A Run for Your Money

There's plenty to love about the Ealing Studios comedies of the late 1940s and early 1950s. There's a certain laid-back attitude towards all the stories, rarely falling back upon melodrama and maintaining a solid feeling of everyday realism – the humour is much more akin to the Australian style of comedy rather than the American, and that certainly appeals to me. Charles Frend's 'A Run for Your Money' is an undiscovered gem – a term I suspect I'll be using to describe a lot of the Ealing Studio's films – from 1949. The simple story concerns Tom and David Jones, two mining brothers from the quaint Welsh town of Hafoduwchbenceubwllymarchogcoch, who win a newspaper award, and so travel to London for the first time to claim their $200 prize. Once there, the two enthusiastic young men waste no time in getting separated, and their eventful day consists of numerous coincidences, near-misses, the reacquisition of a harp, a rugby match, the boss' bowler hat, and a cunning female con-artist who tries to relieve David of his money.

This is how I like comedy the best: simple, fun and effective. The two Welsh brothers (Meredith Edwards and Donald Houston playing Tom and David, respectively) are a pair of likable larrikins, though David (called by his nickname, "Dai Number 9") is naive to the point of gullibility, and Tom ("Twm") finds it difficult to say no to a drink at any time of the day. Alec Guinness has a brilliant supporting role as Whimple, the gardening-columnist who is instructed by his newspaper editor (Clive Morton) to escort the men about London. Interestingly, he is a sort of Clouseau-esquire figure, filled with a bloated sense of self-importance that is punctuated by, above all else, his terrible luck. Fittingly, and to our great amusement, the story eventually winds up with Whimple receiving the raw end of the deal, despite his best intentions. Moira Lister is adequate as Jo, the sweet-talking Londoner who tries to scam the credulous David out of the $200 prize money.

I also noticed some solid comparisons between 'A Run for Your Money' and director Frank Capra, and the sub-plot of the female con-artist finding the heart to redeem herself was reminiscent of Jean Arthur in 'Mr. Deeds Goes to Town (1936).' Additionally, Capra always had a talent for celebrating of the "common man," a notable example being the singing on the night bus in 'In Happened One Night (1934).' This film follows a similar sort of path: Tom and David Jones certainly represent this noble "every-man" - they are first sighted hundreds of metres underground, as cheery, hard-working labourers in the mine, with sweaty hands and blackened faces. Director Charles Frend also uses a merry song to emphasise the magnificence of the small-town folk of Wales. On the train to and from London, the hundreds of good-natured Welshmen join each other in a jubilant chant, a symbol of their togetherness as a people. Conversely, the uptight folk of the big city prohibit music in their pubs, and, on one of the London trains, a simple request for directions leads to a heated dispute over the most efficient route to Twickenham.

Anything from Ealing Studios promises a lot from the get go. Their films tend to be funny (hilarious at their best), charming and well made with great actors with a gift for comic timing. Am especially fond of 'The Ladykillers', 'The Man in the White Suit', 'The Lavender Hill Mob' and my favourite 'Kind Hearts and Coronets'. So expected quite a lot from 'A Run for Your Money'.

Part of me couldn't help feeling a little disappointed though watching 'A Run for Your Money', perhaps from somewhat understandably expecting too much (seriously any Ealing Studios film featuring or starring Alec Guinness, evidenced by his tour-De-force acting in 'Kind Hearts and Coronets', sounds like a recipe for greatness). Despite how that sounds, 'A Run for Your Money' was actually still enjoyable with reservations, definitely not a film to avoid. It's just hard not to compare it against Ealing's other films because their best films are so wonderful and considered classics for good reason.

Did find that the Donald Houston/Moira Lister subplot was not always very interesting, tending to test my patience and be on the slow and saccharine side. Lister came over as somewhat anaemic so that further brought it down.

Some of the more farcical humour came over as a little over-played and repetitive, parts coming over as on the cheap side.

