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Alina, la hija de la noche

Título original: Alina
  • 1950
  • Not Rated
  • 1h 30min
CALIFICACIÓN DE IMDb
6.1/10
162
TU CALIFICACIÓN
Gina Lollobrigida and Amedeo Nazzari in Alina, la hija de la noche (1950)
CrimenDrama

Agrega una trama en tu idiomaA woman takes her ill husband's place in a smuggling ring and steals the heart of his partner.A woman takes her ill husband's place in a smuggling ring and steals the heart of his partner.A woman takes her ill husband's place in a smuggling ring and steals the heart of his partner.

  • Dirección
    • Giorgio Pastina
  • Guionistas
    • Carlo Duse
    • Faldella
    • Giorgio Pastina
  • Elenco
    • Gina Lollobrigida
    • Amedeo Nazzari
    • Otello Toso
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    162
    TU CALIFICACIÓN
    • Dirección
      • Giorgio Pastina
    • Guionistas
      • Carlo Duse
      • Faldella
      • Giorgio Pastina
    • Elenco
      • Gina Lollobrigida
      • Amedeo Nazzari
      • Otello Toso
    • 5Opiniones de los usuarios
    • 1Opinión de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos25

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    + 18
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    Elenco principal19

    Editar
    Gina Lollobrigida
    Gina Lollobrigida
    • Alina
    Amedeo Nazzari
    Amedeo Nazzari
    • Giovanni
    Otello Toso
    • Marco
    Camillo Pilotto
    Camillo Pilotto
    • Andrea
    Juan de Landa
    Juan de Landa
    • Lucien
    • (as Juan De Landa)
    Oscar Andriani
    • Bertolino
    Gino Cavalieri
    • Giulio
    • (as Nino Cavalieri)
    Gemma Bolognesi
    • La signora anziana alla roulette
    Frank Colson
    • L'americano
    • (as Francesco Colson)
    Augusto Di Giovanni
    • Il brigadiere
    Silvio Noto
    • Il farmacista
    Gianni Guarnieri
    • L'ammiratore di Alina nella sala da ballo
    • (as Gianni Guarneri)
    Doris Dowling
    Doris Dowling
    • Marie
    Lauro Gazzolo
    • Paolo - il marito di Alina
    Vittorio André
    • L'uomo con il monocolo
    • (sin créditos)
    Mirko Baiocchi
    • Un giocatore al casinò
    • (sin créditos)
    Aristide Catoni
    • Un giocatore di poker
    • (sin créditos)
    Terzo Monachesi
    • Un giocatore al casinò
    • (sin créditos)
    • Dirección
      • Giorgio Pastina
    • Guionistas
      • Carlo Duse
      • Faldella
      • Giorgio Pastina
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios5

    6.1162
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    Opiniones destacadas

    9clanciai

    Smuggling drama in the Alps

    There are two villains in this film, and one of them is a woman. She finally reveals herself as the true queen of spades in her cards after having been cheating all her life, but she is startlingly beautiful, especially in her first scenes as a singer at a high skiing resort for rich tourists in the French Alps, who spend their nights around the roulette while she entertains them by seductive singing, but she can't fool her fat rich husband, the owner of the resort, all the way.

    The other lady is a very young Gina Lollobrigida, who is married to an old smuggler who is at the end of his tether, trying to turn a blind eye to it by medicine and liquor, not a good combination; but Gina really cares for him and loves him and replaces him in the smuggling gang, who are not all decent fellows.

    It's actually a gripping drama off relationships and hardships in the smuggling business, contrasted against the luxury life of the lavish tourists, who have no idea of the drama that goes on around them. Amedeo Nazzari, employed by the owner to keep watch of the games, has one foot in both businesses and gets involved with the problems of the smugglers, especially when these become acute because of lack of discipline. The cinematography is excellent like also the music, the direction is efficient with never a dull moment in a flow of action that constantly keeps changing to higher gear. Above all, it's a great film of the western Alps, the scenery is magnificent, and the human drama is a good match for it.
    7ulicknormanowen

    There are two kinds of snow....

