Extraño convenio

When JEFFREY LYNN had to leave his career during WWII for the armed services, it seemed to cut into whatever momentum he had built up at Warner Brothers. By the time he did STRANGE BARGAIN for RKO, his dwindling career wasn't exactly in high gear. Nevertheless, he gives a good performance here as a man unwillingly caught up in a chain of events that almost lands him in a great deal of trouble.

He's an assistant bookkeeper at a law firm that is going through hard times. On the day that he gets up enough courage to ask for a raise, he's told that because of all the cuts being made, he has to be let go. His boss, however, has a strange bargain to make with him and that's the nub of the story without giving any more of the plot away.

MARTHA SCOTT is fine as his loving wife who never suspects anything is wrong until she makes a certain discovery. HARRY MORGAN is the detective who knows something isn't quite right when Lynn's boss is found not a victim of suicide, as had been planned, but a victim of murder. KATHERINE EMERY, an interesting actress who had been used well in THE LOCKET, has a pivotal role as the dead man's widow but plays the role so stiffly that it's not easy to believe the film's ending.

It's a story that catches interest from the start and maintains that suspense throughout. JEFFREY LYNN, never an actor given to much emotion, is calm and stalwart as the innocent victim of circumstances beyond his control.

A B-film worth catching if you can.

A sedate thriller built upon the insecurities of the newly emergent white-collar class, Strange Bargain offers solid production values and brisk direction. Jeffrey Lynn (who looks like a solution of Ray Milland and Bruce Bennett) is a hard-working family man who earns his keep as an accountant. One morning when the milk bill comes due he screws up his courage to ask for a raise; when he does, his boss tells him that the firm's at the brink of bankruptcy, and lets him go. But wait -- there's more! The boss plans to kill himself but make it look like murder so his wife can collect the insurance; for helping, he offers Lynn $10-grand. Lynn tries to prevent the suicide but arrives too late, finding his boss already dead. Enter a police detective (Harry Morgan) whose instincts tell him all is not as it seems (not only to him, but to us as well). Morgan aside, you're not likely to recognize any of the cast, but the story works itself out neatly and holds your interest. Too polite and middle-class to be true noir, Strange Bargain nontheless delivers what it promises.

Don't mistake brevity and low budget for lack of quality. This movie is very well scripted and conceived. Harry Morgan gives a terrific performance as the policeman and Jeffrey Lynn is appropriately perplexed as the devoted husband who suddenly finds himself holding the bag when he is tricked by his boss into an ill-fated endeavor. Martha Scott is marvelous as his well-grounded wife. Strange Bargain is well-paced and well-acted throughout.

Interestingly, this later served as a basis for a Murder She Wrote episode with Jeffrey Lynn, Martha Scott, and Harry Morgan recreating their roles. It actually makes for a fascinating "sequel."

What's neat about 1949's Strange Bargain is that on an episode of Murder, She Wrote, some of the cast returned for a sequel, during which Jessica tries to get to the bottom of the case. The film solved the case, but for the Murder, She Wrote episode, "The Days Dwindle Down," they added another twist to what we saw.

Anyway, it was a good idea because the film was used in flashbacks. The returning stars were Martha Scott, Jeffrey Lynn (who had long ago left show business and made a fortune in real estate) and Harry Morgan.

In the film Strange Bargain, Jeffrey Lynn plays Sam Wilson, an assistant bookkeeper at a company that is going under. He and his wife, Georgia (Scott) are having trouble making ends meet. With the encouragement of his wife, Sam goes in to ask for a raise and learns then that he's fired. Later on, as he's leaving, his boss, Mr. Jarvis (Richard Gaines) asks him to have a drink.

Jarvis admits that he's gone through the $500,000 his father left him (the equivalent of about 4 million today), and he is basically broke. He plans on killing himself and making it look like murder so his wife (Katherine Emery) can collect his $250,000 insurance policy; with double indemnity, that makes $500,000. He's going to set it up as a robbery. He will call Sam and give him a signal, and he wants Sam to come to his home then and remove the gun and dump it in the river. For that, he'll leave Sam $10,000 in the open safe.

Sam refuses to help him and attempts to talk Jarvis out of it, but he won't be swayed. Sam still refuses to help.

However, Jarvis calls him and gives the signal. Sam pleads with him to wait until he can get there and talk to him, but he's too late. He removes the gun and the money.

The police (Harry Morgan and Walter Sande) start an investigation and hone in on Jarvis' partner, Timothy Hearne (Henry O'Neill). Sam insists that Hearne couldn't have done it, but he's afraid that the man will be arrested.

This is a pretty good film. Lynn's career never recovered after World War II - he was a pleasant enough actor, and still made occasional TV appearances even after he left. Katherine Emery always reminds me of Mercedes McCambridge.

Watch it with the Murder She Wrote episode which you can stream.

Sam Wilson (Jeffrey Lynn) is a well respected Christian man, residing in an attractive middle class neighborhood. He has a responsible job, plus an adoring wife and family. Unfortunately, financial issues are threatening to turn suburban bliss into suburban blues.

On the very day that this meek, mild-mannered male musters sufficient courage to request a raise, his boss (Richard Gaines) offers him an unexpected windfall, provided that he is prepared to be the pivotal figure in a bizarre murder/suicide insurance scam. Will Lynn, the archetypal shrinking violet, shrink from violence?

Following Gaines suspicious death, cantankerous colleague, Henry 'O Neill is the investigation's centre of interest, but the shudder at his own shadow, wouldn't say boo to a goose Lynn also comes under the microscope of diligent, disabled detective and local celebrity, Harry Morgan, respected for a war record superior to anything that Glenn Miller ever released.

At an efficient, in-BANG-out 68 minutes Strange Bargain ought to have been fairly flab free, but there are moments of unnecessarily leaden footed talkiness along the way. With injury time approaching, the movie finally wriggles free from its inertia and hits pay dirt, courtesy of a couple of nifty plot twists and some eyebrow raising surprises.