Mientras la ciudad duerme

When the intelligent criminal Erwin "Doc" Riedenschneider (Sam Jaffe) is released from prison, he seeks a fifty thousand-dollar investment from the bookmaker Cobby (Marc Lawrence) to recruit a small gang of specialists for a million-dollar heist of jewels from a jewelry. Doc is introduced to the lawyer Alonzo D. Emmerich (Louis Calhern) that offers to finance the whole operation and buy the gems immediately after the burglary. Doc hires the safecracker Louis Ciavelli (Anthony Caruso), the driver Gus Minissi (James Whitmore)and the gunman Dix Handley (Sterling Hayden) to the heist. His plan works perfectly but bad luck and betrayals compromise the steps after the heist and the gangsters need to flee from the police.

"The Asphalt Jungle" is a fantastic film-noir by the legendary director John Huston and with magnificent performances. The brilliant story of bad luck and betrayal in a heist was nominated to four Oscars, three Golden Globes and nominated and winner of several other prizes. Marilyn Monroe is sexy and gorgeous in a minor but important role. My vote is nine.

Title (Brazil): "O Segredo das Jóias" ("The Secret of the Jewels")

Note: On 30 September 2016, I saw this film again.

I'm a sucker for a good heist film, and three of the best I've ever seen were made around 1955/56 - 'Rififi', 'Bob le flambeur' and 'The Killing'. Now they are still three of the greatest crime thrillers ever made, but now that I've finally seen 'The Asphalt Jungle' it's obvious what source those movies were drawing on! Not that I'm saying they're rip offs, they're not, but they are kind of three (excellent) variations on Huston's theme. 'The Asphalt Jungle' must therefore be seen as the most influential crime movie of the modern era, and the blueprint for every subsequent caper movie ('The Anderson Tapes', 'Thief', 'Reservoir Dogs', 'The Usual Suspects', 'The Score',etc.etc.) This superb film noir is almost impossible to fault. The script is first rate, John Huston's direction is inspired, Sterling Hayden - possibly America's most underrated actor - is fantastic as troubled ex-con Dix Handley, and the ensemble cast are all excellent, especially James Whitmore ('Them!'), Louis Calhern ('Notorious'), Sam Jaffe ('The Day The Earth Stood Still') and John McIntire ('Psycho'). The early role for Marilyn Monroe made a strong impact on a lot of people, but I was even more impressed by Jean Hagen as Doll. She is unforgettable and her scenes with Hayden are wonderful. Why did she never become a major star? This is a crime classic and brilliant entertainment. Highly recommended!

"The Asphalt Jungle" is one of the greatest crime films. The movie has its roots in several great film noir projects, such as "Double Indemnity", "The Killers", "Criss Cross", and "Out of the Past". Its lasting impression over time is based upon its quality and its unprecedentedly brilliant use of the "caper" as a plot device. As stated in other comments, this film noir's influence can be seen in hundreds of disparate "caper" movies - "Rififi", "A Simple Plan", "The Guns of Navarone", "The Usual Suspects", and "How to Steal a Million", just to name a few.

I will not give away the results of the "caper", but the film is truly superior in how it explores relationships and deception. This is one of John Huston's greatest works, and the script lays down the tension from the first moment and doesn't let up. Huston uses multiple closeups to literally drain the emotion out of the characters. Hayden, Calhern, Lawrence, Hagen, and Whitmore turn in superb performances with many memorable moments, but Sam Jaffe steals the film in an Oscar-worthy performance as the brain behind the caper. Marilyn Monroe makes an indelible impression in a fairly brief but pivotal role.

Please do not miss this - an easy 10 out of 10.

I hadn't seen The Asphalt Jungle for nearly 30 years until tonight, I think I must have (wrongly) considered it to be a "modern film", ie post rock'n'roll and dismissed it as too earthy as a result. Well I was wrong, it's certainly a Golden Age film made with high production values, with all the right actors, direction, music and story the Golden Age had produced. The music especially links it back to Double Indemnity and of course Huston to The Maltese Falcon, Jaffe to Lost Horizon etc. It was simply a signpost to the type of films to come , the ones I avoid.

It's gritty, as realistic as a gritty fantasy could be in 1950, as realistic as I want. The multi character interplay sticks in the mind, everyone's grafting and ready to dump on the next guy, apart from The Hooligan who dumb as he is really has a heart. It's Sam Jaffe's film though, his calculating but flawed dirty old man character was a classic perv-ormance, nowadays we would not have been spared the sleaze, but he walked a fine line successfully.

And again, the sleazy relationship between Uncle Louis Calhern and young Marilyn Monroe was perfectly handled.

All in all a marvellous film from the twilight years of the Golden Age.

You're back outside, after a little time confined, you have a plan for a new caper, that's quite refined, just need to find a willing backer, muscle, driver and safecracker, what could possibly go wrong, it's all defined.

Doc Erwin Riedenschneider played by the great Sam Jaffe seeks a big payday but things don't go quite as well as he'd been planning as unforeseen events, mistrust and double crossing scupper his best laid plans. Alonzo D. Emmerich is perfect as the dodgy lawyer financing the deal and Sterling Hayden just as impressive as the muscle with an attitude.

Another fantastic piece of Film Noir that perpetually delivers.