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This was Laurel and Hardy's last film and, of all their features, the one with probably the worst reputation. I can give it the left-handed compliment of saying, "It is not as bad as you have heard it is." The boys are caught in a storm at sea but are saved when a submerged island rises up under their boat. Along with a few other misfits, they establish a cooperative society. Then, the outside world shows up, discovers uranium on the island and the rush is on. What is unique is the level of satire that is present in the movie's last third, even though it is genial rather than sharp. Laurel looks thin and old (he was, in fact, quite ill during filming), but gamely takes his pratfalls. There is plenty of the usual shtick between Stan and Ollie. I find it funny no matter how many times I've seen it so I laughed several times. For L&H fans.

I have read so many negative reviews of this film that I expected a really horrible film. Surprise, surprise. The film is actually not bad at all. Sure, Stan does look ill in some shots but the boys are still funny and the story is engaging enough. I love the fact that the film was shot in Europe. It gives it a fresh look that is absent from their older studio-bound films. Some gags are better than others(the loading of the boat is quite funny), and the whole premise of the boys creating a country without taxes and laws works quite well. In a very funny moment, Ollie declares himself president and names the other 3 original inhabitants to key posts, relegating poor Stan to the status of "the people". The supporting cast are all dubbed, but this does not hinder the film. What doesn't quite work is the whole sub-plot about the sexy French singer and her fiancé. They could have cut that down a bit. Overall, not bad at all. If you're a L&H fan do yourself a favour and give this film a chance.

The boys last film is not the clunker that many would have you believe. There are numerous scenes that made me laugh out loud, especially the scenes involving Stan's pet lobster. The style is geared toward more gentle slapstick and philosophical humour that suits the aged stars perfectly.

All in all a bright and gay movie with pleasant scenery and jolly characters. Give it a try, it's far better than the big studio pictures of the 40's in it's revised approach to the comedy duo.

Stan and Ollie's farewell falls far short of the boys in their prime, it's true, but the film is nowhere near as bad as its reputation suggests. From what I'd heard about it I almost didn't want to watch this film – in much the same way as you want to remember a loved one hale and hearty rather than eaten away by cancer – but I braved it anyway. The print is atrocious with blurry visuals and poor sound, but even the poor picture doesn't disguise how ill and gaunt poor Stan Laurel looks. Apparently he had dysentery and prostate problems during filming, which accounts for his appearance. Ironically, Oliver Hardy, who would be the first of the duo to pass away, looks the better of the two, although it's plain to see that he'd piled on a few pounds since their heyday.

The film's storyline is fairly ordinary fluff about the boys travelling to a deserted island Stan has inherited and establishing a utopian society that works perfectly until the population count increases beyond single figures. There are a few glimpses of the old style from the boys but any enjoyment is tempered by the knowledge that you're watching ageing men trying to recapture something that they no longer possess. The rest of the cast are French, and the dialogue they speak is dubbed into English, which makes it visibly difficult for Laurel and Hardy to play off them they way they used to with familiar faces of old.

This film probably isn't one you'd want in your collection if you're a Laurel & Hardy fan, but neither is it one that should necessarily be avoided at all costs.

This film has the unfortunate distinction of being Laurel & Hardy's last film together. Though, it is true, you can see how ill Stan was and how age was ravishing both, it is NOT true that they had lost their charm. There are bits in this film that I found every bit as funny as those in the L&H heyday. Give it an honest try. I think you'll find this movie is unjustly maligned.

This movie has a terrible reputation but I like to make up my own mind on things . The omens weren't good however and the fact that this movie is known by at least three titles , has three directors who are uncredited and four screenwriters who are then instinct tells you that you're going to be watching something of a mess . Alongside this a common criticism for the movie is that Stan and Ollie have lost their spark some six years after making there last film together and about fifteen years after they'd reached their peak . I wasn't filled with optimism and expected to hate every unfunny moment of it

Perhaps because I had so low expectations I found ATOLL K not as bad as I was expecting . That said I wasn't expecting much . Stan and Ollie do retain a natural genius for slapstick and one liners but they're let down by everything surrounding them . This is also a public domain film and the picture and sound quality is very poor so right away you're irritated by the mis-en-scene. Having four directors didn't help either and what was needed was a mere one director and it's a pity he wasn't James Parrot or any of the other directors who worked with the duo in the 1930s . As you probably know this is a French/Italian co-production which means the supporting cast are non English speakers whose lines have been dubbed . This is apparent when someone talks and their mouths never match their words . They also speak in a dull monotone notorious in dubbed movies

