cab driver after initially being hit by one! He's also an inventor with some crazy contraptions in his apartment. I'll stop there and just say this was very funny from beginning to end. There's an unusual distorted sequence that must have turned some minds on at the time and a hilarious end chase sequence taking place in a demonstration home. So on that note, I highly recommend The Yellow Cab Man. P.S. Since I always like to cite when someone that was in my favorite movie-It's a Wonderful Life-is in something else, here it's Charles Lane-the one who told Mr. Potter he'd one day work for George Bailey-who plays an insurance man who rejects an offer to insure Mr. Skelton!

Accident-prone inventor Augustus 'Red' Pirdy (Red Skelton) keeps having accidents. He gets hit by a cab. Ellen Goodrich (Gloria DeHaven) works for the cab company. Red makes friends with the cab driver and Ellen. Eventually, he's driving a cab himself. He had also invented an unbreakable glass called elastic glass. Others are trying to steal it.

The character allows Red to do a lot of physical comedy and his brand of bumbling character. I don't know if this is the best written. A lot of time, it seems to be an excuse for one comedic scenario to the next. This is for the Red Skelton fans in all of us.

This film is better than some of Red's other movie efforts in that he has some better supporting actors in it. Wish Red had a chance to make more movies than he did in his career but shortly after this started his record run on television. That took away a lot of his time for making movies.

This film is quite short at less than 90 minutes but most of the best comedy films are short. They don't get stuck in long & possibly boring sequences & they don't do the same joke over & over again. This film fits that model quite well.

Red was a classic clown who is sorely missed in todays "over the top & down & dirty comedy era". He had a class that shows in films like this one & his old television programs. This film is still a very watchable example of that.

Red Skelton is an accident-prone, self-taught chemist. He comes up with a safety glass that works beautifully. However crooked lawyer Edward Arnold finds out about it and sabotages the demonstration; his increasingly violent attempts to get the formula will make up the plot of the movie. Gloria DeHaven and James Gleason work for a taxi company and get Skelton a job driving for the company, with disastrous results.

The best comic sequence had Red being left with a child by his mother, resulting in panic about a bomb and Skelton being accused of kidnapping the child. After that, the movie settles down into the inevitable plot, with some brief attempts at comedy that aren't quite as funny; the final chase, while big, only has a few grace notes to it.

Nonetheless, the fast start and some fine comic actors like Walter Slezak, Jay C. Flippen, and Paul Harvey keep this thoroughly afloat. If it isn't as strong as the stuff directed by S. Sylvan Simon, it's a chance for Skelton to do some of his fine clowning. And Miss DeHaven is very cute.

Some belly laughs in this Skelton madcap. As usual Red plays a good-hearted schlemiel who stumbles from one mishap to the next, but somehow muddles through to win the girl (Gloria DeHaven) and the climax. Here he's an amateur inventor and Yellow Cab man battling veteran baddies Walter Slezak and Edward Arnold.

A great job by the writers. The comedy set-ups are consistently funny and inventive from the mine-field opening of Red walking down the street to the whirlwind close at the L A Home Show . (Forget the muddled story-line which is just a handy post to hang the hi-jinks on.) This was just the kind of slapstick that Skelton could turn into a wild and crazy romp, and he does. .

Catch the great comedic architecture in the early sequence that builds hilariously from the baby-sitting beginning to the nine-one-one close. Too bad this kind of engineering has largely disappeared from today's movie screen. Then too, the crib scene with Red playing both his toddler self and infant sister amounts to 60 second knee-slapper.

In fact, there are a number of special effects scenes that work up more than a few chuckles. But the North Pole dream has something of a nightmarish undercurrent as does Red's getting shoved into the mixer.

I guess my only complaints are the cheapness of the street sets and the dull-grayish quality of the filming (at least, in my copy). Coming from big-budget MGM, such cost-cutters affecting overall quality seem surprising.

Nonetheless, this is a fine little post-war flick whose futuristic house at the Home Show expresses something of the surging spirit of a 1950's America then on the economic upswing.