Dama sin corazón

The two main actors, Ray Milland and Rosalind Russell are such fine professionals and give beautiful, consistent performances.

Russell goes full out with the slapstick -- she's courageous and commits on stage. A model for all actors afraid to go there. Such simiiarities to Lucille Ball.

The music had great accompaniment by the acting, punched certain points and the actors followed suit as well. Ray Milland's facial expressions are study in authentic reaction.

Funny moments; quick pace; and very good performances. The challenge was with the writing. It's just No - no- no - no - until a flip in the last 30 seconds. So the writing seems one note. There is no found love lost love found love. It's just no love, then a flip. That can be tiring for the audience.

It's predictable, but solid. Two fine actors make it very soiid.

The idea for 'A Woman of Distinction' was great, not novel territory but still interesting and an entertaining film could easily be made out of it. The cast is full of very talented actors, Rosalind Russell, Ray Milland and Edmund Gwenn were capable of giving very good and even great performances. Edward Buzzell was not a bad director, but few of his films really wowed me that much with most being in the average to decent categories with a few good ones (i.e. 'Fast Company').

'A Woman of Distinction' could have been a lot better considering its potential. It's certainly not awful, far from it, it's just not all that great either and definitely could have been more inspired and distinct. And the potential for it to be great was quite big. The cast come off very well and there is enough to enjoy, but the execution of 'A Woman of Distinction's' writing and such was to me (and some others it seems) patchy and the story wasn't that strong.

What redeems 'A Woman of Distinction' quite significantly is the cast. Have always gotten a lot of enjoyment out of Russell and she has a role that fits her like a glove and a sort of role she excelled in, her comic timing really sparkles and her delivery makes the material better than it actually is. She does icy in a way that doesn't come over as too cold. Milland struck me as a more dramatic actor but this shows that he did have comedic chops, he has just as much fun as Russell and is a natural presence. Gwenn is a sheer delight and truly twinkles in a part that really played to his strengths. Mary Jane Saunders is adorable but not too cute.

Furthermore, 'A Woman of Distinction' benefits from classy production values and the filming is opened up and expansive enough to avoid it from being stagy. The music has a nice whimsy and the film's pace tends to be lively enough. There are a fair share of very amusing moments, more down though to the cast's delivery, and some very charming ones too. Plus some witty scripting.

Buzzell's direction though has moments where it shines in how the cast interact with each other, but mostly it rarely rises above competent level, all correct but with not enough spark or distinction. The story is very thin and what there is is very familiar ground with little new. Making some of it feel stale.

Later on, it did feel over-stuffed and managed to be too wild at times and the tiredness of some of the material made it feel sluggish too. Will agree that the film tends to be too slapstick heavy, especially later on, and while some of it amuses others are over-silly. And also that too many turns in the plot and character decisions are handled too abruptly with not enough time to breathe, so sense is also not a strong suit in the film either.

Overall, not a bad film but didn't quite click with me sad to say. 6/10

Major slapstick is the highlight of "A Woman of Distinction," a 1950 film starring Rosalind Russell, Ray Milland, Edmund Gwenn and Janis Carter. Russell has one of her uptight, cold women roles so often depicted in the '40s. You know the one, no room or time for romance until a man melts her down. The melter here is Ray Milland.

Russell is the dean of a girls' school in New England; Milland plays a visiting British astronomer. Will she succumb to his charms? Sure, after she beats him with her handbag, and she's sprayed with water, smeared with mud, and falls out of chairs. Wouldn't you? The laughs are all supposed to come from the slapstick; in truth, there's not too much of a script, and what's there is predictable and derivative. The cast is likable, and Russell proves she can do just about anything. In the end, it's not much of a movie.

There is quite a bit of chemistry here between Ray Milland's "Prof. Stevenson" - a British astronomy geek somewhat reluctantly doing the lecture tour rounds in the US of A; and the stiff-as-starch college dean "Susan" (Rosalind Russell). The former has something he wishes to return to the latter - and gagging for some sort of publicity for this flagging tour, his agent "Teddy" (Janis Carter) tries to suggest there is more to their causal acquaintanceship than just that! Try as they might - the more they deny, the more they become embroiled in a slightly amusing series of escapades that risk both their reputations, and certainly her job! There is no doubt as to what will happen, it's a simple and straightforward comedy romance that raises a smile now and again, but also makes you cringe a little - the scenarios are a bit blatant and obvious at times. Still, Russell is on decent form and director Edward Buzzell pretty much hits the ground running with this enjoyable, if somewhat standard, formula feature. You won't remember it afterwards, but anything with a bit of Edmund Gwenn in it has got to be worth 90 minutes.

Rosalind Russell plays Dr. Susan Middlecott, a brilliant professor and dean of a college for women. However, her father (Edmund Gwenn) is concerned that she's all work and needs a man in her life. So, when the newspaper comes up with the incorrect notion that she's having a relationship with a professor (Ray Milland), the father makes the most of it...encouraging and pulling strings to try to get them together.

While Milland, Gwenn and Russell are all wonderful actors, here they are burdened with a bad script. The essential idea isn't bad (though some feminists today will balk at the notion that a woman needs a man), it is executed poorly. There are two main problems. Towards the end, the film relies too much on slapsticky sorts of laughs...with Rosalind on the receiving end again and again. Additionally, the whole relationship between the professors goes from hostile to head over heels so abruptly and unexpectedly that it made no sense at all. It's a shame...the film should have been a lot better.