Not to be too negative because Stan and Ollie still sometimes show the almost supernatural ability to make an audience smile . Ollie is his usual arrogant bullying self and Stan ( despite looking slightly ill ) still manages the occasional laugh out loud one liner such as " There's something wrong with your eyes . When we get to the island you'll need to see an optimist " . I'm certainly not saying it's a great film but what I am saying it's a slightly mediocre comedy saved by Stan and Ollie

In their final movie together, Laurel and Hardy land on an island and try to establish their own society, but things don't quite go as planned after uranium is discovered on the island. "Atoll K" (also known as "Utopia") has the usual sorts of things that one would expect in a Laurel and Hardy movie, what with the various mishaps and things. It's surprising to learn that this flick was from France, but I'm sure that these guys are loved the world over.

All in all, this is a good lesson about what might happen when one tries to form a society. Stan and Ollie will definitely live on in the annals of comedy forever.

OK so it's not great either, but only because of how great Laurel and Hardy have been in the past. If this film received a total overhaul, with picture quality enhanced, add new dubbing to the badly dubbed voices and added a nice unobtrusive background music then this film would truly start to take shape. As it is, it does have it's problems. People do slate it for how old the boys look. Quel surprise! they were in their 60's and had led a 'life'. However, to me, they still came across as having bucketfulls of charm, and while this doesn't even come close to tickling the feet of their classics( I gave it a 4), it's worth a watch simply because it's them. To think otherwise would be impostorous!!

This was part of a 3-DVD box-set, and it came with the Laurel and Hardy shorts Mud & Sand, Just Ramblin' Along, Oranges and Lemons, and the Three Stooges ones Brideless Groom and Sing a Song of Six Pants; it also came with another feature, Flying Deuces. The disc this was on came with The Tree in a Test Tube & Malice in the Palace. I haven't watched an awful lot of the duo, and other than the aforementioned ones, it has been years since I did. Not sure why this has such a low rating; it is genuinely funny and clever at its best(honestly, few of the light, goofy and, at times, cartoon-style slapstick gags fall flat), and it seldom, if ever, drags, for the 82 minute running time. It makes fun of politeness, taxes, and other everyday subjects, in spite of the unusual plot of a deceased eccentric uncle(always popular) leaving them an island. Inbetween clumsiness, knocking stuff over, falling, and other natural occurrences that are not presented as if they hurt, weepy Laurel(who looks so old and worn here) and dominating Hardy also explore social issues and government. Is that a good thing? Well, a lot of the way, the treatment of it is great. I don't think they quite keep up the quality all the way, though. Near the end(when this gets "big", with "action", as expected), this gets somewhat unrealistic, employs a sort of deus ex machina, and the conclusion has darkness to it. The FX are decent. Editing and cinematography are fine. A nice amount of laughs, and not boring. I recommend this to big fans of the two. 6/10

Sadly the last film of the greatest duo ever put on celluloid.

Saying that once you get past the fact that Stan was very ill during the filming and Ollie is seriously overweight the film is actually more 'Laurel & Hardy' than some of the 1940's movies.

Being Public domain it's availible in many different quality prints - The BFI Blu ray/DVD being the best.

If you can look past the above and just try to just watch it it's poor but passable.

I wish the boys had ended on a better film but that's life.

100 years since the first film they made together (The Lucky Dog) they are loved by millions around the world...why? because great comedy is great comedy be it old or new and they were the best.

Not since Bette Davis's 1933 vehicle "Ex-Lady" have I seen a film that was so much better than its star said it was! Most of the bum rap "Atoll K," a.k.a. "Utopia," a.k.a. "Robinson Crusoeland," a.k.a. "Escapade" has got over the years has come from the horror stories Stan Laurel told of its production. Given that he suffered a stroke during filming, looked like death warmed over through much of it (from the opening two-shot of them together you'd never guess that Laurel survived Hardy by eight years) and was subsequently diagnosed with diabetes (once he adjusted his diet accordingly he restored himself to health), one can understand why Laurel didn't think this film was the most pleasant experience of his life. Yes, it's flawed: the cheapness of the production shows through, the dubbing is awful and Laurel and Hardy were too old to do the energetic slapstick of their greatest films. But it's still genuinely funny, and Léo Joannon's story introduces elements of political satire (sometimes libertarian, sometimes communalist) one would expect to see from more socially conscious comedians like Chaplin or the Marx Brothers but never from Laurel and Hardy. The film deserves credit for being different (though its debt to the Ealing Studios' classic "Passport to Pimlico," made just a year earlier, is pretty obvious) and for integrating the Laurel and Hardy comedy into a rather edgy context completely different from anything they'd used before. This isn't a great movie, but it's certainly better than the eight dreary ones for Fox and MGM they'd made in the early 1940's. I suspect only the film's technical crudity kept it from earning the cult following among anti-establishment baby-boomer youth the Marx Brothers' "Duck Soup" acquired in the late 1960's/early 1970's.

