Secreto de Estado

State Secret casts Douglas Fairbanks, Jr, as an American doctor practicing in London who goes on a goodwill tour behind the Iron Curtain to demonstrate a ew surgical technique.

Fairbanks is wined and dined and feted and then performs the operation and bad for him that he recognizes his patient is the country's dictator.

The secret police in the person of Jack Hawkins try to hold him, but Fairbanks escapes in possession of one of the biggest State Secrets out there. The rest of the film is Fairbanks and his efforts to flee the country.

Fairbanks gives a wonderful portrayal of a trapped man. Not knowing the language is a frightful and almost insurmountable barrier. A meting with Glynis John who is an entertainer who speaks English because her mother was from the United Kingdom is a godsend. Their scenes together as Fairbanks tries to persuade Glynis to help are special.

The atmosphere shown of the omnipresent state is the best thing about State Secret. Another special performance is that of Herbert Lom as a fixer who will help if it suits him for a price.

State Secret is one excellent Cold War drama/

I viewed this film at Cinevent in Columbus, Ohio on Memorial Day weekend, 2001. It is one of Fairbanks's best performances. He is believable as an American physician brought to a eastern European nation under false pretenses. When his patient, the current dictator, dies he is slated to be killed as part of the coverup. He escapes with the unwilling aid of a cabaret singer (Glynis Johns), a stranger who is the only person he can find that speaks English. The story is told in flashback and contains some highly tense moments of an escape over high mountains and a bit of comic relief provided by Herbert Lom. First rate! I hope this film can be released on video or seen on television. It shouldn't be missed.

"State Secret" is one of the best political thrillers that I have ever seen. The storyline, script, acting, photography and direction are all top notch. Considering that the film is over 50 years old, it does not seem dated at all; in fact, the plot could easily be applicable to this day. Douglas Fairbanks manages to convince in his role as the visiting American surgeon, but it is the supporting cast - Glynis Johns, Jack Hawkins and particularly Herbert Lom that runs the show. Lom has one of the best one-liners in Hollywood history when he disdainfully tells Fairbanks "Oh please, don't say that it is the principle of the thing....that usually turns out to be so much more expensive!" Sidney Gillat's direction keeps the pace brisk & eventful. A must buy on DVD, certainly for me.

Douglas Fairbanks Jr. has invented a new surgical procedure. He's invited to a European dictatorship to demonstrate it. He discovers in mid-operation his patient is the country's dictator. When the dictator dies, the authorities, in the person of Jack Hawkins, can't let anyone know, so Fairbanks ... escapes and so begins the movie.

It's Sidney Gilliat doing a Hitchcock thriller on his own, and doing it very well, thank you, with a fine cast, with heroine Glynis Johns showing up a third of the way into the movie in a cheap music hall singing "Paper Doll" very badly and Herbert Lom hilariously sleazy as a black-market fixer. There's an exciting mountain-climbing sequence shot in the Dolomites and the entire movie is shot through with a sardonic cynicism that is capped with Miss Johns' closing words to the show.

1950 was a great year for films, but for some reason two fine ones came out that had the same plot line (with variations) set in two different parts of the world. These were CRISIS and STATE SECRET. CRISIS was set in Latin America, in a country run by a dictator and his cronies, similar to the Perons in Argentina. The dictator (Jose Ferrer) has a brain tumor, and when an American brain surgeon (Cary Grant) and his wife come to the country on a vacation, the dictator puts pressure on the brain surgeon to perform secret surgery on him. Grant also has pressure on him by the local revolutionaries (led by Gilbert Roland) to botch the operation.

STATE SECRET was a British film starring Douglas Fairbanks Jr., Jack Hawkins, Glynnis Johns, and Herbert Lom. Vacationing in a Balkan state that is not totally Communist (read Yugoslavia), Fairbanks is pressured by the head of the Secret Service (Hawkins) into operating on the Genreralisimo (a type of elderly version of Tito) who is gravely ill. When, after an initial period where the patient is responding well to the operation, the dictator dies, Fairbanks realizes that his life is in danger (Hawkins can't have the death of the dictator revealed so early - there has to be a replacement ready in the wings). Fairbanks' adventures in fleeing (aided by Johns and Lom) are the basis of the plot.

I find the sociological background to Latin American politics in CRISIS better than the Balkan background to STATE SECRET, but there are nice touches. Hawkins is a dangerous foe, but he is a man with an astute political brain. Lom (playing his normal villainous type: a blackmailing scoundrel) turns in a superb comic performance when he unwittingly stumbles on a secret he'd prefer never knowing at all. Fairbanks Jr. was always underrated as an actor, because too many critics saw him as trying to carry on the tradition of swashbuckling films his father made famous in the silent period. But he was better than that, and shows real, growing concern for Johns and her safety as the film continues.

If possible try to see this and CRISIS together, to see which one is better. I bet you will find that an impossible choice. Enjoy them both.