Blues Busters

Huntz gets a rare chance to show his serious side, and the result is an absorbing study into how much latent talent there always was within the Bowery Boys troupe.

Bernard and Leo Gorcey along with Huntz make a great comic film trio indeed. But in 'Blues Busters', Huntz becomes a teen singing idol following a tonsillectomy which changes his voice to a rich baritone a la Bing Crosby. (There's flawless dubbing to the real voice of John Lorenz.) Louie's Sweet Shoppe is transformed into a nightclub, as Louis Dumbrowsky and the Boys attempt to capitalize on Sach's newly-developed gift of song.

The great title tune "Bluebirds Keep Singing in the Rain" and other ditties make 'Blues Busters' a rare and offbeat must-see entry in the Bowery Boys saga, and will be a reminder of the great old moviegoing days when you left the theatre humming.

Highly recommended to all.

I'm not sure who to give the praise to, but this entry in the series is quite above the quality of of the other Bowery Boys efforts. It has a more polished look and feel to it and seems more in the style of the Universal-International comedy series of the time (i.e., A&C, Francis the Talking Mule, Ma & Pa Kettle, etc.)in terms of craftsmanship and production value (and like those other series mentioned, nothing hilarious in general, but pleasantly amusing). Overall, a Bowery Boys movie even non-fans might enjoy. Being a longtime fan of Bing Crosby's work, I would have SWORN it was Crosby dubbing the voice (especially in the sequence where we first see Satch performing at Louie's "new" nightclub) and I read somewhere here this was made in 6 days, which makes this film even more remarkable.

I think this and "The Bowery Boys Meet the Monsters" are the two standouts in the series' run. As Orson Welles once said, "There are good movies, of ALL kinds." I guess this fits into that category!

The archetypal Bowery Boys movie, which shows Huntz Hall and Leo Gorcey at their best.

Sach, in one of those Bowery Boy incidents, accidentally ends up singing strikingly like Bing Crosby. All the boys capitalize on his success and everything is honky dory until Sach decides he has forgotten where he came from and starts acting like a diva.

This series, although labelled "B," which it was, has a lot of humor, strong characterizations and is simply a lot of un. You will notice that it is a family affair, with Butch (or is it Chuck) played by David Gorcey and, of course, Louie Dumbrowski is Leo "Slip Mahoney" Gorcey's Dad, Bernard.

THe earlier series, the "Dead End Kids," was also very good, although those films have not aged as well given production techniques. That series, though starred Billy Halop and Bobby Jordan, in addition to Gorcey, Hall, and Gabe Dell. Jordan did appear in some Bowery Boy movies.

I'm watching this one right now on TCM. Sach has his tonsils removed and suddenly finds that he can sing like Bing Crosby. Wonder why things like that never happened to Whitey? Rick Martin, the owner of the nightclub across the street from Louie's Sweet Shop, won't give Sach an audition and has Slip and Sach thrown out. The Boys turn the sweet shop into a night club with Sach, The Bowery Thrush, as the main attraction. Professional song plugger Gabe Moreno provides the publicity. Naturally, Rick across the street doesn't like the competition and is determined to get rid of it, one way or the other.

Gorgeous Adele Jergens and pretty Phyllis Coates provide the female touch. Phyllis is Slip's latest girlfriend. In a few years, she would become the first Lois Lane on the Superman TV series. Adele plays a singer at the rival night club and belts out "Joshua Fit the Battle of Jericho" at the beginning of the movie. Both ladies really brighten "Bowery Blues." It's well worth watching.

Blues Busters (1950)

** (out of 4)

Sach (Huntz Hall) goes into the hospital to have his tonsils removed and when he comes out he has an amazing, crooning singing voice. Slip (Leo Gorcey) decides to make money off of him so they turn Louie's shop into a nightclub but this causes trouble with the club owner across the street. Number twenty in the series is one of the lesser entries as it starts off pretty well but the one-joke nature gets tiresome rather quick and in the end I had a hard time making it through the rather short 67-minute running time. The early jokes in the hospital were pretty funny as were the scenes where Hall discovers his talent but after this it's one boring joke after another. As I go through this series I'm starting to re-think my opinion on director Beaudine who previously had been a favorite of mine. When you see the style of his films and compare them to other director's in the series you really start to see a product that is rather rushed and one that really doesn't look like a "B" picture. There were several sequences that just seemed like they were under performed and that a little better editing and perhaps a different take would have made the scene better. For the most part we get a one-joke film as Sach becomes a hot property and you've got two sides fighting over him. The one thing I didn't understand is that, in the end, Louie is broke yet they had a pack house for three shows a night so why he was broke at the end is beyond me but then again, perhaps I'm just putting too much thought into it. I think Hall is in pretty good form as he is obviously having a good time singing even though he's dubbed. His "acting" of a crooner was pretty good and his facial gestures at least gave us a few nice laughs. Gorcey, both father and son, are also in good form but Gabriel Dell is pretty must wasted in his part. I wasn't too impressed with any of the supporting players as they all struck me as being underwritten and none of the performers brought anything to the role. The real stand out here is John Lorenz who dubs Hall and I must admit that I really enjoyed the songs and his voice. However, this is a comedy and I just didn't laugh enough to make the film work.