Caravana de valientes

In Crystal City, a group of Mormons hire the horse traders Travis (Ben Johnson) and Sandy (Harry Carey Jr.) as wagon masters to lead their caravan to San Juan River. Along the journey, they meet first the broken wagon without water of the quack Dr. A. Locksley Hall (Alan Mowbray) and the prostitutes Denver (Joanne Dru) and Fleuretty Phyffe (Ruth Clifford). Then the sadistic outlaws Clegg boys decide to join the Mormon caravan to disguise the patrol leaded by the Sheriff of Crystal City that is chasing them. When the Navajos cross their path, they are invited to visit their hamlet for a dancing party. When the wagon train is near to their destination, the Clegg boys threaten the settlers, forcing Sandy and Travis to take an attitude.

"Wagon Master" is another great western of John Ford. The sequences with the wagon train crossing the desert and the hills are impressive. The adventure of the group of Mormons is funny and very entertaining and the songs fit well to the plot despite being dated. My vote is eight.

Title (Brazil): "Caravana dos Bravos" ("Caravan of the Braves")

One of the most poetic narrative films ever made, WAGONMASTER is nonetheless a difficult film to immediately like. I love this movie, but I recommend seeing some of John Ford's other westerns before taking a look at this one. The first time I saw it I was 18 years old and I hadn't seen too many other westerns, and I hated it. I thought it was incredibly boring. I kept waiting for something to happen. It took several years for me to love this picture. First, I fell in love with westerns in general -- the traditions, characters, landscapes, ways of talking, etc -- and that made me realize when I saw WAGONMASTER again that a lot is happening in it after all.

I also was simply a more experienced moviegoer at that point and had learned to appreciate visual storytelling, and to listen to what each image was telling me. WAGONMASTER is a very visual movie by one of the most visual of directors working near the peak of his career.

The movie is a celebration of a way of life, and its subject matter is more emotional and interior than other Ford westerns. Actually, that's not really as accurate as saying that, rather, it has a lot less exterior action than the other westerns. (The other westerns have exterior action AND interior emotion.) It quite beautifully places its Mormon pioneers in the context of nature. There are many shots of animals and children -- not for any surface, narrative purpose, but for illustrating this idea. That is why the movie can be called a poem. It isn't about the surface story (which barely exists) nearly as much as it is about an emotional idea, and it gets this idea across through composition, editing, sound and music. In fact, one could argue that this is a purer form of filmmaking because the images directly express the emotional idea of the film, rather than having to first service a "story."

Give this movie a chance, and allow it to exist on its own terms, not the terms of other westerns or other movies.

Wagon Master is a very unique film amongst John Ford's work. Mainly because it's the only one that is based on a story written by John Ford himself, the story that was elaborated by Frank Nugent and director's son – Patrick Ford and turned into a screenplay, and because of director's personal opinion regarding it, Wagon Master is the film John Ford called the one which `came closest to being what I had wanted to achieve', to say so is not to say a little, but as Ford confessed once to Lindsay Anderson, his favourite was nonetheless My Darling Clementine and not any other.

Wagon Master has all ingredients one might expect to find in a John Ford's film. Wonderful cast delivering his best, thou not featuring any major stars, except the most `fordian' of all actors – Ben Johnson. Very peculiar small characters, who provide an obligatory comic relief, and Wagon Master has quite a few of them such as horn blowing Sister Ledyard (Jane Darwell) in her shot but very inspired gigs. And last but not least legendary Monument Valley with John Ford's fifth passage through it after Stagecoach, My Darling Clementine, Fort Apache and She Wore a Yellow Ribbon.

The film starts with two friends cowboys Travis Blue (Ben Johnson) and Sandy Owens (Harry Carey Jr) being hired to be Wagon Masters or guides for a caravan of Mormon settlers who are headed to Silver Valley, a place that's for them like a promised land. On their way they are joined by a very peculiar Dr. Locksley Hall (Alan Mowbray) with two beautiful women, who are supposedly his wife and daughter and who call themselves actors. They are headed in the same direction simply because they were recently driven out of the nearest town and have no other place to go. Nothing particularly unpleasant happens till they bump into Cleggs, a dangerous family gang consisting of father and his three sons who are on the run from the Marshal of the town where they recently committed murder and bank robbery.

Overall Wagon Master is no more nor less than one more precious pearl in a necklace of John Ford's wonderful Westerns. A must see. 9/10

This is a great Western drama, John Ford's lusty successor to 'Fort Apache' and 'She wore yellow ribbon'. Two drifters named Travis Blue (Ben Johnson ) and Sandy Owens (Harry Carey Jr ) are hired by leaders of a Mormons congregation (Ward Bond, Russell Simpson) as wagon masters of an expedition toward Utah frontier. They must guide a religious caravan throughout a dangerous rout formerly initiated by Brigham Young from Illinois-Utah. Along the way they meet a trio of drunks (Alan Mowbray, Joanne Dru) and some bandits(Charles Kemper, James Arness, Hank Worden) who are compared to snakes . Meanwhile Travis falls in love with Denver and the wagon train heading for the promised land.

This classic picture ranks as one of the best of John Ford's work. It contains Ford's usual themes as a community decided to build the civilization on a virgin territory, friendship and comradeship among people and ample shots while wagons run over prairies and mountains filmed at Monument Valley and Professor Valley. Interesting screenplay by Frank S Nugent and Patrick Ford, booth of whom are John Ford's habitual. Excellent starring cast as Ben Johnson - formerly remembered as the sergeant in 'she wore a yellow ribbon' , here his first main role and years later achieved the best supporting actor Academy Award for 'The last Picture Show' -, he is awesome as roaming cowhand who join a congregation migrating West. Good cinematography by Bert Glennon and Archie Stout reflecting splendidly marvelous outdoors. Emotive score by Richard Hageman with wonderful songs by Stan Jones played by Sons of Pioneers. The movie is stunningly produced by Merian C Cooper - Argosy Pictures Production- and magnificently filmed by Ford with direction assistant by Cliff Lyons. Inspired the later successful TV series titled 'Wagon train' starred by Ward Bond and some episode directed by Ford. Avoid a horrible version shown in computer-colored. Rating : Very good, better than average.

Although Ford's movie only really starts halfway through, once the traveling folk and the outlaws meet, the second half of the film is strong enough that the lengthy roundabout beginning is almost forgotten. The outlaws are plain stereotypes, painted very similar to the Clantons in 'My Darling Clementine', but the intense interactions between them and the traveling folk are worth watching for. Oddly enough, the depth of the film does not lie in the happenings between them but rather in the singing and dancing featured. Song and dance is shown as a uniting force between very different cultures, and the songs of the film are very well suited to the Old West atmosphere. The film is a mix of different things: there is a typical predictable love interest, awkward bits of humour, and of course men slinging guns. Then there is the plot of outlaws against the good guys and the almost non-related deeper ideas about bonding between different people. The overall product is rather strange and certainly not one of John Ford's strongest efforts. That said, it is good viewing once it gets going, and Ford captures the vast western landscape as well as one would expect.