However, 'A Run for Your Money' is well made with handsome sets and photography particularly. It's whimiscally and lushly scored and Charles Frend keeps much of the film moving along nicely. The script has a nice playful wit and there is immense charm throughout, being half-Welsh it was hard not to feel nostalgic. Despite not caring for the Houston and Lister subplot, the Meredith Edwards and Hugh Griffith one was more interesting and it was amusing generally.

Lister aside, the performances are fine, comic timing not flagging and there is likeability. Guinness was never less than reliable and he was fun to watch even though he was deserving of more to do.

In summary, nice though considering it was an Ealing Studios film part of me expected more. 7/10 Bethany Cox

This is a wonderful early post-war example of what would become staple 1950s comedies - one of the first from Ealing Studios - it has an innocence and freshness, as well as genuine laughs and charm, that hold up well nearly 70 years later.

Two Welsh miners win the Daily Echo's prize for the most productive miners in Britain and head up to London to collect the enormous sum of £200 - as innocents in London they get separated and the one meets a gorgeous girl on the make, and the other a broken-down Welsh harpist. They are all chased by a bemused Alec Guinness as the gardening correspondent out of his métier.

All in all this foreshadows the great comedies of the 1950 - but it is a very lovely example of the genre - full of joy, energy, even some farce, and lots of very beautiful music - this is one to enjoy with a nice cup of tea and a roaring fire!

Two brothers, country-boy Welsh miners, come to London for a day to collect a prize won and to see a football match. They are separated when they arrive and spend the rest of the film trying to find each other. One, a handsome, naive lad (of the sort Bill Travers played in WEE GEORDIE) is alternately taken in tow by Alec Guinness, an effeminate garden-column writer, and by Moira Lister, a larcenous blonde. The other meets up with old-friend, street-singer Hugh Griffith, and they get wildly drunk. The pacing is superb, and the style is realistic. There is a large variety of amusing characters, the most memorable of which is Joyce Grenfell in a fancy dress shop. It's all extremely cleverly done, and filled with well-timed laughs. You don't see the laughs coming; in that sense they're never predictable. Nor are they easy, lazy laughs; they're very deftly worked out. Yet it doesn't go beyond that consummate skill. Halliwell, as usual, puts it very well; "with characterizations as excellent as they are expected." Somehow, the film isn't quite as pleasing as should be. This is largely because of the naive lad's relationship to the con-girl; one has to wonder about the worth of a man who'd completely forget his fiancé in a day, and Lister's weak performance doesn't give the conceit any help. Also, the level of farce is occasionally pushed beyond its limits. It's OK that the brothers keep missing each other like people slipping in and out of doors in a stage farce, but for Griffith and the brother he's with to literally pop in and out of the doors of the underground train, and stretch the routine to the limit, seems a bit much. But one feels a bit bad complaining about the weaknesses of the film, because it is very entertaining, and a skillfully made comedy.

A Run For Your Money concerns a trip to London after coal mining brothers win a prize from a newspaper. Donald Houston and Meredith Edwards play the brothers from some long unpronounceable Welsh village and Alec Guinness plays the gardening columnist who is assigned to cover their visit. Guinness who resents being taken away from his beloved flowers manages to botch the assignment as the brothers get separated and never quite get to the rugby match that they wanted to see.

Edwards meets up with an old pal from Wales in the person of Hugh Griffith who gets money from Edwards to get his beloved harp out of a pawnbroker's shop. The funniest gag in this Ealing comedy is Griffith carrying that harp around all over Londong as they search for Houston, while all the time stopping at every pub on the way.

Houston gets himself involved with a known con woman played by Moira Lister and Guinness is frantic to see she doesn't steal the prize money that the newspaper gave the brothers Jones. Houston is one naive country kid, a bit of a spin off from the character he played opposite Jean Simmons in the first Blue Lagoon movie. A certain providence watches over him.

This film would mark the last time Alec Guinness was a supporting player at Ealing. Henceforth he would be starring in these films. Honorable mention should also go to Hugh Griffith one of my favorite British players. Griffith may well have not been acting as his character is called to be soused the entire film and his appetite for the grape was legendary.

A Run For Your Money still holds up well after over 60 years and is still a very funny film. You will be talking about those Jones boys from Wales.