Vivirás tu vida

Marlon Brando's screen debut is a strong one and the film is very hard hitting for 1950's cinema. But the real pleasure is watching Jack Webb, especially in his scenes with Brando. Webb was a much better actor than he is given credit for, (he's in several good movies of the period and is consistently good), before allowing himself to be typecast as the no-nonsense Sgt. Friday. I love watching films from early in actor's careers before their careers took different paths. It's fun seeing "Joe Friday" interact with Hollywood's bad boy. The TV guy more than holds his own.

Marlon Brando's feature film debut was in this small budget independently produced film The Men about paralyzed World War II veterans and their adjustments. The Men also came out at around the same time as Warner Brothers Bright Victory about blind veterans and their adjustment to society.

The Men did not have the strong support of a major studio, but it had Marlon Brando who was winning raves at this time for his portrayal of Stanley Kowalski in Streetcar Named Desire. Many a time Broadway stars before and since did not recreate their career roles on film because Hollywood wanted box office insurance.

Stanley Kramer's independently produced film, risked no money for a major studio and proved Marlon Brando could both be a screen presence and a box office draw. So Brando and the entire Broadway cast with the exception of Jessica Tandy got to preserve A Streetcar Named Desire as it was first seen on stage on the strength of his good notices for The Men.

Brando dominates the film with combination of charm and bitterness not too many other actors could achieve. He's condemned to a wheelchair, not sure what if any of the functions of his lower body he will be able to use and control. His bitterness nearly drives away Teresa Wright who loves him in spite of all.

Look for good performances by Howard St. John and Dorothy Tree as Wright's parents, Everett Sloane as the doctor treating spinal cord injuries like Brando's and Richard Erdman as Brando's horse playing veteran friend. You might remember Erdman from Stalag 17 as barracks chief Hoffman. He's just as good here in The Men.

The wars change, but the injuries to life and limb to our armed services remain the same as do the problems therein. In that sense The Men is a timeless classic and the debut of a legend.

This magnificent film begins with a written prologue as : ¨In all wars , since the beginning of history , there have been men who fought twice . The first time they battled with club , sword or machine gun . The second time they had none of these weapons. Yes , this by far was the greatest battle. It was fought with abiding faith and raw courage and in the end victory was achieved . This is the story of such a group of men . To them this film is dedicated¨ . It deals with an ex-GI named Ken (Marlon Brando who follows the Stalislawski method from Actors' Studio) who as a result of a war wound suffers paralysis and is wheel-bound. In the hospital back home, he is depressed and the isolation young thanks the approval and help of the good Dr. Brock (Everett Sloane) and his former sweetheart Ellen (Teresa Wright) who manage to bring him out of it , as ken gets redeem himself . Ken's depression caused for his paralyzed below the waist is also overcome with the witty friendship of his fellow patients, especially the sly Norm (Jack Webb), the sympathetic Leo (Richard Erdman) and hunk young Angel (Jurado). Soon Ken throws himself into the job rehabilitation and later a long period of physical therapy even suspects he may regain the utilization of his feet. After that , he and Ellen marry, but on their wedding night both have sadness, misgivings and grief about their future , then bitter Ken reverts to self-pity. Ken drives nutty a car and takes place a crash accident . The newspapers publicize : ¨Paraplegics cited for drunk driving¨. Then he goes back to the hospital.. .

This is a thoughtful flick with interesting storyline by Carl Foreman relies on wonderful interpretations and slick realization . Subtle performance from Marlon Brando in his screen debut as depressed paralysed young who pass through an initial period of bitterness and sorrow to spontaneous blazed anger and splendid Teresa Wright as his faithful fiancée . Everett Sloane steals the show as intelligent and realist doctor . Marvelous relationship among the main players , both of whom must attempt to build their new life full of difficulties and problems . Furthermore , special mention to ¨ Forty five of the men veterans of Birmingham Administration Hospital ¨. Though the characters and events depicted in this Photoplay are fictitious and similarity to persons , living or dead is purely coincidental. Atmospheric cinematography in black and white by Robert De Grasse A.S.C . Sensible musical score composed and conducted by the classic musician Dimitri Tiomkin. Atmospheric production design by Edward Boyle though is mostly set at a Hospìtal .

The motion picture well produced by Stanley Kramer - National Film Release- and is stunningly directed by Fred Zinnemann who had a lot of experience from his formers classic films as ¨Act of violence , Seventh cross , Eyes in the night , The search ¨, among them. Rating : Above average . Well worth watching.

I saw this movie when I was 12 in England. After years of glorious positive movies about WW2 this was quite an eyeopener for me. I thought it was going to be a war combat picture. That ended real fast when Squad-leader Brando gets hit. You see Brando leading his infantry squad through devastated country side of war-torn Europe. Brando moves around the corner of a dilapidated farm house when suddenly a machine gun hits him and down he goes. The story then begins with the wounded soldier joining other bitter vets in a VA hospital. I was very impressed with this story. A great portrayal of what ordinary people who become war heroes have to live through when their minds and bodies are shattered. One scene that stands out in my mind is the one where Jack Webb quotes from Shakespeare's "perchance to dream" speech.

This 1950 film had a triple threat in bringing it to the screen. There was Stanley Kramer producing, Carl Foreman writing and Fred Zinneman directing. Mr. Zinneman also distinguished himself as a director with the likes of FROM HERE TO ETERNITY, THE SEARCH, MAN FOR ALL SEASONS and THE NUN'S STORY. The film is also under the title of BATTLE STRIPE.

It marked the introduction of Marlon Brando to the movie goers fresh from his Broadway success as Stanley Kolowski in STREETCAR NAMED DESIRE, which he also brought to film. And what a debut this dynamic actor made in the world of film and acting. It was the time of James Dean, Montgomery Clift and Brando.

Brando plays a war veteran, paralyzed in combat, facing the torturous ordeal of rehabilitation as a paraplegic. He is thorough and totally convincing in the role. Playing his fiance and eventually his wife is the lovely Theresa Wright, in another heartwarming performance that is expected of her. She works well with Brando, which, I'm sure, was no easy task.

In supporting roles, outstanding were Jack Webb and Richard Erdman as fellow veterans. Webb was excellent and far from his DRAGNET persona. I also liked Everett Sloan as the doctor who had to deal with watching "the men" face the reality of the world as it was. Arthur Jurado plays a young veteran that works hard to bring himself back to normalacy, whatever that is. There were 45 Men of Birmingham Veteran's Hospital playing themselves.

An excellent picture of it's time. And Brando's film legend beginning. A time when he was in top form with such films as STREETCAR, VIVA ZAPATA and THE WILD ONE that soon followed.