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IMDbPro

Una hora de vida

Título original: Tokyo Joe
  • 1949
  • Approved
  • 1h 28min
CALIFICACIÓN DE IMDb
6.3/10
3.1 k
TU CALIFICACIÓN
Humphrey Bogart and Florence Marly in Una hora de vida (1949)
Film NoirPolitical DramaPolitical ThrillerSpyCrimeDramaThriller

Un estadounidense regresa a Tokio para intentar retomar los hilos de su vida anterior a la Segunda Guerra Mundial, pero se encuentra atrapado entre los criminales y las autoridades.Un estadounidense regresa a Tokio para intentar retomar los hilos de su vida anterior a la Segunda Guerra Mundial, pero se encuentra atrapado entre los criminales y las autoridades.Un estadounidense regresa a Tokio para intentar retomar los hilos de su vida anterior a la Segunda Guerra Mundial, pero se encuentra atrapado entre los criminales y las autoridades.

  • Dirección
    • Stuart Heisler
  • Guionistas
    • Steve Fisher
    • Walter Doniger
    • Cyril Hume
  • Elenco
    • Humphrey Bogart
    • Alexander Knox
    • Florence Marly
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    3.1 k
    TU CALIFICACIÓN
    • Dirección
      • Stuart Heisler
    • Guionistas
      • Steve Fisher
      • Walter Doniger
      • Cyril Hume
    • Elenco
      • Humphrey Bogart
      • Alexander Knox
      • Florence Marly
    • 53Opiniones de los usuarios
    • 19Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos82

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    Elenco principal40

    Editar
    Humphrey Bogart
    Humphrey Bogart
    • Joseph 'Joe' Barrett
    Alexander Knox
    Alexander Knox
    • Mark Landis
    Florence Marly
    Florence Marly
    • Trina Pechinkov Landis
    Sessue Hayakawa
    Sessue Hayakawa
    • Baron Kimura
    Jerome Courtland
    Jerome Courtland
    • Danny
    Gordon Jones
    Gordon Jones
    • Idaho
    Teru Shimada
    Teru Shimada
    • Ito
    Hideo Mori
    • Kanda
    Charles Meredith
    Charles Meredith
    • Gen. Ireton
    Rhys Williams
    Rhys Williams
    • Col. Dahlgren
    Lora Lee Michel
    Lora Lee Michel
    • Anya, Trina's daughter
    David Bauer
    David Bauer
    • Photo Sergeant
    • (sin créditos)
    Hugh Beaumont
    Hugh Beaumont
    • Provost Marshal Major
    • (sin créditos)
    Whit Bissell
    Whit Bissell
    • Capt. Winnow
    • (sin créditos)
    Tommy Bond
    Tommy Bond
    • Fingerprint Sergeant
    • (sin créditos)
    James Cardwell
    James Cardwell
    • Military Police Captain
    • (sin créditos)
    Scott Edwards
    • Officer
    • (sin créditos)
    Frank Fujino
    • Man
    • (sin créditos)
    • Dirección
      • Stuart Heisler
    • Guionistas
      • Steve Fisher
      • Walter Doniger
      • Cyril Hume
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios53

    6.33K
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    Opiniones destacadas

    8capn_nick

    An underrated but excellent film

    Humphrey Bogart's lesser watched films are so often passed by because the standard for Bogart films is so incredibly high. Is this film as great as "To Have and Have Not"? No it isn't. On the other hand I guarantee you it is more sophisticated and interesting to watch than 90% of the films that came out last year.

    People often seem to over look the unique virtues of this film as an interesting film in history. Coming so shortly on the heels of World War 2 one would expect to find a certain amount of racism towards the Japanese and yet (unlike slightly later films like Sayonara) it is almost devoid of any remarks of that kind.

    Humphrey Bogart is a superb actor as always as is the rest of the cast. The plot is well written and the direction style suited well to the film. Over all I highly recommend that anyone who wants a sharp and fun movie check this one out just don't expect it to be the classic that "Treasure of the Sierra Madre" or that one of the many other "classic" films he made was. It is nonetheless worth watching and, to my mind at least, quite a bit better than the cookie cutter system they use for suspense films now.
    6bill-790

    Bogart action less than outstanding but worth a look.

    "Tokyo Joe" is rightly called a "lesser Bogart effort." In fact, there is much in this film that obviously derives from earlier Bogart classics, especially "Casablanca." However, this Santana production/Columbia release is by no means without its interesting points. I would point to Alexander Knox's performance in a supporting role, for one. Sessue Hayakawa, as the old fascist surviver, is also good.

    On the other hand, Florence Marly is pretty weak as the love interest and the plot is somewhat routine. The main plot problem is the Bogart/Marly relationship. There is just too much resemblance to the relationship between Rick and Ilsa in "Casablanca." When you add in Marly's unconvincing performance, the chances of a having a first-rate film are slim. I must also add, reluctantly, that Bogie seems to be walking through this role, much as he did in another Santana film, "Sirocco" (1951).

    That brings me to my final point. Bogart had started Santana Productions in about 1948. "Knock On Any Door" was the company's first effort, and it was somewhat popular at the time. "Tokyo Joe" was the second Santana production. As a small start-up independent production company, Santana did not have a stable of outstanding actors to call upon. Perhaps that is why they had to make due with a Florence Marly instead of a top female lead to go opposite Bogart.

