El tonto del batallón

This is Dean Martin and Jerry Lewis' first STARRING film--some reviews have said that this was their first film, though this was "My Friend Irma" from the previous year and "My Friend Irma Goes West" came out a few months before "At War With the Army". Because it was such an early film, the style and chemistry of the movie certainly isn't what you might expect for the team. The first big difference you'll notice is Jerry's musical number in his first scene! The next is that there really isn't much chemistry between them--as if it's a "Martin VERSUS Lewis" film! All too often, Dean yells at Jerry--and there's nothing all that funny about this. Any sort of camaraderie between them is missing. And, oddly, Jerry plays a guy who is married! The film is an army comedy--a type of film that was very popular around 1940-1941 but had a bit of a resurgence in the 1950s--with films like this one, "No Time for Sergeants" and "Jumping Jacks". Compared to such classic films as these plus "Caught in the Draft", "Buck Privates" and "Tanks a Million", "At War With the Army" comes up very short--mostly because it just doesn't have the laughs or chemistry the other films had.

Before joining the Army, Jerry and Dean had been friends. Now, Dean's a sergeant and Jerry is a lowly private. And, quite often, Dean bosses Jerry about--sort of like some sort of slave. But most of the film consists of Jerry doing his thing and Dean doing his--and not at all like a team. As a result, the overall plot isn't particularly good but the viewer instead is waiting for good moments--little gems that appear here and there. One of the best is seeing Jerry in drag--he made a very, very interesting (and hairy) blonde! The reaction of everyone in the bar was priceless! And, some of the songs aren't bad. But again, these are only moments within an otherwise humdrum film.

Overall, this is a film that is a must-see for Martin & Lewis fans...otherwise, eminently skip-worthy!

Writers: James B. Allardice (based on a play by), Fred F. Finklehoffe (written for the screen by)

Yep, Dean Martin & Jerry Lewis are in the army. No telling how they got there. All that is known is that 1st Sgt. Vic Puccinelli (Dean Martin) is desperate to go overseas for some action; Pfc. Alvin Korwin (Jerry Lewis), not as comedic as usual is just trying to stay out of trouble.

Capt. Ernest Caldwell the titular head of the unit, answers to his wife. A beautiful girl walks into the office which the wife knows she's PG but nothing more. So, it's up to Capt. Ernest Caldwell to track down the father and make an honest woman of her.

She can see the environment and can anticipate the comedy of errors.

After stealing the shows with their supporting roles in "My Friend Irma" and its sequel "My Friend Irma Goes West" Paramount decided to build an entire film around their popular contract player comedy duo, Dean Martin and Jerry Lewis. This 1950 release was a huge hit that would inspire numerous other successful teamings before they split up in 1956. Placing the two of them on an army base and getting them involved in all sorts of crazy situations on and off the front lines adds up to some sheer hilarity and one of their best teamings.

A bunch of comedic misadventures surround an army training camp office.

One of the best of M & L. One reason is a clever script adapted from a stage play. That means better than usual comedic lines, and also that Lewis's mugging isn't the only funny element. Unlike his later films, Lewis complements the laughs here instead of monopolizing them. Also, Martin gets to warble a few tunes in his smooth baritone. I especially like the record-booth duet with Polly Bergen that's really quite charming. And I wonder what happened to the quite talented Jean Ruth as the befuddled Millie who can't seem to decide where she works or whom she's dating. Ruth shows a lot of comedic spark in the role, but appears to have left the industry soon after. Too bad.

Not everything is roses. Being an ex-stage play means the story is pretty much confined to a single set with characters rushing in and out. Keeping up with the diverse lot may require a scorecard. Of course, there's nothing new about the comedic potential of misfits in the military, and this one was followed by several more M&L entries in a similar vein. Anyway, the act here in their first film is still, fresh, energetic and funny.

A decade earlier, Abbott and Costello became movie stars with a pair of World War II military films, "Buck Privates" and "In the Navy." Here Martin and Lewis march in their bootsteps during the Korean War. The plotted and scripted comedy framework for this film may not be anything special, but the Martin and Lewis set pieces remain great. With hindsight, you can see the grounds for the pair's breakup this early in their career. Martin is charming when he's allowed to sing or do a solo bit, but his character is an unsympathetic bully to Lewis' hapless fumbler -- Bud Abbott at his most brutal to poor Costello.

The glimpses of bits of their stage and radio act, however, are funny -- their byplay before a band; their imitation of Bing Crosby (Martin, of course) and Barry Fitzgerald (Lewis)in "Going My Way"; Lewis in blonde drag (with a hairy chest showing over the v-neck of his dress) singing a husky-voiced torch song to Mike Kellin, and Martin's underplayed double-take and mumbled, "No, couldn't be," as he passes by them.

One special highlight is Polly Bergen in an early brief part as Martin's girlfriend. (The movie's credits read "introducing Polly Bergen," but IMDb lists two previous roles for her, one just a voice part.) This is Bergen before she had an absolutely perfect face with an absolutely perfect nose, but still, as Martin sings "You and Your Beautiful Eyes" to her, she is given a lengthy, star-making closeup in which she smiles and becomes luminous, and her future career is assured.