    One of Gina Lollobrigida's first parts , she is cast as a virtuous honest wife, who goes out of her way to bring medicine to her sick (and not very handsome) husband .

    "Alina" is a good mixture of melodrama and film noir;it pits the luxury world of the people of the French ski resort ,who practise Winter sports and who spends their night gambling in a shady place ,against the poverty of Italians of a village who cross the border in the cold at night to smuggle powder (cocaine); the boss of the gambling club is part of the ring and exploits them shamelessly.

    Good scenes : the involuntary strip tease of Alina , with peeping tom Marco behind the pane (check the poster) ; the fire in her hovel ; the final confrontation of the boss and his unfaithful wife.

    Lollobrigida is eye candy ,and although cast against type, manages quite well in her part of a destitute girl,forced to replace her sick hubby in his smuggling business;Amadeo Nazarri , a habitué of Italian melodrama, is true to form .
    6AAdaSC

    Cocaine smuggling in the Alps

    This is great subject matter for a film.

    There are a troop of 4 smugglers who carry the cocaine over the border from Italy to France via the Alps. They need to navigate the route with local knowledge and make sure that they outwit the border police in order to deliver the stash to the man who runs a gambling house - Juan de Landa (Lucien). De Landa has a wife, Doris Dowling (Maria), who sings at his club but is carrying on with de Landa's manager Amedeo Nazzari (Giovanni) behind de Landa's back. Nazzari finds out about the drug runnings and falls in love with one of the smugglers - Gina Lollobrigida (Alina). Meanwhile, Dowling gets jealous...

    The film has great scenery - the Alps - and a different setting for the topic of drug smuggling. Unfortunately, not enough happens in terms of action, but the film is still worth the time.

    I would like to declare my interest in the different ways that cocaine can be smuggled across borders and this film sets it out straight, ie, the people involved are not bad people. They just need to make a living. Well, the baddie smuggler Otello Toso (Marco) is bad. However, he is not bad because of the drug-carrying that he does, but more due to his self-entitlement to control women, in this case Gina. You hear the 'rape music' kicking in for one particular scene. Thankfully, he doesn't come out on top during this episode. Toso by name and 'tosser' by nature.

    Did film studios have music libraries with various headings for certain situations, eg, "rape music"? I bet they did.

    As for cocaine smuggling, more use needs to be made of these mountainous borders for this beneficial service. Ooops .... how silly of me ..... that is exactly what is happening all over the world - ha ha.
    6boblipton

    Good Crime Film

    Gina Lollobrigida came from the city, and eventually got married to Lauro Gazzolo. The women didn't like her in the small village on the border with France. There, the principal occupation seems to be smuggling, and Gazzolo was one of the smugglers. But he has fallen ill, and Signorina Llolobrigida has taken his place this once. They've reached the end of their run, an osteria run by Juan de Landa. The gambling is run by Amadeo Nazzari, a discontented, self-exiled Italian who's carrying on an affair with De Landa's wife, Doris Dowling. There's a spark between Nazzari and signorina Lollobrigida, but nothing happens save kindness, which enrages Miss Dowling.

    There are lots of sparks in this handsomely cast movie about the seamier side of Italian life, with Signorina Lollabrigida playing a very unglamorous role, leaving the scenes to Gazzolo and Miss Dowling. It's good acting, but it's a workaday film, well shot by cinematographer Tonino Delli Colli under the direction of Giorgio Pastina.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Italian censorship visa # 8239 delivered on 17-7-1950.
    • Citas

      Paolo - il marito di Alina: And I fell into such a sadness!

      Alina: You do bad to brood so.

      Paolo - il marito di Alina: You musn't go anymore. I need you, your affection--you know. You're like a daughter to me.

      Alina: Come on, don't be anxious now.

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de mayo de 1954 (México)
    • País de origen
      • Italia
    • Idiomas
      • Italiano
      • Francés
    • También se conoce como
      • Zwischen Liebe und Laster
    • Productoras
      • Acta Film
      • Filmolimpia
      • La Quercia
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 30min(90 min)
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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