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La historia de la gran tiradora Annie Oakley, que saltó a la fama enfrentándose a su rival y amante, Frank Butler.La historia de la gran tiradora Annie Oakley, que saltó a la fama enfrentándose a su rival y amante, Frank Butler.La historia de la gran tiradora Annie Oakley, que saltó a la fama enfrentándose a su rival y amante, Frank Butler.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 9 premios ganados y 7 nominaciones en total
Dorothy Abbott
- Carriage Woman
- (sin créditos)
Bette Arlen
- Carriage Woman
- (sin créditos)
Polly Bailey
- Minor Role
- (sin créditos)
Evelyn Beresford
- Queen Victoria
- (sin créditos)
Margaret Bert
- Bit Role
- (sin créditos)
Norman Borine
- Dancer
- (sin créditos)
Tex Brodus
- Ball Guest
- (sin créditos)
Eleanor Brown
- Minnie Oakley
- (sin créditos)
Archie Butler
- Cowboy
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Despite some INCREDIBLE mistakes by MGM executives, "Annie Get Your Gun" is a terrific movie, a triumph for three reasons: Betty Hutton, Betty Hutton and Betty Hutton. Those who might quibble that "Garland would have been a LOT better" should take an objective look at the the outtakes on the DVD. Garland is terrible; way too modern, urbane and understated for the "larger than life" role of Annie Oakley. Rogers and Hammerstein understood what type of person ot took to
play Annie. That's why they hired Ethyl Merman, who triumphed on Broadway in the role. I've always loved Garland and always considered Hutton to be too bombastic. But, here, she is perfect and carries this movie on her the strengh of her "hit 'em in the rafters" performance. In fact, only four actors play it right. Hutton, Brad Muro (Lil' Jake), J. Carroll Naish (Sitting Bull) and Keenan Wynn. Louis Calhern is usually wonderful; here, his continental, understated style is horribly out of place, turning "Buffalo Bill" into a bore . The usually reliable Edward Arnold seems lost in his unattractive "Pawnee Bill" makeup. Perhaps the biggest disappointment, however, is Howard Keel, who displays little of the charm he revealed in the same year's "Calloway Went Thataway". This MUST have been the decision of Louis Mayer and George Sidney. Hutton reported that Mayer didn't want her, had no confidence in her and didn't even invite her to the New York premiere. Hutton, radiant even at 80, revealed to Robert Osborne, that she was so miserable by her treatment at MGM (no one applauded ANYONE at the end of shooting a scene), that it finished her career (though another triumph for Hutton, "The Greatest Show on Earth" was just two years away).
Despite its flaws, "Annie Get Your Gun" is a keeper. Why? Betty Hutton, Betty Hutton and Betty Hutton.
play Annie. That's why they hired Ethyl Merman, who triumphed on Broadway in the role. I've always loved Garland and always considered Hutton to be too bombastic. But, here, she is perfect and carries this movie on her the strengh of her "hit 'em in the rafters" performance. In fact, only four actors play it right. Hutton, Brad Muro (Lil' Jake), J. Carroll Naish (Sitting Bull) and Keenan Wynn. Louis Calhern is usually wonderful; here, his continental, understated style is horribly out of place, turning "Buffalo Bill" into a bore . The usually reliable Edward Arnold seems lost in his unattractive "Pawnee Bill" makeup. Perhaps the biggest disappointment, however, is Howard Keel, who displays little of the charm he revealed in the same year's "Calloway Went Thataway". This MUST have been the decision of Louis Mayer and George Sidney. Hutton reported that Mayer didn't want her, had no confidence in her and didn't even invite her to the New York premiere. Hutton, radiant even at 80, revealed to Robert Osborne, that she was so miserable by her treatment at MGM (no one applauded ANYONE at the end of shooting a scene), that it finished her career (though another triumph for Hutton, "The Greatest Show on Earth" was just two years away).
Despite its flaws, "Annie Get Your Gun" is a keeper. Why? Betty Hutton, Betty Hutton and Betty Hutton.
I disagree with the previous reviewer who said Garland would have been better in this role. Betty Hutton was great. She may not have been the singer that Garland was, but she did a excellent job of looking really unpolished in the beginning and cleaning up to be a very attractive woman. Her portrayal of Annie has a lot personality and humor. If you rent or buy the anniversary tape or DVD for this movie, they've included some scenes that had been already shot with Judy before they decided to recast her role. There is no comparison. Judy was not up to the role at that point in her life and it really shows. I'm glad Betty was cast. I think it's a great movie/musical due to her performance.
