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6.8/10
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TU CALIFICACIÓN
Un fiscal de distrito se convierte en alcaide de una prisión estatal para poder ayudar a un condenado al que procesó porque ahora cree que la condena es excesiva.Un fiscal de distrito se convierte en alcaide de una prisión estatal para poder ayudar a un condenado al que procesó porque ahora cree que la condena es excesiva.Un fiscal de distrito se convierte en alcaide de una prisión estatal para poder ayudar a un condenado al que procesó porque ahora cree que la condena es excesiva.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Wilton Graff
- Dr. Agar
- (escenas eliminadas)
Griff Barnett
- Mr. Hufford
- (sin créditos)
Jay Barney
- Convict Nick - Prison Cook
- (sin créditos)
Brandon Beach
- Convict
- (sin créditos)
Whit Bissell
- States Attorney Owens
- (sin créditos)
Marshall Bradford
- Parole Board Member
- (sin créditos)
Opiniones destacadas
Excellent "prison" movie , with several extremely suspenseful scene,particulary the death of convict (informer) Ponti (Frank Feylen ) in a terrifying atmosphere ,with the crowd of cons "yammering" and this clock (featured in almost all the shots of the scene) the hands of which seem stopped on 1:25.
In its first part,it's pure film noir,devoid of sentimentality: one is spared the trial with the interminable pleas (it lasts barely one minute) ,and the scene of the telegram avoids pathos and melodrama.
But the most interesting thing in the rapport con Joe has with his ex-prosecutor turned jail director :"I was your prosecutor, I won't be your persecutor ";as the movie progresses,their relationship almost becomes a father/son one ; and one can go as far as to say that he suffers as much as him when he sends him to the solitary ;Knowland can't refrain from admiring -in spite of his disapproval- his protégé's honor code .Glenn Ford and Broderick Crawford ,sparing of gestures and words ,are extremely convincing. Knowland's daughter is a more conventional character, but Dorothy Malone (who would shine in Sirk's movies) makes all her scenes count .
In its first part,it's pure film noir,devoid of sentimentality: one is spared the trial with the interminable pleas (it lasts barely one minute) ,and the scene of the telegram avoids pathos and melodrama.
But the most interesting thing in the rapport con Joe has with his ex-prosecutor turned jail director :"I was your prosecutor, I won't be your persecutor ";as the movie progresses,their relationship almost becomes a father/son one ; and one can go as far as to say that he suffers as much as him when he sends him to the solitary ;Knowland can't refrain from admiring -in spite of his disapproval- his protégé's honor code .Glenn Ford and Broderick Crawford ,sparing of gestures and words ,are extremely convincing. Knowland's daughter is a more conventional character, but Dorothy Malone (who would shine in Sirk's movies) makes all her scenes count .
Glenn Ford is "Convicted" in this 1950 film that also stars Broderick Crawford, Dorothy Malone, Frank Faylen, Ed Begley, Carl Benton Reid, Will Geer, and Millard Mitchell.
Ford plays Joe Hufford, a war veteran who gets into a bar fight in which a man is killed. Though the DA, Knowland (Crawford) takes pity on him and wishes he had a better attorney, Hufford is sentenced from 1-10 years. Ultimately it's decided he'll serve 5 years, and come up for parole in 3.
He's desperate to see his elderly father again, so when some of the other prisoners plan a break, Joe begs to be part of it. Just before his parole hearing, he receives a telegram that his father died. When a guard yells at him for not doing his work in the laundry room, Hufford punches him and winds up in solitary.
He misses the escape, which ends up in death for the escapees. Ponti (Faylen) is the snitch who tipped off the guards.
When Hufford is released from solitary, there's a new warden - Knowland, the sympathetic DA. He makes Hufford a trustee, chauffeuring his daughter (Malone).
When Ponti is killed, Hufford is in the warden's office, but won't reveal who did it, causing him to lose his trustee status and threatening his parole.
There's good acting throughout, and a sympathetic portrayal by Ford in this film, which moves quickly. Crawford is excellent as a tough but fair warden.
Among the prisoners, veteran actor Faylen, who did such a terrific job as Dobie Gillis' father, does a bang-up job here in a dramatic, showy role. Everyone, though, is very good.
As an actor, boyish Glenn Ford didn't have much range, but he was so likable and attractive, it never mattered. His performances are always natural and underplayed, more on the style of today's actors. However, he was much more of a presence than many working today.
Good film.
Ford plays Joe Hufford, a war veteran who gets into a bar fight in which a man is killed. Though the DA, Knowland (Crawford) takes pity on him and wishes he had a better attorney, Hufford is sentenced from 1-10 years. Ultimately it's decided he'll serve 5 years, and come up for parole in 3.
He's desperate to see his elderly father again, so when some of the other prisoners plan a break, Joe begs to be part of it. Just before his parole hearing, he receives a telegram that his father died. When a guard yells at him for not doing his work in the laundry room, Hufford punches him and winds up in solitary.
He misses the escape, which ends up in death for the escapees. Ponti (Faylen) is the snitch who tipped off the guards.
