Black Jack

I saw this film when it was released to the minor cinemas in the UK some 50 years ago; and the memory remains of a great musical score, and the tragedy of the storyline. I saw it again on video recently. The sound track was poor and the picture grainy; but it is one of two films that I saw again the next day, the other being Gladiator. The music theme is intensely tragic, and from the outset one knows that it heralds failure or death. Certainly one of George Sanders best performances; as a man working the black market to get pay back for what he lost in the war, but nemesis waits; Patricia Roc plays a refugee from Eastern Europe eaten with despair. He is attracted to her, selflessly wants to help her, and then falls in love with her, but she is too proud and hurt to accept help. Their love destroys him, and inevetably the girl and the doctor (Herbert Marshall), who brought the nemesis. The storyline is of complex intertwining destinies, where subsidiary characters are not who they appear to be. This is as a film, which diappointed the critics and struggled at the box office; but for the adolescent who saw it, and the retired gentleman who saw it again it is one of the greatest films (taking into account its age)whose story is more akin to an opera.

Released at a time when Duvivier was going again from strength to strength ."Black Jack" which was sandwiched between the overlooked extraordinary "Au Royaume des Cieux" and the dazzling stunning "Sous Le Ciel de Paris" , is a jumble,which Duvivier himself hated,which is not surprising.There's almost nothing to write about this dud.We can notice that:

1.Orson Welles used to admire Duvivier .That may explain why Wellesian actors were featured in Duvivier's movies :Joseph Cotten in "Lydia" (1941) ,and here a totally wasted Agnes Moorehead .It's the first time

I have not enjoyed Moorehead's performance!On the other hand,Welles borrowed his Desdemona (Suzanne Cloutier) from Duvivier's "Au Royaume des Cieux" for his "Othello".

2.In any Duvivier's movie,there's one or two worthwhile sequences and this one is no exception: the search in the caves where Duvivier's sense of mystery works wonders (for a short while);then the chase when Dalio gets caught up in the fishnets.Duvivier's touch can be felt in the unhappy end too.

As for the rest ,as my dear pen pal writer's reign writes,it's a black joke.

This was the first time I have seen this European produced 1950 title starring George Sanders, Patricia Roc, Agnes Moorhead and Herbert Marshall.It has a lot of locational shots set in Mallorca, some spoken Spanish and throughout French sub titles apart from the aforementioned actors speaking English. so it was produced for a European audience in all those countries.This desire to be all things to all people makes it lose focus & definition and I therefore only scored it 6/10.The rather convoluted story concerns George Sanders who plays Mike Alexander who trades in drugs, guns, illegal immigrants and other contraband using his yacht "BlackJack".He meets a wartime army pal, Herbert Marshall, who is actually employed as a U.S.narcotics agent using his medical background while under the guise of setting up a tropical medicine & research unit.Agnes Moorhead is well cast playing villainesses, she had plenty of practice in her films.Here she poses as an empty brained millionairess Mrs Burg travelling the world, whereas she is just a crook who is trying to relieve Mike Alexander of his ill gotten booty despite claiming police credentials.Finally we have Pat Roc as innocent Ingrid Dekker who has been befriended by Mrs Burg and who seems to have ambivalent feelings for Mike Alexander.

There is some pleasant flamenco dancing and singing in the style of Manitas de Plata and an unscrupulous captain Nicaresco whose ship the "Chalcis" contains the illegal immigrants who are soon to be sacrificed and cheated by Nicaresco.The artificial love affair between George Sanders & Pat Roc did not convince neither did his vow to wholly renounce crime.I will not divulge the ending or provide a spoiler but the film ends with the question, will Mike Alexander be able to escape Spanish territorial waters by outrunning the shore patrol authorities in his yacht "BlackJack" and therefore be outside Spanish jurisdiction?

Known as Blackjack and Captain Blackjack, this stars george sanders as mike, skipper of a boat which is helping political refugees get to shore. The picture quality is just awful, and sometimes its hard to tell what's going on. This seems to be a collection of americans, here in spain for various reasons.... everyone out for themselves. Filmed off the spanish island of palma, which is currently having great seismic activity. When one of the ships is reported to have burned up, mike goes to investigate. Herb marshall is doctor curtis, who seems to be involved in all this. Along with the always devious agnes moorehead, as emily birk. Inspector carnero is standing by, waiting to arrest those guilty of smuggling and other crimes. Part of the excitement is clearly the exotic location. Similar to the film algiers. Based on a story by robert gaillard. Directed by julien duvivier, who had directed a TON of great films, including tales of manhattan, anna karenina. Fun note: herb marshall was a pretty big star... was in BOTH versions of The Letter. And lost a leg in world war one.

A Spanish-French-UK production with a cast about ready to fade into either oblivion or television. Dalio turns in the best performance as the weasel captain of a tramp steamer, but an echo of his earlier work under greats like Jean Renoir. Moorehead is also deliciously double-crossing. Saunders is caught out of his element trying to create a character similar to Harry Lime in The 3rd Man--the shady, disillusioned post-war 'businessman'. Bogart might have made this role succeed; however, none could equal the archtypal performance by Welles as Harry Lime. As it is, Saunders is not credible as a conflicted entrepreneur and completely unbelievable as a wheezing love interest for Patricia Roc, herself well past the ingenue stage. Herbert Marshall turns in the same performance he will soon do weekly in Times Square Playhouse for American television yawn. Great moments of outdoor cinematography in the all-natural sound stage of the Spanish Mediterranean by the director who gave us Pepe LeMoko.