La linda embustera

I saw this movie on a channel that ran old movies all day many years ago. Something about it just stuck in my head. It is really sweet and funny. Using the doll to get a seat to and from work always struck me as enterprising. The poor girl gets in over her head when the well-meaning Cyrus starts encroaching on her life. I would love to see this movie again. I think it would be great as a remake set in today's society (although would a person give their seat up for a mother with a baby nowadays?).

Delightfully absurd comedy in which Betsy Drake plays Patsy Douglas, a secretary working for an advertising agency. Their most important account is Baxter's Babyfoods, and since Patsy has noticed that women carrying babies get given seats on the subway, one night she steals the discarded doll that has been used in the advertising display, in order to get a seat on her way home. It just happens that Cyrus Baxter (Edmund Gwenn) owner of Baxter's Babyfoods, is travelling on the same train. This leads to unforeseen complications, and Patsy finds herself having to play the role of single parent to her 'baby'. Then thing start to get really complicated. The whole thing is very silly but great fun.

I really loved Betsy Drake. During her marriage to Cary Grant, I had always wondered if she couldn't have brought off a mad-cap comedy something like the many that Cary Grant had made over his career.This movie fits the bill PERFECTLY!!

Like Will Success Spoil Rock Hunter? (1957) it is about the advertising industry. But, this one seems more natural--not as forced. Also, we get to see Dennis Morgan, Zachary Scott, and Edmund Gwenn in funny situations such as we have never seen them in before. Here, Dennis Morgan is more than just a singer in for light comedy (he actually gets mad and frustrated here). Zachary Scott proves he can be funny too, and Edmund Gwenn shows how angry and totally confused he can be in this zany situation.

The story: Sam Morley (Dennis Morgan) heads up an advertising firm, and Barry Holmes (Zachary Scott) is his right-hand man. Patsy Douglas (Betsy Drake) works at the firm as a lowly mimeograph operator, but is infatuated with her boss, Morley. One day, Morley's secretary quits her job to get married, and Patsy is chosen to temporarily take her place. She is a failure as a secretary and is soon to be replaced.

However, at the same time, she wins over the firm's chief advertiser, Cyrus Baxter (Edmund Gwenn), owner of Baxter Baby Food—the largest company to advertise with Morley's firm.

How does she win him over?

She does it as the mother with a baby named after Cyrus Baxter while the two happen to be riding in a subway together. However, the baby (covered by a blanket) is not real; it is a doll from the hallway display that Patsy had taken from the advertising agency in order to get a seat in the subway. After being flattered that Pasty would name a baby after him, the normally grouchy Baxter insists that she work on the Baxter account--or he would take his million-dollar account elsewhere. But, what should Morley and Holmes have the untalented Patsy do? Copywriting, i,e, making up advertising jingles for Baxter Baby Food.

The story is zany and fun. It also shows us how to break up a fit of anger: by just start reciting Longfellow's poem, The Song of Hiawatha. If you can say "On the shores of Gitche Gumee..." and still stay angry, you are hopeless.

A thoroughly enjoyable piece of fluff. Nothing to deep just a well cast, well acted hour and thirty two minutes of entertainment. I just stumbled across this film and hand't checked to see what it was about or who was in it. I'm glad I didn't though; based on the description I might have skipped this little gem. Dennis Morgan and Zachary Scott were both great, as was Betsy Drake. But as usual Edmund Gwenn stole the show. I'm surprised they could find stars to work with him; he always effortlessly stole the show in anything he was in. I recently saw him in" Them"; a low budget sci-fi film and he added weight that part as well. This story starts out with a simple inadvertent dissection by young women that just wants a seat on the subway. That simple act winds up complicating her life, like she never anticipated. And others wind up draw in by their own assumptions. This is a prime example of late forties, early fifties comedy. And is a dramatic demonstration of how much the world has changed in just fifty years. People watching this film from the viewpoint of someone born after 1960 won't recognize the morals or values in this film. But this really is the way most people were like back then; for the most part. So it's a humorous character study, and another glimpse of time gone by.

Six stars may be pushing it a bit in the rating of this film. "Pretty Baby" has a clever plot device - the use of the female lead, Patsy Douglas, of an actual doll wrapped in a blanket to give the impression she has a baby. This is to get her a seat on the subway system.

This is 1950, so women have been "liberated" and male chauvinism is a thing of the past. Where men formerly gave up their seats to women on buses and trollies, the liberated women now fend for seats with the men. Betsy Drake's Douglas is all for the progress that has been made, but she would have preferred that some of the old manners hadn't been thrown out with women's "liberation."

The scenes with Patsy's doll baby and a few others have some comedy. But there's nothing here to evince rollicking laughter. Edmund Gwenn is very good as the grumpy Cyrus Baxter. Some may think that Gwenn is out of his usual character (i.e., his Kris Kringle from "Miracle on 34th Street"), but Gwenn was an accomplished actor who played diverse roles - including some grouchy or distasteful characters.

The other leads, Zachary Scott as Barry Holmes and Dennis Morgan as Sam Morley, are okay up to a point. But Morley's falling for Patsy just isn't believable. There's nothing in the screenplay to even give a hint of romantic inclination on Morley's part - although there is on Patsy's part initially. All of his encounters have been with a fumbling, accident-prone Patsy. He has been upset with her and even though a plot twist leads to her keeping her job, there's nothing romantic until the very end when Morley just suddenly falls for Patsy. It actually came across as a dumb, poor ending as though the writers couldn't think of anything better.

And that gets to Betsy Drake. While she made a few comedies, she had a certain innocence yet intelligence about her persona. So, one tends to like the characters she plays. But she definitely is not a laugh-inducing comedienne. Nor does she have a personal that suggests or invites romance.

As I said, it's a stretch to give this six stars, but most people should enjoy the film and may find it somewhat amusing.