The Happiest Days of Your Life

A bumbling error at the Ministry Of Education results in Nutbourne Boys School having to share with St Swithin's School For Girls. This bemuses the respective head teachers of each school and leads to all manner of chaotic goings on, however the two are forced to come to an uneasy alliance in the hope of averting major trouble.

The Happiest Days Of Your Life is based on the John Dighton play from 1948, with Dighton writing the part of Headmistress Whitchurch specifically for Margaret Rutherford. Replacing George Howe from the play in the role of Headmaster Pond, is Alastair Sim, and herein lies the crowning glory of this filmic adaptation, Sim & Rutherford are perfectly wonderful, bouncing off each other to keep what is basically a one joke movie, highly entertaining. Directed by the gifted Frank Launder, and produced by the equally adroit Sidney Gilliat, The Happiest Days Of Your Life is a quintessentially British movie, obviously a precursor to the St Trinians franchise, the film entertains the children with it's high jinks clash of the sexes heart, whilst tickling the watching adults with its very saucy undercurrent. Thankfully the chaotic ending cements all that has gone before it to leave this particular viewer with a grin as wide as Nutbourne Rail Station. Great fun. 8/10

No point in giving too many plot details here, just take the basic premise of an all girls school being assigned to an all boys school by mistake, add that on the same day the girl's headmistress has to show a group of visiting parents around while the boy's headmaster (who is due to be promoted to a senior position at a new college) has to show his new employers around and I think you'll get the picture.

This fifty year old comedy wears well. The pace is frantic, like a French farce with doors opening and closing and much dashing along corridors with split second timing as the two groups try to avoid each other. Magaret Rutherford and Alistair Sim ham it up superbly and there are many familiar faces in the supporting cast, all of whom react with great professionalism. At ninety minutes the film doesn't out stay it's welcome, and there's even time for a little romance that doesn't slow up the action one bit. Incidentally I had forgotten how sexy the gym outfits of English schoolgirls of that period were. It bought back memories.

This film is just plain lovely. It's funny as hell and as old as the hills. The acting is superb and it's fascinating seeing post-war Britain and how we used to behave in those days. This seems to have been some pre-runner to the St. Trinians films (given the Alastair Sim and Margaret Rutherford connection - there's also a very young George Cole in there who appeared in many St. Trinians films) but I don't myself understand the connection. It was shown on BBC4 recently after a biography of St. Trinians creator Ronald Searle, however I missed enough of the biography to miss the connection with this film. Anyway a great film in its own right and something that should be preserved for all time!

This film, without doubt, is the clearest example of the British humour the Germans can't understand. One-liners run rampant in a film spawning one of the greatest series of films in British cinema history (St.Trinians). The story of bureaucratic incompetence amid post-war trials enables Frank Launder to direct maximum talent from all the cast. It's probably the only film in which Margaret Rutherford meets her match, in Alastair Sim, for forceful characterisation (she still wins though). Joyce Grenfell (bless her) and Richard Wattis both deserve mentions in Dighton's masterpiece of English etiquette and stiff upper lip under pressure.

No Rutherford/Sim/Grenfell fan would be without this in their collection. Absolutely brilliant. Why 9/10? Only 83mins long.

From the golden period of British films, this has my vote for one of the funniest of all time. Screened yesterday at my Film Society to a rapturous audience, I was astonished at how well the comedy has lasted (made in 1950!). It is really down to the expert timing and inimitable playing from two of the finest actors Britain has produced: Margaret Rutherford and Alastair Sim. Adapted from a play by John Dighton, this farce is briskly handled by director Frank Launder. The plot is simple: A ministry mistake billets a girls' school on a boys' school. I will always laugh when I think of this film.