For new L&H fans, Stan and Ollie's appearance may be a shock. Stan looks VERY thin and has noticeably aged. Ollie, in contrast, has gained a LOT of weight.

If you can overlook their appearance, and the slow moving subplot, Atoll K does have some good comedy routines. However, their more elderly appearance does hamper what would otherwise be good gags. You just can't laugh at Stan while he is dealing with an inflating raft in the ship's cabin. He looks like he's truly in agony, and you want to help him instead of laugh at him. Also, the film is poorly edited. The original movie was 90 minutes long, but when re-released, it was shortened to a more tolerable 60 minutes. Most of the footage taken out was from the subplot, so taking out the extra half hour improved the movie.

While "The Boys" had more freedom to write gags and dialogue, nobody else on the crew had any idea what to expect in a L&H picture. Confusion and the illness of Stan and Ollie caused the picture to take an entire year to make! Not long after Atoll K was released, Ollie went on a diet and lost a LOT of weight, but it was too late.

Oh, why did it have to end like this? Laurel and Hardy's last film, from the crudely cranked-up Cuckoo theme (with erroneous credit to Hal Roach) to the closing "Nice mess"/"I couldn't help it" schtick, this is the duo as a grotesque parody of themselves. In between, their relationship is now solely constructed of uncertain acting, asinine dialogue and half-hearted slapstick. People slate King of New York, but Chaplin's final bow-out was nowhere near as undignified as this.

What really hurts to someone who loves Laurel and Hardy is the appearance of the two comedians. The video cover I'm holding shows them at their prime, all boyish smiles and glowing skin, with a blurb on the back that reads "The photograph on this sleeve is for illustrative purposes only and does not necessarily reflect the content of the film." Necessarily? It doesn't even come close. The actual film sees them at least fifteen years older than the photographs that adorn the sleeve, with Ollie distressingly overweight. This is not humorously, or comically, fat, as he would normally appear, but ill looking and on the verge of obesity. He would be dead seven years after this film was made, after a series of strokes. Stan, meanwhile, suffering a prostrate problem and dysentery, looks ghoulish as his weight has plummeted drastically. Every time something bad happens to him, such as getting squashed between a lifeboat and a table, you fear for his life. Even Ollie giving him a traditional slap makes you terrified he could be killed. He would last for another fifteen years after the completion of this film, eventually passing away from a heart attack in 1965. It's upsetting to think of such cherished performers growing old and dying painful deaths. And it's distressing watching their deterioration, both in health, and in performance, on screen. When I, and, I'm sure, almost everyone else, likes to think of Laurel and Hardy, I think of Way Out West, Busy Bodies or Our Relations. Seeing them in such physical ill health and performing dire routines at the dog-end of their career is a blight on my happy memories of them.

The warning signs are clear right from the opening credits, which list not only four writers, but also someone to come up with the concept, and a credit for "gags". So if Monty Collins was writing the "gags", then what were the other four writing? And in that case, why was Monty Collins paid a fee, given that there's no evidence of a single "gag" in the whole film? Over 40% of the movie is spent travelling to the eponymous island, during which we experience some of the most painfully unfunny scenes the boys were ever involved in. When I saw the bat scene I wanted to curl up and die, so great was its childish ineptitude. Yet what kills the film stone dead is that all of the support cast are dubbed, unable to speak English. Not only does this make the film disjointed, but also it severely depletes Stan and Ollie's reactions to their co-stars. Flatly directed with appalling film stock and absolutely atrocious editing, this totally belies the rumoured $2 million that was spent on it. Frankly, it looks terrible, and while a DVD release might clean up the picture, the sound and image quality is vastly inferior to any of their Hal Roach work.

