Valle alegre

This was Judy Garland's last MGM film, and she had basically been a MGM lifer, being under contract there since 1937 at age 15. Judy was naturally always a little heavy, so MGM plied her with uppers to cause her to lose weight and then with sleeping pills at night so she could sleep through those uppers. The end result was a terrible substance abuse problem by the time she was 28 that MGM then fired her for. But I digress, mainly to let you know what she was working through in this final MGM musical film.

Jane Falbury (Judy Garland) works the family farm diligently, but she is in danger of losing it due to three bad harvests in a row, and then her two long time farm hands quit due to lack of being paid. Her younger sister Abigail (Gloria DeHaven) is due to come home to pitch in after failing in art school, and she does, but she brings with her the entire cast, crew, and props for her boyfriend Joe's (Gene Kelly) new musical show, which he plans to try out in her barn. Abigail somehow failed to tell her sister about that. At first Jane is going to make everybody leave, but then she changes her mind and lets the gang stay and put on their show as long as they pitch in on the farm. They have no idea how to do the simplest farming tasks, but they do their best, often with humorous results. And then Abigail abandons the show on a lark, leaving everybody in a lurch. Complications and a classic musical number starring Garland ensue.

This is not the best MGM musical out there, but it is enjoyable enough. Apparently Gene Kelly was instrumental in helping Judy Garland get through this, which is odd enough since he could be very harsh. After all he left Debbie Reynolds crying under a table after his withering criticism of her during the making of Singin' in the Rain. It's got a good cast including Phil Silvers shortly before he does so well on TV, and Marjorie Main steals every scene she is in as the farm housekeeper. Eddie Bracken is a good sport as he plays probably the most unappealing man in the history of the world as Jane's fiancee.

Sadly, this is the last film before MGM fired Judy Garland. Its sad that her life was getting shaky around this time due to the toll her drug addiction was having on her. And I think it's even more sad that it was never Judy's fault that she got addicted to pills in the first place since it was MGM and Judy's mother that forced her to start and to keep taking these pills years earlier. They made her take these addictive stimulants so she could keep working long energetic hours at the studio. Then she became addicted to barbiturates cause the stimulants gave her insomnia. She and the other MGM stars were given some barbiturate pills half hour before bed, then fell asleep, then got woken up only 4 hours later and given their first stimulants of the day, a little breakfast (they were never allowed to eat that much so to keep their weight down), then back to work. Judy worked such long hours, slept those short 4 hour nights, and ate such a low calorie diet for so many years, that it all had taken such a toll on her by this time period, around 1950. And she wasn't as up to scratch at work anymore and was missing work all the time. That's why MGM fired her. Its all so unfair. Judy Garland was one of the most wonderful gifts we ever had in this world.

Anyway, this film was pretty good but it wasn't one of the best like many of Judy's earlier films, but it was not Judy's fault. Some of the script is rather corny with the whole "goofy actors barging unannounced into Judy's barn" deal. I didn't care that much for the Phil Silvers character since he was too goofy and sorta a "bull in a China shop" kinda character. He destroys Judy's tractor, but not to be destructive, it's because he's clumsy and not smart enough to stay off a machine that he didn't know how to operate. Gene Kelly was good here but not quite as good as he was in "Me and my gal", "Anchors aweigh", and "Singin in the rain". And he and Judy, even though they are good together, did not have as much wonderful chemistry and magic together that they had in "Me and my gal". He still had a very good dance number where he kept ripping newspaper on the floor into smaller pieces with his dance moves. Judy still had some wonderful shining moments, especially when she sang including a very good song " Howdy neighbor, happy harvest" while she was riding home on her tractor. And also great in her famous "Get happy" song. Judy was engaged to Eddie Bracken, who was also sort of a goofy character, who was always irritating his dad. I liked Gloria Dehalivand as Judy's acting school sister who was the one who had the idea to stage production in her and Judy's barn to begin with. I didn't care for Judy's short hairstyle in this film as much as all her hairstyles in her previous films, but I still love Judy Garland very much. She was really one of the greatest things in Hollywood's already golden golden age.

Some moments of this otherwise B-level film are quite astonishing, like Gene Kelly's solo dance with the newspaper or the conversation between Gloria De Haven and Eddie Bracken which gently reveals their affection for each other. But the film, more or less, belongs to Judy Garland- she of the frequently strained health and nerves, who nevertheless made it all look very easy. That said, this is a good one, albeit a corny one. The hillbilly number done with Kelly, Phil Silvers, and the chorus is a bit much, but the film does show off Garland's talent for low-key, witty comedy. And "Get Happy" aside, the 'Portland Fancy' square dance which seamlessly turns into a swing duet with Garland and Kelly is probably the most enjoyable moment of the whole film. (Considering Garland's strength was singing, her dancing was quite impressive.) And my favorite Garland solo is the moonlit ballad "Friendly Star," done almost all in closeup, with the star's beautiful dark eyes on the brink of tears through the whole number. It's a pleasant swan song for her MGM era, but thankfully, her greatest musical (A Star Is Born) was still yet to come.

To look at "Summer Stock" you wouldn't think there were any challenges. Everyone seems to be having a happy time.

The remarkable thing is how Judy Garland's weight problems, due to over eating and drugs, were covered up. She looks fresh and bubbly, along with here co-star, Gene Kelly, who was pushing 40, and hankering to get on to more ambitious film projects.

The two are perfectly paired and, with the comedy of Phil Silvers and "other woman" of Gloria DeHaven, this musical comes off swimmingly.

I really love Judy's renditions of the joyous "Hello, Neighbor," the lovely "Friendly Star," and the show-stopping, "Get Happy." Her voice is in fine condition, and is a pleasure to hear. Kelly dances up a storm, and the entire production smiles with good cheer.

As one of Judy's songs go, "If You Feel Like Singing . . . Sing!" She does, and we are the lucky recipients.

I think many of the comments posted reflect what many of the posters know about the agonizing production of Judy's final film for MGM. This simple, very corny movie took months and months to shoot and Judy was either late or not appearing or collapsing. Okay. But if we didn't know that, how would we view the finished product? In my opinion none of the stress shows. Garland is by no means "fat" She is at the weight nature--if not MGM--intended. She's on the plump side. She is exquisitely photographed, and well-costumed. She's a farm girl; the over-alls make sense, as well as working to conceal her a bit. The dresses are flattering and designed to give her shape and height. Her face is lovely, still. (Four years later, in "A Star Is Born" she looks harsh and a decade older than her actual age.) Her voice is in top form, especially on "Evening Star" an unjustly forgotten gem. Gene Kelly looks fantastic and gives his all to a movie he didn't want to do. He felt, justifiably, that it was an old Mickey/Judy re-tread. And now, literally, a show was being performed in a barn! But he did it for Judy, who'd given him his movie break in "For Me and My Gal" back in 1941.

It goes on, and meanders, as so many MGM musical do, but it is still a satisfying, enjoyable example of the genre.

And, for all the "hokcum", sentiment and predictable outcomes, "Summer Stock" also offers Judy's best dancing sequence, ever--in any film. For Miss Garland to have risen to the challenge offered, in a movie that offered so few, and in her emotional distress...well, that's genius, folks.