    It's also true that "Chain Lightning," 1950, Bogie's next to last Warner Bros. release, wasn't so hot. Maybe the era of the tough but decent Bogart character had simply run its course.

    I might add here that the third Santana production was "In a Lonely Place," 1950, one of Humphrey Bogart's best, though perhaps most under-appreciated, films.

    Give "Tokyo Joe" a try. It's no world beater, but I have watched it several times, and still find it entertaining.
    blanche-2

    Bogart in Japan

    "Tokyo Joe" from 1949 was the first film that was allowed to film in post-war Japan. Produced by Bogart's Santana Productions, it's just fair.

    Bogart plays Joe Barrett, who returns to Japan after the war to start a business. While there, he discovers that his wife Trina (Florence Marly) is still alive. However, when he finds her, he discovers that she has divorced him and remarried a man named Mark Landis (Alexander Knox). Joe is determined to get her back and needs to extend his visa; he is approached by Baron Kimura (Sessue Hayakawa) who wants him to front an airline freight company for him. He would be importing frozen frogs. However, there is some additional freight, and for that, Kimura blackmails Joe by telling him what Trina was involved in during the war, which he will make public if Joe doesn't work with him.

    This film bears a passing resemblance to Casablanca, and Bogart is clearly going through a transition which would lead to some of his greatest films and performances in the '50s. Rick of Casablanca is clearly pretty tired out. Being a small company, Santana Productions did not make big films or hire actors equal to Bogart, so the effect here is mediocre.

    Florence Marly as Trina is a disaster - cold, very haughty looking, without much acting ability. It's impossible to see why Joe fell for her in the first place. She is no Ilse Lund, and she has no chemistry with Bogart. Her intentions are very unclear as well - as an actress, it doesn't look like she made any decisions about the character. Alexander Knox and Sessue Hayakawa are very good. Bogart, for my money, is always terrific.

    Definitely worth seeing for the Japanese location and for Bogart. It's not horrendous, but considering that Bogart starred in so many classic films, it's not that good.
    7bob_gilmore1

    Postwar Melodrama not that bad

    Several years ago I stumbled upon a 35 cent biography of Humphrey Bogart written shortly after his death. In it he comments on many of his films, including Tokyo Joe. "Utterly worthless picture" he noted. Many critics agree as they dismiss this piece of hokum about what happens when a former soldier returns to what was his "home town" before the war. Thing have changed. It is not the paradise it once was to him and it is certainly no "Rick's" Instead of "As Time Goes By" we hear "These Foolish Things," a better song but not nearly as famous.

    Tokyo Joe was made not long after Bogey had left Warner Brothers and it has more than a whiff of a "message picture" that strikes to find some meaning in postwar Tokyo. But like "House Of Bamboo" this film works not only as melodrama but as historical artifact of a period that is now forgotten. We don't think of the Japanese as a defeated power. Ever since the Honda Accord and the Toyota Camry started blowing away American competition we have thought of the Japanese as a superpower economically, not as a crippled defeated country. This film captures a mood that is rarely expressed in movies and it captures it with rather high production values. The rest of the cast isn't much but they play it straight and thus Tokyo Joe stands up even better after the initial viewing. The DVD transfer is very good and it remains a worthy addition to the Bogart canon.
    6Nazi_Fighter_David

    A dispirited star melodrama

    Bogart is a former nightclub owner who returns to postwar Japan to pick up his life with a wife (Florence Marly) he had deserted, only to find that she had remarried and was the mother of his seven-year-old daughter…

    In the ensuing complications, Bogart is placed in a position where he must smuggle some Japanese war criminals back into Japan or his daughter will be killed…

    Bogart is much less convincing than in his "Across the Pacific" days, where he was also required to deal with villainous Japanese…

    For an actor who had belabored the point that he had been forced to do too many bad films because he had no control over the properties, it is disappointing to see him making extremely bad films now that he did have full control...

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      This was the first movie allowed to film in post-war Japan. However, it appears that any footage of Joe Barrett (Bogart's character) that appears on location in Tokyo was filmed with a body double. It's more than possible that Bogart filmed only in the U.S. and never went to Japan.
    • Errores
      Obvious double for Humphrey Bogart in the fight scenes and the street scenes filmed in Japan.
    • Citas

      Joseph 'Joe' Barrett: Hey, whatever became of the rattrap hotel that used to be next door?

      Ito: The B-29's converted it into a parking lot.

      Joseph 'Joe' Barrett: Well, it's lucky they stopped when they did, or all Tokyo'd be a parking lot. Next time it'll be the whole world and nothing left to park

      Ito: Come upstairs, Joe. They don't understand a word of English - unless they listen.

    • Conexiones
      Edited into Esto es todo (2009)
    • Bandas sonoras
      These Foolish Things (Remind Me of You)
      (uncredited)

      Music by Jack Strachey

      Lyrics by Eric Maschwitz (as Holt Marvell) and Harry Link

      Sung on a record several times

      Sung by Florence Marly at the Tokyo Joe cabaret in flashback

      Reprised by an unidentified female at the Tokyo Joe cabaret

      Variations in the score throughout the film

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    Preguntas Frecuentes16

    • How long is Tokyo Joe?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de diciembre de 1949 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Japonés
    • También se conoce como
      • Tokyo Joe
    • Locaciones de filmación
      • Tokio, Japón(Exterior)
    • Productora
      • Santana Pictures Corporation
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Total a nivel mundial
      • USD 207
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 28 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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