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Delmer Daves offers an important major role to an Indian character, treating him with quality and esteem as human being...

Stewart plays a scout who seeks to heal the divisions between the Apaches and white men… But while "Broken Arrow" is a perfectly acceptable depiction of frontier struggles, it does not display Stewart to the best advantages… Delmer Daves was competent enough, but he lacked the ultimate virility and intensity of Anthony Mann…

"Broken Arrow" examines, rather intensely and directly, the mistreatment and flagrant exploitation of the Indians by whites in the early West…

The strength of this often lyrically photographed picture which will a1ways have an honorable place among Westerns lies particularly in the touching dignity of Stewart's love and marriage to an Indian girl (Debra Paget). Indian haters, of course, stir up the usual sort of trouble and Stewart's bride becomes a victim with all the consequent poignancy for which the film is best remembered…

The over-wise Chandler counsels him that he must learn to live with his whiteness just as his new friends must contend with their own place in the cosmic scheme of things… Cochise has words of stark consolation for Stewart: "As I bear the murder of my people, so you will bear the murder of your wife."

The most interesting aspect of " Broken Arrow" is not the interracial romance between Stewart and Paget, but Stewart's relationship with Chandler's Cochise… There is intra-character complexity here, as Chandler struggles to overcome his disturb of all whites, and Stewart attempts to comprehend the different philosophy and cultural of the Indians…

Jeff Chandler was quite apt and professional… He was so believable in the role of the Apache chief Cochise that he was to essay it again in George Sherman's "The Battle at Apache Pass" in 1952… Chandler's facial bone structure lent itself to noble, incisive Indian profiles, and unlike other Caucasian actors he did not look out of place… He was even nominated for Best Supporting Actor at that year's Oscars

Released in 1950 and directed by Delmer Daves, "Broken Arrow" stars Jimmy Stewart as a former soldier, Tom Jeffords, who saves an Apache teen after ten years of war between settlers and Natives in 1870, Arizona. When the boy's elders extend him mercy Jeffords sees the Apaches as human beings rather than faceless enemies for the first time and becomes the mediator between the warring factions. Jeff Chandler is stunning as the Apache leader, Cochise, but Debra Paget, only 16 years-old during filming, looks too whitebread to be believable. I love Debra, but casting her in this role is eye-rolling. To the film's credit, several of the peripheral Apache characters are played by Native Americans, including Jay Silverheels and John War Eagle.

The emphasis is on the Apache way of life and the movie is touted as the first pro-Indian Western ("pro-Indian" to a point), but this simply isn't the case. "Buffalo Bill" with Joel McCrea came out six years earlier and it was clearly favorable toward the Natives. "Broken Arrow" just goes a little further in this direction. Regardless, it is amazing to view Westerns from this long ago that are evenhanded regarding the Indian Wars, honestly portraying the Natives as hostile and formidable, but also with respect to their perspective and way of life. While obviously dated in some respects, both "Buffalo Bill" and "Broken Arrow" stand the test of time and remain entertaining and even enlightening to this day.

The movie runs 93 minutes and was shot in Arizona, but also Iversion Ranch & Alabama Hills, California.

GRADE: B+ or A-

When I was a young boy I saw this picture. It was the first western in which the Indians were not uncivilised barbarians, but normal people, with their own standards. It was a revelation! At last one director had the courage to show this to us. So thank you, Delmer Daves! The performances of Jeff Chandler and James Steward were touching and also Debra Paget was fantastic. I do hope to see this film again someday on DVD. Hans Dullaart Delft Netherlands.

In this underrated Western, Stewart is an ex-scout who tries to make peace between the Apaches and the white settlers in 1870s Arizona. For some reason this film's reputation has taken a hit over the years, but it is quite enjoyable. Stewart made several Westerns in the 1950s, starting with this and "Winchester 73" in 1950. Although the latter film is more highly regarded today, this film is actually better crafted, boasting fine cinematography and score. Chandler gives perhaps the best performance of his career as the noble Apache chief who is willing to make peace. Paget (looking like Britney Spears!) plays Stewart's love interest.

As the war rages between the American settlers and the Apache, former soldier Tom Jeffords happens upon a young Indian wounded after an attack. Taking upon himself to aid the boy, it's not long before the Apache show up intent on killing Jeffords by way of the war instincts. Pleading for Jeffords' life, the boy manages to get him spared by the Apache chief, Cochise. It's the start of a friendship that may just bring and end to the war and peace across the west.

Tho not the first "social" Western film made, Broken Arrow, it can be argued, is maybe one of the most important and telling genre films of the 50s. Showing humanist portrayals of the Apache and dealing out level headed tellings of the relationships between whites and the Native Americans, Delmer Daves' film is as relevant today as it was back on release. Adapted from Elliott Arnold's novel Blood Brother, the story follows Jeffords (a measured and fine James Stewart) as he attempts to broker peace between the warring factions. Firstly by convincing Cochise (Jeff Chandler bang on form) to allow the mail run thru the pass, something that brings suspicion and calls of Indian lover from Jeffords' own kind, and then to finally set up a peace pact at a time when violence and hatred was rife in the west.

As the friendship between the two men grows, Jeffords and an Apache girl fall in love (beautiful Debra Paget as Sonseeahray), thus giving the story a further jolt of momentum. The screenplay then really hits its stride, as Daves and his crew pit peace and inter racial love against a backdrop of bloodshed and savagery. Never glossing over just how hard peace is going to be, Broken Arrow retains intelligence and a sensitivity even as breakaway factions from both sides (for example we see Geronimo split the Apache and form a renegade front) are intent on killing off the peace process. It even has time for deep emotional kickers to reinforce the point of just how tough and unlikely peace and tolerance can be sometimes.

Broken Arrow was, and still is, a bold picture. In fact it can be argued that for the likes of Daves and Stewart, it was at the time very bold and risky career moves. But it paid off because the film stands up today as a picture of some distinction. It's themes and approach to its subjects are something that this generation, and all the future ones, will always find to be socially important. Boosted by Hugo Friedhofer's luscious score and taking advantage of the Lone Pine location shoot, Broken Arrow is a fine fine film that even non Western fans should be looking to absorb. 8/10