Bomba y la ciudad perdida

Another adventure for Bomba, the jungle boy. Here, John Sheffield is the wild jungle dude, who has befriended Zidah. Sheffield had first played Bomba back in 1939, and will play him for another five years before leaving hollywood. The local emir decides to take out Bomba; apparently, Bomba knows that Zidah was the rightful princess. Now, there is a hunting expedition led by Johnson (Damian O'flynn) to try to knock him off. Bomba is injured, but is helped by Zidah (Sue England). adventures, entanglements. Sheffield was only 18 or 19 at this point. it's ok. clearly aimed at the younger audience. directed by Ford Beebe, who had been directing Bomba and other adventure films since 1921 !

Nature photographer Dennis Johnson is taken with Bomba the jungle boy, a white guy swinging from tree to tree. Dennis arrives in the Hidden City and is invited in front of the Emir who agrees to send a party to join his expedition. The Emir secretly wants to kill Bomba. Bomba is rescued by Zidah who does not want to join the Emir's harem. She escapes into the jungle to follow Bomba.

I've never heard of Bomba, the book or the series or anything. In here, he's a less than appealing character. He is both clueless and a jerk. He can't get away from Zita fast enough. She's a damsel in distress and he is desperate to leave her behind. Even Dennis Johnson is problematic. He knows enough that the Emir wants to kill the jungle boy but he insists on seeking him out anyways. This is bad Tarzan. The whole premise is that Bomba holds the secret which threatens the Emir when in fact, the secret is nicely kept in a trunk by the Emir so that everybody can discover it at a convenient time. It's a lot writing flaws which eventually overcomes whatever charms that came with these actors and characters.

"Bomba and the Hidden City" is a slipshod chapter of a very cut rate series of adventure sagas. It was directed, however, by a master of the serial form, Forde Beebe. This kiddie clunker was the kind of thing Beebe could direct in his sleep and judging from what follows the title, that's where he spent most of his time, jungle hammock style, collecting a cool $150 salary while waiting for the bus to another part of the forest.

The storyline follows our semi-intrepid jungle boy, by now really filling out his French cut Tarzan loin wrap. He galumphs and swings through the eucalyptus trees of the Santa Anita Racetrack Botanic Gardens, searching for some supposed hidden city. This "city" more of a couple of shacks with a forlorn palm-tree and a few added stumps,seems to be known by everyone especially the Arab suits, read villains. The plot is something like "Tarzan's Desert Mystery" or "Tarzan's Nazi Adventure" or "The Return of Somebody with a Name like Schnarzan". Forgive me, sometimes I get carried away with all the excitement. The city, hidden or not, has the sister of another member of the cast who may or may not have been there before. Nobody knows for sure. Also, in the village is somebody called "Ferengi", perhaps an escapee from a space opera, though that is probably doubtful. As can be expected, Bomba makes everything right while hardly having to fling his spear.The bad guys get their well deserved drenching and just when we are sitting on the edge of our thrones with the possibility of the jungle boy getting his first lady friend, the end comes. But one big thing we can be sure of, in the next outing of our titular hero, he still won't have any body hair, a true "child" until all the film runs out!

The evil Emir Hassan tries to have Bomba killed. Although he's injured, Bomba manages to get away and is nursed back to health by a pretty village girl named Zita (Sue England). Zita develops a crush on Bomba and follows him into the jungle so she won't have to marry Hassan. Turns out Zita has forgotten her past. In an unbelievable twist, Bomba remembers some things that help him piece together who Zita really is.

The fourth in Monogram's Bomba series starring Johnny Sheffield is a particularly plot-heavy entry. This is the first one to leave the set and film on location. No, not in Africa. Don't be silly. All the pennies in Monogram's piggy bank couldn't have paid for that. I'm not sure where they filmed at. If I had to guess, I would say the LA Arboretum. This one also has some good action scenes and less cheesy stock footage. Pretty Sue England is fun and has nice chemistry with Sheffield. But since these movies were aimed at little boys, they never allowed much "mushy stuff." It's probably the best of the Bomba movies, going solely by entertainment value and nothing more.

Bomba and the Hidden City (1950)

** (out of 4)

Extremely far-fetched but entertaining entry in the Monogram series has Bomba (Johnny Sheffield) witnessing a political assassination and years later the evil ruler (Paul Gulpoyle) plans on marrying a woman (Sue England) against her wishes. It's up to Bomba to try and save the girl as well as help her remember her past. This fourth film in the series is pretty camp and there's no question that it's over-the-top but I found it to be slightly entertaining simply because of all the craziness going at. At just 71-minutes the film doesn't last too long, which is always a good thing but it also manages to be rather fast paced, which was a first for the series. Director Ford Beebe actually keeps the film moving very well and we even get some decent action scenes from start to finish. This includes Bomba taking quite a bit of abuse as he tries to flee from the bad guys who are constantly shooting and throwing knives at him. The entire mystery of who the girl isn't all that hard to figure out and I'm sure the 3-year-old kids in the theater at the time figured out who she was long before it's revealed. Sheffield once again does a good job in his role of Bomba as he certainly fit the part and has no trouble playing it. England is fairly entertaining as the girl but this film clearly belongs to Gulpoyle as the crazy one. The actor really gives it his all and you can just see the glee in his eyes from getting to play a bad guy. With all of that said, this is still a low-budget Bomba movie so the various negative things are still present.