El halcón y la flecha

Both this film and The Crimson Pirate established Burt Lancaster's reputation in the swashbuckling genre. When discussing Lancaster's career even with Oscar nominations and one Oscar for roles vastly different than who he plays in The Flame And The Arrow, I find it fascinating that so many still refer back to these films and label Lancaster a swashbuckling star like Errol Flynn.

Taking place in medieval Lombardy, the province is part of the Holy Roman Empire and they have a particularly evil Hessian provincial governor in Frank Allenby, known as "the Hawk" for his partiality to falconry and for his rapacious designs. Five years before, Allenby just took for himself the bored wife of Burt Lancaster played by Lynne Baggett leaving him to raise their son Gordon Gebert.

Now however Allenby at Baggett's suggestion comes in and takes Gebert away from a wounded Lancaster. Up to this time Lancaster has lived isolated in the mountains. Now he finally decides to join the rebels in revolt against Allenby and the Empire. Nothing like a little child stealing to provide motivation.

Before taking up acting Lancaster and his partner Nick Cravat were circus performers and his natural abilities in that direction made producers want to cast him in films like The Flame And The Arrow. But Lancaster knew his talent and always tried and succeeded in getting better parts. He never did want to have the career of Errol Flynn.

Burt also gets the opportunity to romance Allenby's niece Virginia Mayo who is being offered to a recently impoverished count Robert Douglas in the hopes of peace and unity. Douglas however is working an agenda all his own in The Flame And The Arrow. Mayo is curiously enough the mirror image of Baggett. She's bored with court life and finds certain attractions among the peasants especially the lusty and charismatic Lancaster.

And Burt has the charisma going full blast in this film. As well he would have to, otherwise why would the peasants be following him. It's an expansive part and no one could be as expansive as Burt Lancaster when the part called for it.

The Flame And The Arrow holds up well today. It should as it has a universal theme of a man protecting his child.

One of the more enjoyable swinging-from-the-chandelier-with-a- -sword adventures made a la Erroll Flynn. A lively pace, loads of action, a witty-if-fluffy script, an enchanting score, good performances, and above all an incredible number of acrobatic stunts make this utterly enjoyable. Lancaster had been a circus acrobat before he got into films, and managed to work every stunt he could do into the script. He even balances and poses on the top of a 20-foot pole, for real. I'm still amazed that a guy that big could be so good.

(This film also had an ongoing effect on Hollywood: At the time Lancaster's career was fading, he was typecast as a big dumb lug in the kind of Film Noir that was rapidly going out of fashion. He realized that he had to do something, and rather than rely on the studios he bought this script and produced it himself. And gave himself a whole new career, an example not lost on other actors. This was one of the films that marked the beginning of the end of the paternalistic studio system, one that showed actors that they could control their own careers. For good or ill.)

This is a film to watch without major pretensions and being aware that it's an unrealistic costume adventure with a lot of comedy in it. It is an all Burt Lancater vehicle of his early days when Errol Flynn was aging and the top movies swashbuckler throne was empty (Tyrone Power was looking for more serious roles). Lancaster repeated the experience two years later and very successfully too with "The Crinsom Pirate" and then he turned to westerns and more compromising roles which he did very well indeed too.

In "The Flame and the Arrow" Lancaster is side kicked by his friend and previous days circus mate Nick Cravat and both deliver their acrobatic skills while fighting tyranny in the person of mean Hessian ruler "The Hawk" played by Frank Allenby. Robert Douglas is there too in another of his accurate villain performances. The feminine presence was brought by Virginia Mayo a regular damsel in distress in costume adventures in the 50's.

I remember I enjoyed this film very much when I first saw it as a kid and so did all my friends. Perhaps today it would not be very interesting for youngsters, but in my opinion it hasn't lost its undeniable charm and I'm sure those of us who saw it back in the early 50's can remember the theatre in which we saw it some fifty years ago.

I honestly feel if anyone is does this film down for it's jovial nature then they surely are missing the point. I wasn't around at the time of its release, but I would have been surprised if the makers had marketed it as a searing swashbuckler for the ages. The film is fun, it tells a fun tale, and yes it's in the Robin Hood arc of plot structure, but ultimately it's a tale well worth watching due to the extended dexterity of its stars.

I would think that tagging this film "The Acrobatic Peasant Vs The Horrible Hessian Lord" would serve it about right, the cast are having fun and really the viewer should be in on the joviality unfolding as well. Burt Lancaster and his old circus performing pal Nick Cravat dazzle with flings and flops, arrows and lances, and it all works for what I term perfect Sunday afternoon entertainment.

All that and Viginia Mayo has a smile that could stop an army in its tracks, what more do you want ?, hooray ! 7/10

"The Flame & The Arrow" (1950)was one of the last of the great Warner Bros. swashbucklers. From a screenplay by Waldo Salt this hugely enjoyable romp was directed with great flair by Jacques Tourneur. It was originally planned as a vehicle for Errol Flynn but by the time the picture went into production the erstwhile heroic Flynn was past his sell-by date and would be unable for the knockabout antics the part demanded (he had barely got through "The Adventures Of Don Juan" two years previously thanks to many short takes and having doubles perform a lot of his action scenes). Instead, a young and stunningly acrobatic Burt Lancaster was cast as Dardo, a sort of Robin Hood in medieval Italy fighting the oppression of the occupying Hessions.

Produced by Lancaster's Norma Productions (named after his wife) it was fully fleshed out with a splendid cast. Playing Dardo's mute friend Piccolo was Nick Cravat - Lancaster's friend and fellow performer from their circus days.The lovely Virginia Mayo played the love interest Anne of Hess. Robert Douglas is a likable rogue through most of the picture until he gets a taste of power and turns bad and Frank Allenby, looking remarkably like the Great Profile John Barrymore, played the villainous Hawk (the original title of the movie was "The Hawk & The Arrow").

Lancaster is marvellous to watch! Performing all his own stunts his high flying antics are a joy to behold. No other actor, before or since, would prove to be so agile and provide such a spirited performance! His athletic prowess is outstanding and little wonder he was Warner's first choice to play the great native American athlete Jim Thorpe in their biographical "Jim Thorpe-All American" (aka "Man Of Bronz") in 1952. Although he did a kind of follow-up to "The Flame & The Arrow" two years later with the more comical "The Crimson Pirate" it is a shame he then ceased doing this type of movie as we could have tolerated him in quite a few more of them.

Beautifully photographed in colour by the great Ernest Haller the movie has all the hallmarks of Warner's high production values. Adding greatly to the picture's proceedings is the wonderful Italianate score by Max Steiner! His ebullient music, like the picture, is a total delight especially his infectious and hum inducing main theme for Dardo scored for mandolins and orchestra and the gorgeous love theme for the scenes with Dardo & the lady Anne. There's a splendid driving battle theme too! Steiner's music was nominated for an Acadamy Award but lost out to Franz Waxman's darker "Sunset Boulevard".

The picture has transferred extremely well to disc with sharp images and fine colour resolution but quite dispensable are a Merrie Melodies cartoon and a tired Joe McDoakes short. It is also a pity that a documentary of Lancaster was not included.