When Hufford is released from solitary, there's a new warden - Knowland, the sympathetic DA. He makes Hufford a trustee, chauffeuring his daughter (Malone).
When Ponti is killed, Hufford is in the warden's office, but won't reveal who did it, causing him to lose his trustee status and threatening his parole.
There's good acting throughout, and a sympathetic portrayal by Ford in this film, which moves quickly. Crawford is excellent as a tough but fair warden.
Among the prisoners, veteran actor Faylen, who did such a terrific job as Dobie Gillis' father, does a bang-up job here in a dramatic, showy role. Everyone, though, is very good.
As an actor, boyish Glenn Ford didn't have much range, but he was so likable and attractive, it never mattered. His performances are always natural and underplayed, more on the style of today's actors. However, he was much more of a presence than many working today.
Good film.
Joe Hufford (Glenn Ford) gets sent to prison after a bar fight results in a death. His attorney is inexperienced in criminal law. Prosecutor George Knowland tries to help to no avail. The sentence grows more excessive. When Knowland becomes the warden, he again tries to help by taking on Joe as his driver.
The movie should start with the bar fight. It needs to show his relative innocence so that the audience can come to the same conclusion as the prosecutor. Glenn Ford is playing him a little too tough at the start. He should have a more pronounced character arc. This role may be better with a fresh faced matinee idol. It's a 50's prison drama and it's fine. It's not breaking down any walls and it's not shocking anyone with its prison scenes.
The movie should start with the bar fight. It needs to show his relative innocence so that the audience can come to the same conclusion as the prosecutor. Glenn Ford is playing him a little too tough at the start. He should have a more pronounced character arc. This role may be better with a fresh faced matinee idol. It's a 50's prison drama and it's fine. It's not breaking down any walls and it's not shocking anyone with its prison scenes.
Broderick Crawford, (George Knowland) plays the role of a District Attorney and has to bring to justice a man named Joe Hufford, (Glenn Ford) who was drunk and struck a man in a night club and killed him. George Knowland knew that Joe Hufford was a good man who had an excellent military service record and told Joe he should obtain a good lawyer to represent him in a court of law. However, Joe did not obtain a good lawyer and he had to serve one to ten years as a prison sentence. Years go by and eventually George Knowland becomes the Warden of the prison where Joe Hufford is serving his prison sentence. George Knowland shows some mercy to Joe along with his daughter, Kay Knowland, ( Dorothy Malone ) who starts to fall in love with Joe. There is plenty of problems in this prison and lots of surprises. Great 1950 Classic to view and enjoy.
The more I see of GLENN FORD, the more I appreciate the range of his underrated talent. CONVICTED is a low-budget crime melodrama from Columbia that co-stars BRODERICK CRAWFORD with DOROTHY MALONE and ED BEGLEY in supporting roles.
Ford is a victim of circumstance, landing in prison after slugging a man at a nightclub who insults the woman he's dancing with. The man dies and Ford is sent to prison for five years.
Crawford becomes the prison's new warden and soon discovers that things aren't being run the way he approves of. It's nice to see Crawford in a sympathetic role as the warden who takes an interest in Ford's prison record and attempts to help him. He asks daughter Dorothy Malone to treat him respectfully when he assigns him to be her chauffeur.
The dialog is terse and full of wisecracks and Henry Levin's direction is taut with suspense. There's the usual prison breaks, the prison snitch (FRANK FAYLEN), and suspense building with the usual twists and turns as a prison break is imminent and the snitch is about to get his comeuppance.
Summing up: Good dialog and tense situations make this a better than average prison drama. Broderick Crawford is especially strong as the good-hearted warden and Ford is more than competent as the wrongly accused inmate.
Ford is a victim of circumstance, landing in prison after slugging a man at a nightclub who insults the woman he's dancing with. The man dies and Ford is sent to prison for five years.
Crawford becomes the prison's new warden and soon discovers that things aren't being run the way he approves of. It's nice to see Crawford in a sympathetic role as the warden who takes an interest in Ford's prison record and attempts to help him. He asks daughter Dorothy Malone to treat him respectfully when he assigns him to be her chauffeur.
The dialog is terse and full of wisecracks and Henry Levin's direction is taut with suspense. There's the usual prison breaks, the prison snitch (FRANK FAYLEN), and suspense building with the usual twists and turns as a prison break is imminent and the snitch is about to get his comeuppance.
Summing up: Good dialog and tense situations make this a better than average prison drama. Broderick Crawford is especially strong as the good-hearted warden and Ford is more than competent as the wrongly accused inmate.
¿Sabías que…?
- TriviaJohn Ireland was suspended by Columbia for refusing to work on El destino manda (1950). He subsequently went to court and won his case, which resulted in his being allowed to buy himself out of his Columbia contract.
- ErroresAfter Kay boards the train and it starts to move, a shadow of the boom microphone is visible on the porter's jacket and the side of the train car.
- Citas
George Knowland: There goes a first-class, double-breasted, overstuffed idiot.
- ConexionesReferenced in Con temple de acero: Steele Alive and Kicking (1986)
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- How long is Convicted?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 31 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was El destino manda (1950) officially released in India in English?
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