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Not the best film that Hedy Lamarr has been in, but certainly another chance to enjoy this incredibly beautiful and talented actress. She made this semi-documentary film noir after Samson and Delilah. Supposedly, she got paid some big bucks as she was a hot property at the time.

The story takes place in pre-Castro Cuba, but it is basically the same as today. It was a jumping off spot for refugees from Europe who wanted to come to the US. Hedy plays a Buchenwald concentration camp victim that has been bouncing around, is broke, and only 90 miles from her dream.

She runs into an INS agent (John Hodiak) that is working undercover to find out about the smugging into the US. Director Joseph H. Lewis was more familiar with westerns, and you can see that here as Hodiak ends up playing Dudley Do-right and rescuing Nell (Lamarr) from Snidely Whiplash (George Macready, who plays a great cultured bad guy).

A quality story, it's not, but. hey, we came here for Hedy.

Before they went wide screen MGM, had a brief period of taking on likely action movie directors and pouring more money into their work than they or the audience were used to. Anthony Mann benefited with BORDER INCIDENT. John Sturges got THE PEOPLE AGAINST O'HARA and Joe Lewis scored this sweaty thriller, where the character people who enlivened his Columbia work can be seen milling round behind Metro's contract leads.

The director was demoted to B movies after this, rather unjustly, as it's not only probably his most ambitious outing but also a very efficient entertainment. Lewis' handling breaks through the Metro gloss occasionally - the facing profiles of the death struggle, McCready firing into the fog after Hodiak has tricked him.

The immigrant smuggling story adds surprising elements like the professionalism of the bad guys. "If he is killed he will be replaced - probably by a smarter man."

One of the best aspects is the film's picture of Cuba, with Hodiak squiring Hedy's double round the real city along with studio construction which runs to a functional tramway, art director interiors and back projection. The seedy, fading opulent hotel the leads share is particularly evocative.

While the process work occasionally shows, the model plane crash is a considerable set piece.

The glamour shots of Hedy reveal the studio input, not altogether to the film's advantage. She acts well enough and looks mature-appealing with the hints of having been around enough to accept McCready's protection.

Surprisingly sympathetic treatment of aliens "A little thing like an accent, a foreign name will set you apart" relates to the Dore Schary era multi culturalism of BAD DAY AT BLACK ROCK or BORDER INCIDENT again.

Good film noir with Hedy Lamarr and John Hodiak. I think John Hodiak was a weak choice for this film; but I think that piece of casting was due to the low budget of this film; Hedy was reputedly paid $90,000, because of 'Samson and Delilah' This film could have obviously been better. However, I am a big Hedy Lamarr fan, and I thought 'Lady Without Passport, A' was a good film.

The lady from the title refers to Hedy Lamarr. However, although her character is referred to in the title of the film, she really is not the star of this picture. Instead, John Hodiak is the star and he does a very nice job playing dual roles--an American immigration agent as well as a stateless Hungarian.

When the film begins, a man is accidentally run over when escaping from someone. Why folks are chasing him isn't certain...and you learn more about this as the film progresses. It seems that this unknown dead man is an illegal alien...and clues on his body point to his having just been in Cuba. So, Peter (Hodiak) goes down to this island nation to investigate...with the help of the local police. The trail then leads to a smooth but deadly jerk, played very well by George Macready (he played snake-like characters very well). So how is pretty Hedy involved? Watch the film.

I think for Ms. Lamarr, this film was a letdown and didn't do a lot for her career. Now it isn't because it's a bad film at all...it's very good. But she isn't given a lot to do but look pretty...even, inexplicably, during a trek through the Everglades near the end of the film...and her makeup and hair look superb!!! I live in Florida and even if this had been in the middle of winter, she sure COULDN'T have looked that perfect! Well worth seeing...and an interesting and unusual plot.

History repeats itself, again and again. Cuba was a magnet for people running away from Europe, before and after WWII. The country was a stepping stone for entering legally, or illegally, in the United States. At that time Cubans lived somewhat placidly in their land, but as things changed there, they are the ones trying to escape from the horrible conditions in that country.

We are taken along to Havana by an Inmigration officer trying to find who is behind the smuggling of illegal refugees into America. This officer gets to know soon after his arrival the connection is Polinov, a shady character who has a pretty thing going operating from his Gulf Stream bar in the old section of town.

Joseph H. Lewis directed this MGM film that has a look of being a B type picture, even though Hedy Lamarr was the main attraction going for it. Ms. Lamarr was totally wasted in the movie. As Marianne, the gorgeous woman who wants to get to America, she shows hardly any emotion and is, in general, a bland addition to the film. John Hodiak shows some intensity and speaks with a heavy accent. George Macready is the evil Palinov.

The film shows a few scenes taken in Havana in all its beauty.