Stan and Ollie's "friends", Giovani and Antoine are charisma-free bores who stand out greatly against Laurel and Hardy's outdated repertoire. This is another major problem with the film, in that none of the supporting characters are funny, or keyed in to the boys' innocent mentality. The dubbed harshness shown to L & H ("you - the fat one") makes them stand out as isolated social misfits, rather than loveable sub-anarchists. There is evidence of some darker political satire - though Duck Soup this ain't - and the concept of an island with no rules is an interesting topic. Perhaps more relevant now than it ever was, a film that looks at the problems of immigration and the American constitution suddenly becomes most topical in 2003. Sadly, however, beyond an amusing scene where Stan is elected "the people", this doesn't really go anywhere. And this somewhat black humour does have its harsh edges - or is a Laurel and Hardy movie where rape is directly implied and Stan threatens a man with a bottle, only to accidentally glass someone in the face, your idea of a good time? After all the years of Stan and Ollie sharing a bed, we also get a definite reference, with Stan accidentally kissing him - Ollie wipes off the kiss in disgust. Also worrying is the implication that Stan and Ollie's illegal immigrant friend, Antoine, ends his life being eaten by a lion. Mind you, I never thought I'd see a Laurel and Hardy movie where they were due to be hanged, either. The need for the intrusive and unfunny narration is a further pointer to how messy the whole thing is, with the American release (the same version available on video) hacking out 16 minutes in a vain attempt to improve it.

Almost completely unwatchable, this horrifically made, relentlessly unfunny movie serves only to tarnish the reputation of Stan and Ollie - avoid at all costs.

The movie is not halve as bad as people want to make you believe it is.

What is the reason why so many people hate this movie? Is it because it's Laurel & Hardy's last one together and it's not their best? Or is it because of the lack of Laurel & Hardy regulars? Or because it's not made by the Hal Roach studios or 20th Century Fox?

Definitely true that this movie is not a successful attempt to revive Laurel & Hardy and bring them to the '50's. It's also definitely true that the movie is far from their best but honestly, the movie still entertains well, making this movie also far from their worst. Not the most worthy 'goodbye' movie imaginable but an entertaining and suiting goodbye nevertheless. Both of them retired from movies after completing this one.

The movie still features some great slapstick moments and the chemistry between Laurel & Hardy is obviously still very much present. It also makes this movie better than most of their movies together from the '40's. Quite a surprise that the slapstick humor still works out as great as it does, considering that the days of slapstick comedy had been over, ever since the '30's.

The story is perhaps not as entertaining as it could had been and it features too many sidekicks and characters, with as a result that the movie looses its focus on the boys at times. A shame, because they are still the ones that really carry and make the movie.

Sad to see in what poor form Stan Laurel was at the time of making this movie. He really looked ill and old, which he also of course was. He was well over 60 years old already. But after a surgery he fully recovered and still lived for another 15 years, before dying in 1965, 8 years after his good friend Oliver Hardy.

An entertaining, though not perfect goodbye to the boys, Laurel & Hardy and the end of 3 decades of fun, humorous, quality slapstick entertainment of movies that are still being watched and loved by people all over the world.

7/10

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I just watched Atoll K-Laurel and Hardy's last movie together and known here in the states as Utopia-on Internet Archive expecting to see some extra footage since the IA version had a running time of 2 hours and 21 minutes. Turns out that it's basically the same version I previously watched on the bargain basement VHS tape from Goodtimes Home Video that ran an hour and 23 minutes (with the exception of no product placement of the Welch's Grape Juice label being inserted when a bottle was shown) with the rest of the running time devoted to dark blank space. While Stan does look like he might be dying anytime soon, he still performs fine physical comedy with Ollie during much of the first 45 minutes or so. Then the plot of taking a yacht with a stowaway and a man with no country aboard-not to mention a charming female French singer also coming to inhabit an uncharted island they all end up on-takes over with eventual complications that pretty much bogs the comedy down and never really recovers despite the familiar ending of Ollie saying for the last time to Stan, "Here's another nice mess you've gotten me into!" before Stan cries uncontrollably before the fade out. In other words, if you're a die-hard Laurel and Hardy fan, this movie is recommended for you to see at least once. Anyone else wanting to get familiar with this classic comedy team should seek their earlier work they did for Hal Roach from the '20s up through 1940 when they completed their final Roach film, Saps at Sea. Come to think of it, even some of the L & H Fox flicks (have yet to see the two they made for M-G-M) from the '40s are better than this one...Update-8/29/09: Just watched some missing scenes that appeared in the Italian version on YouTube. Cherie sings in one and has a conversation with the Captain. In another, that Captain's wife pulls a gun on Cherie. In one more, Giovanni explains why he left his country with a flashback scene. Stan is dubbed in high pitch here!

