El Enmascarado Negro

Blowing your brains out is the answer and that's just what Daffy Duck ends up doing.

The cartoon opens in the office of one of the Warner Brothers producers. Daffy is trying to get him interested in making a movie from his 1000 page script 'The Scarlet Pumpernickel'. Daffy plays a swashbuckling hero/thief who would like for no more than to marry his maiden in peril. But Sylvester is out to catch him and take her for himself.

The producer likes Daffy's script but need a bigger ending. How about a tidal wave? Not good enough? And a volcano explodes? Not good enough. But there's nothing left for the Scarlett Pumpernickel to do but blow his brains out?

Blam!

I love that Duck.

Scarlet Pumpernickel, The (1950)

*** (out of 4)

Daffy Duck, tired of playing comedy roles, goes to J.L. Warner with a new swashbuckler screenplay and begins to read it. It features our hero (Daffy) trying to save the woman he loves from her evil father (Porky Pig) and the man he wants to marry her off to (Sylvester). This film has a lot of heart and imagination but not enough laughs to make it one of the best from Merrie Melodies. The visual animation is top-notch from start to finish with some beautiful looking backgrounds especially those inside the castle. The wedding scene in pedicular stands out as does the ending where we see a volcano go off as well as a dam break. Sylvester is pretty much wasted in the film as is Porky but we do have Daffy going all out.

This cartoon starts out with Daffy Duck in J. L.'s (Jack L. Warner's) office pitching for a dramatic role. He's tired of having anvils drop on his head and never getting the girl. In his buildup of the proposed plot, he has J. L., and us, on the edge of our seats.

This is not your typical Looney Tunes fair. It's a roller coaster ride of slapstick comedy, cameos and that special brand of humor from writer Michael Maltese, all beautifully animated by one of the best crews ever assembled. It's a welcome departure from the formulaic series that the Warner Bros. cartoon factory from this era did so well, but the recipe from this one was to be tried out again with great success in later Daffy Duck shorts (Duck Dodgers, Stupor Duck).

The Scarlet Pumpernickel is a great and very interesting take on the Alexandre Dumas classic The Scarlet Pimpernel. The short starts with Daffy getting frustrated at only being typecast in comedy, and reads HIS version of the classic to the producer. The rest is a roller-coaster of priceless performances from the toons, swashbuckling and sight gags complete with references to Errol Flynn, with an unexpected ending to boot. The animation is pretty much spotless, and the music is rousing. The story is fun, and there are some many good moments, so much so I cannot think of my favourite part.

The toons however are the real stars here; Daffy takes on the role of "The Scarlet Pumpernickel" and does so with gusto. Porky is given little to do but does what he can with The Lord High Chamberlain, while Sylvester relishes his part as the Duke. Also Melissa is a very beautiful and cute duck I think. All thanks to the marvellous vocal talents of the immortal Mel Blanc. All in all, hugely entertaining. 9/10 Bethany Cox

We've all seen the images of up-and-coming writers trying to pitch their work to studio heads. Well, in "The Scarlet Pumpernickel", Daffy Duck is trying to pitch his 2,000-page script to studio head J.L. The script casts Daffy as the Scarlet Pumpernickel, an 18th-century rogue. Seeking to trap the guy, the dastardly Lord High Chamberlain (Porky Pig) comes up with a most devious scheme: marry fair maiden Melissa off to the unpleasant Grand Duke (Sylvester the Cat). So, it all comes down to a sword-fight between Daffy and Sylvester.

Actually, it doesn't come down to that. Daffy never wrote an ending, and so at the spur of the moment, he comes up with an ending that seems a little strange to put in a cartoon. But, as he notes, that's apparently what you have to do to sell a script these days. The cartoon makes fun not only of movies starring Errol Flynn (whom Daffy mentions by name), but also of everything Hollywood-related. Chuck Jones, Mel Blanc, and that whole team probably knew all about such things. Another classic cartoon.