El misterio de la playa

The somewhat generic title "Mystery Street" offers no real clue as to what is contained therein, and belies the fact that this film exhibits some very contemporary themes and devices. It is partnered with "Act of Violence" on a "film noir" DVD which offers an excellent evening of entertainment from two lesser-known movies of that genre.

Ricardo Montalban plays a Portuguese-American police detective trying to piece together the clues left behind by a skeleton found buried in the sand dunes near Hyannis, Massachusetts. The proceedings are a definite precursor to TV's "C.S.I." and similar series devoted to police forensics and procedures, and a crime lab run by Bruce Bennett at Harvard University features prominently. It's no secret to the audience who the skeletal remains are, but it is for earnest, hardworking Montalban to discover for himself.

In the process, the youthful Montalban interacts with several potential suspects and witnesses, all the while treating us to his special brand of Latin charisma that made him so popular with female audiences. He's in fine form, confident and looking great in a trench coat and fedora, although sometimes his accent gets a tad in the way.

The stellar supporting cast includes fabulous Elsa Lanchester as an avaricious and corrupt landlady who soon finds herself in over her head. Her expert dramatics are priceless, and she is allowed ample screen time to flesh-out a unique character who is both compelling and repulsive. Next mention should go to beautiful Jan Sterling in a pivotal role of a cynical but desperate dance hall girl looking to strike it rich. Marshall Thompson and Sally Forrest appear as a young married couple with their share of problems and more than a few secrets. The rest of the cast is filled with great little cameo performances, most with one scene each in rapid-fire succession.

So fans of classic police drama will find much to enjoy in "Mystery Street," a movie which certainly foreshadows current trends in that genre, and gives fine actors a great showcase for their talent.

**** out of *****

Though the script is B-grade, the terrific cast and cinematography make "Mystery Street" a fun movie to watch. The story lacks depth and substantive twists, and the fractured plot suggests a weak structure. Focus oscillates back and forth among a number of characters. As a result, viewers come away with a sense that the film is an ensemble piece when in fact it isn't.

Jan Sterling is well cast as Vivian, a young, blonde hussy who is in trouble with the wrong people. The great Elsa Lanchester provides grotesque comic relief as the dithering but nervy Mrs. Smerrling, Vivian's smarmy, slithery landlady who's very fond of money. And Ricardo Montalban is surprisingly good as Morales, a novice Boston detective trying to solve a murder. Part of the plot provides a good account of then-current forensic science, as Morales pieces together detailed biological clues.

Gorgeous B&W photography makes this film quite atmospheric. Off-kilter angles in some scenes, shadows, silhouettes, a forced perspective, along with Gothic set decoration render interesting visuals. I especially liked those scenes that contain mostly blackness punctuated with bits of light. The look and feel is very 1940s, with scenes at a seedy rooming house, a tawdry bar called the Grass Skirt, and sleazy music to match.

The main reason I chose to watch this film is because of the mystery genre and the casting of wonderful Elsa Lanchester. The "mystery" was a tad disappointing, but Elsa was sheer delight.

"Mystery Street" contains a story that is acceptable if not first rate. But the cast and B&W noir visuals are terrific, making this an above-average film, one I would recommend.

The blackmail scam has been done ad nauseam but not quite like actress Jan Sterling who plays Vivian Heldon the sexpot who seemed to have too many dates until her last scheme went sideways on her. She ends up as the murder victim. The poor sap who was last seen with Vivian (the victim) alive was Henry Shanway (played by Marshall Thompson) who just happened to be at the wrong place, and at the wrong time. Henry happened to be seen in the company of the murder victim Vivian Heldon leaving a bar. Vivian was reported missing six months earlier by another boarder who resided in the same rooming house where Vivian was known to use the landlord's downstair hallway phone regularly to call her male companions.

As this film was released in 1950 I was more than impressed with the manner in which the lead detective Peter Moralas (played by a young looking Ricardo Montalban) teamed up with Harvard University doctor/scientist named Dr. McAdoo (played by Bruce Bennett. We are witness to one of the first times that the use of forensic science is used in the murder investigation process within a film.

In 1950, this new forensic procedure(s) must have been quite impressive to the general movie audience witnessing it for the very first time. The new police investigative procedures used must have also been even more scarier for any yet to be discovered and unknown murderers. Murderers who had yet to be captured in 1950 were most likely perspiring quite heavily after watching how the detective and scientist had teamed up and meticulously gathered scientific evidence. Their evidence was used to determine who the murdered person was, whose bones were discovered buried in the sand by the evening tide after washing ashore, how she had died exactly, and by what type of weapon.

I also liked that unlike many of the crime TV series of the era and that have been released over the past five (5) decades, in this film, the lead detective Peter Moralas who was eager to make an arrest based on the existing evidence leads to an innocent man being arrested and tried for the murder. The film has excellent depth and the audience can see how Detective Moralas may have prematurely come to his conclusion on the murderer but both his conscience and his most qualified medical/scientist Dr. McAdoo convince him to keep digging just in case someone else is guilty and is covering up who the actual murderer may be.

The film is a very good crime/drama/mystery with good acting and an intriguing plot filled with sex, greed, suspicion, blackmail, assault, and of course the earliest signs of how forensic science has assisted in determining the W5, who, what, why, when and where of a murder victim.

This is a movie well worth seeing.

This film gets some notoriety because it introduced audiences to forensic science long before "Quincy" and "CSI" became hit shows on television. But don't be misled: forensic science is only a part of this film; it is not like watching a CSI episode. It's mainly simply a crime story where we meet a bunch of characters responsible for a killing that took place.

I thought the leading characters, played by Ricardo Montalban and Bruce Bennett, were upstaged by a couple of ladies, namely Elsa Lanchester and Jan Sterling, although the latter is killed off quickly. Too bad; I always found Sterling a fascinating actress and someone well-suited for film noir. Don't get me wrong: Montalban is a solid actor, a lot more than the "Love Boat" guy people remember him for. The same goes for Bennett, but neither has a lot of spark in here. By the way, if you liked Montalban in this kind of movie, check out "Border Incident," a noir he starred in the previous year.

This particular story won't keep on edge because we know early on who is the murderer. Like a "Columbo" TV episode, the fun is seeing how the cops figure it out. "Lt. Morales" (Montalban) gets valuable help from "Dr. McAdoo" (Bennett) is piecing the case together.

It's "Mrs. Smerling" (Lanchester) who is the most fun to watch in this film. I think most viewers would agree with that.

The movie certainly gives a lot of favorable publicity to the Harvard Medical School. I remember watching this and thinking the school must have bankrolled the movie, it's gets so much positive air time.

Finally, it's nice to see this on DVD. If it hadn't been included in this "Film Nor Classics collection Vol. 4" set I probably never would have seen this film. The transfer is fine, highlighting the wonderful black and white cinematography we film noir fans so enjoy. Kudos to photographer John Alton and director John Sturges for that. Alton was behind the camera on a number of beautifully-shot film noirs of the late '40s

A simple, clear plot that doesn't interfere with the power of the personal stories within. In its day it would've been shocking for showing the murder, and the discovery of the body. Good acting from a young Montalban.