This film has the look and feel of one of the Hal Roach films like Bonnie Scotland with the annoying subplots of other characters. That said it also resembles a Hal Roach film in the fact that Stan had control of the gags and execution. Plenty for a Laurel and Hardy fan to enjoy here. While the rest of the cast has dubbed dialog Laurel and Hardys is right from the horses mouth. on Yes Stan looked bad as he was ill but you get past that on repeat viewings. The ending is a rather fitting close to a great career.

As for the later years films. If you are looking for a slick polished faster paced film try a Fox. If you are looking for classic style Laurel and Hardy in their later years, this is for you!

First, let me start by saying that I am a Laurel and Hardy buff. I have read every book printed about them, and have seen all of their available films more than once. I even took a chance once, and called Stan on the telephone. He was very kind, and spoke with me for over ten minutes. I followed with a letter, and he wrote me a letter back. I still have that letter.

This film has some fine comedy moments, but Stan and Ollie are not up to their usual form. Stan was gravely ill during the production and looked worse than he did ten years later. In my opinion, any Laurel and Hardy film is worth seeing.

But the Ultimate opinion of this film comes from the great Stan Laurel himself. To quote him, "This film should never have been made."

It is very easy to understand the appeal of Stan Laurel and Oliver Hardy, comedic geniuses at their best and their personalities were certainly memorable, and why they are so fondly remembered. The same goes with their chemistry, considered legendary and one of the best, and in their prime (mid/late-1920s to 1940) one can see there's a reason for that. Their best material, both verbal and particularly physically, was amusing to hilarious and their best films, short and feature, are perfect examples of how to do comedy.

'Utopia' (aka 'Atoll K') is Laurel and Hardy's swansong, and it doesn't do the duo, individually and together, justice and is somewhat sad as a send-off for this iconic duo. Would be for pretty much anybody even. Having said that, although it is one of their worst from personal opinion and on the same level as the worst of their vast decline in the 40s (where only 'Jitterbugs' and 'The Bullfighters' scraped slightly above average), 'Utopia' is not as bad as reputed. Honestly was expecting far worse considering it has one of the worst reputations of all their work. Although outweighed by the numerous problems, all pretty much summed up already so there is not an awful lot to add, there are good things here.

The film is hardly devoid of funny moments, none of it is really classic Laurel and Hardy quality but some of it, like the loading of the boat and with the pet lobster, is quite amusing. The satirical element in the last third intrigues and is quite neat. Neither of the boys are in particularly good physical shape, as has been said, Laurel's gaunt appearance was a shock to the system.

But their comic timing does shine, with Hardy (humour-wise, to me he seemed on good form) being the more animated of the two, they are true to personality (a few of their 40s films saw them out of character) and their chemistry is still more than amiable. They also gel in the setting, which is an improvement over some of their 40s films because they didn't always in that period.

Not all the humour works though, parts of the slapstick lacks the usual energy (though for somewhat obvious reasons) and other gags come over as contrived and tired from being stretched out and overplayed. 'Utopia' also contains the worst supporting cast of any Laurel and Hardy film, with everybody either being charisma void or really annoying, further disadvantaged by some of the most horrendous (over) dubbing of any film seen recently and ever, so jarringly obvious and cheap-sounding, and the direction is generally quite slack and like there was uncertainty of what to do with the material.

Dialogue is both stilted and trite, as well as amateurishly recorded. The story is pretty messy, with a love interest subplot that really drags the film down, very tedious and unnecessary. Not just that, the story felt very dull in place and like it tried to throw in too much content, parts pointless, which made it feel muddled. Muddled too in tone, where the film brings a seriousness in places that comes over as overly-serious to the point of being depressive. 'Utopia' doesn't look good either, not all Laurel and Hardy's output granted did, but one would be hard pressed to find one with editing this crude and disorganised.

Summarising, not that bad but Laurel and Hardy were deserving of a better swan-song than this. 4/10 Bethany Cox