Mercado de ladrones

I have stumbled over the works of Jules Dassin only lately, first the atmospheric and gripping "Night and the City" and now "Thieves Highway", something you would certainly label a sociological drama today. Rchard Conte as a guy out on the mission to avenge the death of his brother and the crippling of his father from indirectly the hands of a corrupt fruit market guy. Wonderful acting by all main people, Richard Conte, Lee J Cobb, Millard Mitchell, and the Italian actress who never made it to a status that i can recall her name without checking the credits again... Dire portrait of the fight for existence of the trucker guys, the ways the retailer controls both ends of the supply chain and the mean and dark ways in a big market. Vegetables and fruits may just be a metaphor for something else, you see.... If you can get it on cable or DVD, don't let it pass by.

The soldier Nick Garcos (Richard Conte) returns back home from the war very happy with gifts for his parents Yanko (Morris Carnovsky) and Parthena Garcos (Tamara Shayne) and money in his pocket to open a business and get married with his girlfriend Polly Faber (Barbara Lawrence). Out of blue, Nick realizes that his father lost both legs and Yanko, who was a truck driver, tells that he was cheated by the dealer Mike Figlia (Lee J. Cobb) in the San Francisco's market when he delivered a truckload of tomatoes and was not paid. He believes that his accident was provoked by Figlia's gangsters. He also tells that he sold the truck to a driver named Ed Kinney (Millard Mitchell) that has not paid him.

Nick meets Ed and tells that he will bring the truck back, but Ed proposes a deal with apples, where they may earn a great amount. Nick invests his savings in another truck and buys apples from a Polish farmer. They need to drive directly to the market in San Francisco without sleeping to keep the fruits fresh, but Ed's truck has problem on its axle and Nick arrives first. Mike Figlia hires the Italian whore Rica (Valentina Cortesa) to distract Nick but she falls for him and tells that Mike is robbing his cargo. Mike is forced to share his selling with Nick and her earns a large amount. Then he calls Polly and asks her to meet him to get married, and Rica tells to Nick that Polly is only interested in his money. When Nick is robbed by Mike's gangsters, he learns who really loves him. But Nick still has to settle the score with Mike.

"Thieves' Highway" is another great film-noir by Jules Dassin in a period of the post-war ruled by gangsters and corruption. Nick Garcos begins the story happy and expecting to get married with his girlfriend and ends a dark character in love with a prostitute with a heart of gold. The direction and performances are top-notch and the story is realistic. The sequence with the uncontrolled truck without brake in the highway is impressive. My vote is eight.

Title (Brazil): "Mercado de Ladrões" ("Thieves' Market")

Beginning with his compelling "Brute Force" ('47)followed by the richly atmospheric "Naked City" ('48), Jules Dassin became the hottest dealer in Hollywood of the Film-Noir genre. "Thieves Highway" adds ethnic tensions to the Dassin stew of lost souls always living at the edge of danger. Richard Conte was at his peak here as the tough trucker, quick to throw a punch when he's threatened and equally capable of rolling with them if necessary. In Robert Siodmak's "Cry of the City," he's held in a headlock by a butch Hope Emerson; in this one, a jack gives way and a truck fender lands on his neck....ouch!

Conte, like Burt Lancaster, came from a streetwise background that, second only to a boxing ring, fitted him neatly as a glove when it came to movies like "Thieves Highway." Conte was so good in this, he was selected to repeat the role on TV six years later under the title "Overnight Haul" on the old 20th Century-Fox Hour.

As for Dassin, he had yet a fourth fling at the genre the following year with the claustrophobic thriller, "Night and the City." A film worth commenting on later. As for "Thieves Highway," having seen it, you may want to follow it up with Clouzot"s "Wages of Fear," made three years later and the ultimate truckers' movie. As a boy I was privileged to have seen all four Dassin movies during their original releases. How thrilling to see "Thieves Highway" and "Night and the City" now out on DVD!

I've seen hundreds of noirs and this small character study is one of the very best. If Dassin's simple but heartfelt story of betrayal and redemption doesn't tug at you hard, you must be made of stone. The acting triumvirate of Conte, Cortez and Cobb has never been better. I get angry just thinking about Cobb's brilliantly callous performance as the deceptive chiseler who destroys lives to make an extra buck. Cortez is subtle sexuality incarnate but she displays real range and sensitivity as the one who first destroys Conte's life then ultimately redeems it. The always reliable Conte is absolutely at his best as the desperately driven truck driver who sets out to right a terrible wrong but soon learns that you can't beat the system. The last shot of the fruit rolling down the hill has to be one of the most evocative and heartbreaking in all of noir.

Tiny budgeted movies sometimes suffer in translating reality, but much of HIGHWAY appears to have been shot on location, particularly in the produce warehouses, shoddy back alleys and winding country roads, which adds a ton of authenticity. The story takes about 15 minutes to get going, but from there it delivers amazing power and emotion. For decades it was one of those buried low budget classics almost impossible to find, but thankfully a couple years ago it finally got the DVD release it deserved. Trust me on this one, noir fans... Thieves' Highway is a haunting trip down a rocky road you want to take.

This was a pretty good film noir - nothing spectacular - involving a crooked trucking boss, "Mike Figlia" effectively played by Lee J. Cobb who was good at playing nasty villains. In this story, a young trucker, "Nick Garcos" (Richard Conte) whose father was ruined by Cobb, goes after him to settle the score. Nick drives up north to San Francisco to seek him out but has some rough going himself, until the end.

This had interesting characters and a different type of female lead in European actress Valentina Cortese, who was good film noir material.

The story moves pretty fast with few, if any, lulls, yet seems longer than it's 93 minutes. I found this was one of those films I liked a lot better the first time than the second, lowering my rating. It's definitely still a film to check out if you're a film noir fan.