Invasión de West Point

Silly story line about a show staged by an outsider at the Point,but any movie that has singing by Gordon Macrae and Doris Day plus dancing by Virginia Mayo And Gene Nelson is a must see.If only to show today's movie fans the quality of talent that was around during the 1950s' Forget the story,and enjoy the musical numbers.

A silly story, forgettable songs and a poor stage show of cadets on parade. But what fun! The best thing Doris Day did while at Warner Bros. The most alive performance of Virginia Mayo ever. And James Cagney at his best, dancing, fighting, arguing and filling the picture with his legendary personality. It must be seen to be believed. Cagney, the street boy, the gangster, the tough guy, shines and sparkles in musicals. His performance here is as good if not better than the one that earned him an Oscar (Yankee Doodle Dandy). And this, immediately after his brilliant, hideous, terrific work in White Heat. What an actor! What a dancer! What a performer! It is impossible to define the fine qualities of Roy Del Ruth direction: the man who made some of the better (Folies Bergere de Paris, Broadway Melody of 1936, On the Avenue) as well as some of the worse (Du Barry was a Lady, Broadway Rhytm) musicals in Hollywood history, excelled in West Point Story,working with a screenplay that was only bright dialogue with no story to speak of. See it and understand how Hollywood in its golden age, knew how to make gold out of plumb.

A shame really. With the talent, how could one go wrong with Doris Day, James Cagney, Gordon MacRae, Gene Nelson and Virginia Mayo, 'The West Point Story' could and should have been really good, even if not an instant classic.

Well something did go wrong, because 'The West Point Story' (despite being called 'Fine and Dandy' here, being British it is being referred to by its English, and original, title, just wanted to clarify to save any confusion) was a heavily problematic, lacklustre effort that doesn't even utilise its talent very well (even though they still come off well). Not an awful film, but not a particularly good one but more of a difficult to rate film for me.

The best thing about it is Cagney, who may not be exactly subtle (which came across to me as making the most out of, and doing at least something with, his material), but brings a tremendous amount of energy which is a marvel to watch. So much so that it makes one frustrated that that energy doesn't come over in most other elements. Day and MacRae also don't come off too shabbily. Day is fresh and endearing and one cannot get enough of her voice that shines even in not so great material. Meanwhile, MacRae shows off his warm baritone voice to perfection and is a charmer on screen, when he and Day are on screen they are irresistible.

Mayo and Nelson deserved better (as did Day and MacRae) but do a lot with what they have. Mayo is luminous, snappy and saucy, while Nelson's dancing is as dazzling as ever. The songs are pleasant enough and sung beautifully.

Against all that, of the songs there isn't one that stands out and it is crying out for a show-stopper. Likewise with having a show-stopper of a dancing sequence for Nelson, he dances really well and the choreography is witty and graceful but at the same time there is nothing extraordinary or memorable. As said though, Day and MacRae do sound wonderful and the songs suit their voices, one just wishes that the overall standard was more inspired.

Nothing against black and white (there is a very big group of great films and even masterpieces in black and white), but 'The West Point Story' also cried out for Technicolor. The sets do look shoestring-budget cheap with obvious rear projection and the cinematography is dull. Roy Del Ruth is the sort of director who could do this with his eyes closed and despite some energetic moments in some of the choreography elsewhere this was a real going through the motions effort from him.

Script goes overboard in the silliness and feels very limp too. Worst of all is the story, which is pedestrian in pace, takes silliness and contrivance to very high degrees and is filled with inconsistencies, dumbness and improbabilities, with very forced subplots and parts that don't really go anywhere. Day is also rather underused with a character that is given short shrift too much.

Overall, very difficult to rate but generally very disappointing. 5/10 Bethany Cox

Cagney plays Elwin "Bix" Bixby, a formerly successful showman with a very bad temper, reduced to staging the numbers at a hole-in-the-wall Manhattan nightclub, assisted by his long-suffering fiancée, Eve (Virginia Mayo). Bix is more or less blackmailed into accepting a job directing the 100th Night show at West Point by a Broadway producer. The catch? The producer wants Bix to persuade his nephew, Tom (Gordon MacRae), the star and co-writer of the show with his friend Hal (Gene Nelson), to give up the Army for a singing career. So Bix (who hates West Point, based on past Army experiences) ends up at the Academy along with Eve, directing the show but temperamentally at odds with the lifestyle.

Somehow the solution to this is to make him a cadet (don't even ask, it makes no sense). And in the course of events, he persuades a movie star acquaintance, Jan Wilson (Doris Day), who is on a press junket in New York City, to travel up the Hudson to attend a formal dance at the Point as Tom's "drag." I forget why, but who cares? The plot just gets more incomprehensible as the show goes on, but the fact is, this movie is still a lot of fun. I disagree with some of the people here because I think the original songs by Jule Styne and Sammy Cahn are terrific. None were hits, but there are just a lot of really good songs here. And the arrangements are in the best Ray Heindorf style. Cagney is fantastic, more dynamic and committed than 10 other actors. The singing, by Day and MacRae, is top-notch, and Doris in particular elevates every scene she's in, she's like a human antidepressant. Gene Nelson, an excellent dancer, has a few good numbers, and Virginia Mayo is sincere and funny as Cagney's girl and a very good dancer as well.

If you choose to focus on the positives and if you can manage to ignore some of the plot holes, you should have a good time with this one.

James Cagney really gives his all (and that's plenty of talent) to the role of a rambunctious song-and-dance man who takes over a show at West Point, with the help of a talented cast including Virginia Mayo, Doris Day, Gordon MacRae and Gene Nelson. Cagney struts around getting angry and defiant as only he can, bringing lots of much needed life to a tiresome script. It's one of his best as a song-and-dance man, making one wish he had done even more musical films.

But this one could have used Technicolor and a wittier script with better songs. All of the talent cannot overcome the story's limitations and the overuse of rear projection photography for many of the outdoor scenes. Alan Hale, Jr. gets some good chuckles out of his "Princess" role and there's a light-heartiness about the whole film that keeps it entertaining enough for the most part.

Doris Day is missing from the first third of the movie, but once she shows up she demonstrates why she became such a cheerful Warner Bros. star. She and Gordon MacRae do nicely by a couple of forgettable songs.

Summing up: Worth seeing for Cagney alone. He's in fine shape for some energetic dance routines.