I disagree with those who feel Judy Garland would have been better than Betty Hutton. As a youngster, I saw the released version, and I've also seen a take with Garland singing "I'm an Indian too." I know Judy had a great voice, but Hutton was dynamite. She gave the role everything she had. No, I'm afraid this time, I think destiny gave us the best.
... many of them fans of Judy Garland, some of them fans of the actual characters in the film, insulted by how Annie Oakley is portrayed as a backwoods hick, how Frank Butler (Howard Keel) is turned into a jerk that the real Annie would have shot full of buckshot, and how Irving Berlin's music may be as toe-tapping as ever, yet his lyrics strip every bit of dignity, and intelligence from these two fascinating people and gives us whining stereotypes in their stead. Their feelings not mine.
Yes, the film is a bit over-produced in typical MGM fashion, but is generally very good. Too bad a few lovely tunes from the Broadway show were cut, as well as Betty Hutton's touching "Let's Go West Again" number. As much as I adore Judy Garland, Betty Hutton is fabulous as Annie and far more similar in temperament to original creator Ethel Merman than Judy could ever have been and especially by 1949-50. Annie was tailor made for Betty and her energy and talents. The film was a tremendous box office hit and MGM attempted but failed to buy Hutton's contract from Paramount, despite how she was treated on the set.
Yes, the film is a bit over-produced in typical MGM fashion, but is generally very good. Too bad a few lovely tunes from the Broadway show were cut, as well as Betty Hutton's touching "Let's Go West Again" number. As much as I adore Judy Garland, Betty Hutton is fabulous as Annie and far more similar in temperament to original creator Ethel Merman than Judy could ever have been and especially by 1949-50. Annie was tailor made for Betty and her energy and talents. The film was a tremendous box office hit and MGM attempted but failed to buy Hutton's contract from Paramount, despite how she was treated on the set.
Betty Hutton is excellent as Annie Oakley, the sharp-shooter who joins Buffalo Bill's circus; and she has just the same amount of OTT acting and raucous singing to pull the role off. Judy Garland was originally cast in the lead and filmed two numbers (both now available on the DVD, and both painfully awful) before having a breakdown and being replaced. Thank goodness Betty was cast instead, and she and Howard Keel make a terrific team. Keel would have another chance to go west with Doris Day as Calamity Jane a few years after Annie, and I'd find it difficult to pick between his performances in these two films.
Irving Berlin wrote a great score for Annie, including 'Anything You Can Do', 'Doin What Comes Naturally','They Say It's Wonderful' and of course, 'There's No Business Like Show Business' and for this the musical will be highly regarded and fondly remembered. What is curious is the fact the film disappeared from public view for two decades before making its video debut. It is to be celebrated that we have the chance to see it again and appreciate its good points.
Irving Berlin wrote a great score for Annie, including 'Anything You Can Do', 'Doin What Comes Naturally','They Say It's Wonderful' and of course, 'There's No Business Like Show Business' and for this the musical will be highly regarded and fondly remembered. What is curious is the fact the film disappeared from public view for two decades before making its video debut. It is to be celebrated that we have the chance to see it again and appreciate its good points.
¿Sabías que…?
- TriviaLouis Calhern replaced Frank Morgan in the role of Buffalo Bill Cody after Morgan died of a sudden heart attack shortly after filming began. In Buffalo Bill's very first appearance on his horse, Frank Morgan is visible a split second before the shot of Calhern.
- ErroresRight before the song "You Can't Get a Man With a Gun," Annie sits down on a bench and opens her mouth wide for her first note; then in a closer shot, she opens her mouth wide again, this time in sync with first note.
- Citas
Annie Oakley: [calling after Frank as he's walking away] Hey, mister...? Don't you like girls?
Frank Butler: [not comprehendeding the question] Well... sure!
Annie Oakley: [realizing it herself] I'm a girl.
Frank Butler: [laughing condescendingly as he walks away] That's fine.
- Créditos curiososThe film depicts true-life people, including Annie Oakley, Frank Butler, Buffalo Bill Cody, Pawnee Bill (AKA Gordon W. Lillie), and Sitting Bull, and is loosely based on true events. However, the opening credits claim that all characters are fictional and and any resemblance to persons living or dead is purely coincidental.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA Srl: "LET'S DANCE (Torna Con Me, 1950) + ANNA PRENDI IL FUCILE (1950) - New Widescreen Edition" (2 Films on a double DVD, with "Annie Get Your Gun" in double version 1.33:1 and 1.78:1), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesFeatured in Toast of the Town: MGM's 30th Anniversary Tribute (1954)
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Detalles
Taquilla
- Presupuesto
- USD 3,768,785 (estimado)
- Tiempo de ejecución1 hora 47 minutos
- Relación de aspecto
- 1.37 : 1
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What is the Spanish language plot outline for La reina del circo (1950)?
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