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IMDbPro

La amenaza roja

Título original: The Red Menace
  • 1949
  • Approved
  • 1h 21min
CALIFICACIÓN DE IMDb
4.9/10
299
TU CALIFICACIÓN
La amenaza roja (1949)
DramaFilm NoirThriller

Agrega una trama en tu idiomaAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member wh... Leer todoAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassinat... Leer todoAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassination and hunted by the party killers.

  • Dirección
    • R.G. Springsteen
  • Guionistas
    • Albert DeMond
    • Gerald Geraghty
  • Elenco
    • Robert Rockwell
    • Hanna Axmann-Rezzori
    • Betty Lou Gerson
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.9/10
    299
    TU CALIFICACIÓN
    • Dirección
      • R.G. Springsteen
    • Guionistas
      • Albert DeMond
      • Gerald Geraghty
    • Elenco
      • Robert Rockwell
      • Hanna Axmann-Rezzori
      • Betty Lou Gerson
    • 13Opiniones de los usuarios
    • 17Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos59

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    Elenco principal35

    Editar
    Robert Rockwell
    Robert Rockwell
    • Bill Jones
    Hanna Axmann-Rezzori
    Hanna Axmann-Rezzori
    • Nina Petrovka
    • (as Hanne Axman)
    Betty Lou Gerson
    Betty Lou Gerson
    • Yvonne Kraus
    Barbra Fuller
    Barbra Fuller
    • Mollie O'Flaherty
    Shepard Menken
    • Henry Solomon
    Lester Luther
    • Earl Partridge
    William Lally
    • Jack Tyler
    • (as William J. Lally)
    Lloyd G. Davies
    • Inspector O'Toole
    Norman Budd
    Norman Budd
    • Reachi
    Leo Cleary
    • Father O'Leary
    Kay Riehl
    • Mrs. O'Flaherty
    William Martell
    • Immigration Insp. Riggs
    James Harrington
    • Martin Vejac
    Duke Williams
    • Sam Wright
    Napoleon Simpson
    • Tom Wright
    Robert H. Purcell
    • Sheriff of Talbot
    • (as Robert Purcell)
    Royal Raymond
    • Benson
    Gregg Martell
    Gregg Martell
    • Schultz
    • Dirección
      • R.G. Springsteen
    • Guionistas
      • Albert DeMond
      • Gerald Geraghty
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    4.9299
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    Opiniones destacadas

    8h_palka

    A sobering account of Communist Party life, chillingly presented.

    In view of what the Soviet archives revealed about the U. S. Communist Party(thank you, Gorby), this movie hits the nail right on the head. All the tactics Communists used to gain members, such as having female members sleep with prospective male members, as well as the means they used to create trouble, are shown in this movie. My father-in-law was once a Communist. He told me that the CPUSA would take up a collection for African-Americans on trial somewhere and keep the money for themselves. If a man quit the party, not only would he be shunned, but other members' kids would be expected to bully his kids! All this is shown in the movie, including even the beatings administered to wayward members. See this film and learned what we narrowly escaped from ending up as.
    8morrisonhimself

    Will be hated just because it's anti-communist

    Most of the other reviews here fall into two groups: anti-communists like it, to one degree or another; pro-communists or anti-anti-communists hate it.

    One, from a supposed relative of that excellent director, R. G. Springsteen, sneers at it, claiming the director called it his worst film. If Mr. Springsteen hated it, then he would not have done his best on it.

    In fact, despite the actors not being well known, they -- most of them -- gave very good performances.

    Nathan Scott, credited with the music, gets my respect for his use of "The Internationale" sprinkled suitably throughout the film.

    The writers also did generally good work, though I have one hesitation: The leaders of the Communist Party, U. S. A., were shown to be very cynical, not very strong or honest believers in their party.

    Some years ago, I worked at university radio station, and our manager, Tom Duval, was like that: He would go out to some individuals or groups to raise money, then come back and laugh at the suckers who gave.

    But I can't help thinking members and leaders of the Communist Party were as sincere as members of other political parties -- even though the CPUSA was, in fact, a wholly-owned subsidiary of the CPUSSR, getting its orders and much of its money from Moscow.

    (The CPUSA was, it is important to remember, also used for espionage and sabotage, as well, especially in Hollywood, to propagandize. Look at, for example, how its "keep out of the European conflict" changed, literally over night, when Hitler invaded the Soviet Union. Then the CPUSA was "this is a people's war and we need to fight.")

    Some of the Hollywood people who joined the CPUSA, especially the ones who quit and who testified before the congressional committee, said the party seemed to offer solutions to such problems as poverty and unemployment.

    In fact, just as did Al Capone, the CPUSA set up soup kitchens for the hungry.

    Of course it intended to recruit members. And maybe that was a bit cynical. But advocates of even the most evil systems, including Nazism and communism, were probably as sincere, were probably true believers, as members of other parties and advocates of other causes.

    Just not very clear-eyed.

    Well, some want to make fun of the ending, of course, but I like it. It seems very Texan to me. At least for 1950.

    "The Red Menace" must be viewed in the context of its times. If I were the president of Republic, I would make some changes, though relatively minor changes. As it is, I give it a recommendation, with that caveat: Remember the times, and that the Soviet Union and its alleged communist belief system was the imperialist enemy of these United States. And, in fact, of the peace and freedom of all Earth.

    There is a too-dark print at YouTube.
    5karlericsson

    equality and justice is communism - jaussa!

    When I grew up, the Iron Curtain existed. The Soviet Union was a Place that did not allow its Citizen to travel freely. And so it was easy to renounce the Place and look for no further explanations.

    At the same time, communism stood for equality and class warfare, allowing for only one class, the working class, since allowing for different classes of people was just Another Word for inequality and injustice.

    Now, if you could therefore renounce equality and justice by renouncing the Soviet Union, which, through communism, stood for these qualities, why, then you could defend the injustices and inequalities you wanted to keep by Calling every wish for equality and justice to be the same as a wish for communism and that is just what has been done in the USA for the last 70 years, which this film bears witness to.

    The Soviet Union was a failed system but that has Little to do with communism because, although the SU called itself "communist" it was not a system of equality and justice and instead just a dictatorship ensuring that a Little Group of people had all the wealth and all the Power just like in the USA, where the same was ensured by somewhat different means.

    How to achieve equality and justice is still a problem to be solved but it will never be solved by simply Writing these qualities off by Calling them "communism".

    This film illustrates the propaganda being used against the American Citizen and is helpful to understand the brainwash that Americans seem to suffer from. I therefore give it 5 stars.
    10Nostrama

    underappreciated warning

    Although the movie is 70 years old, its message rings ever more true now in the 2020s, as the evils it warned against then, are more thoroughly entwined into current day politics and society

    communism demanding slavelike servitude and obedience, and wilfully encouraging historical revisionism are an ever present threat as even today our history is under threat by people who seek to push a mandela effect on people and gaslight away truth, and act violently towards anyone who dares question it or seek to maintain truth

    of all movies that need a remake to keep the message alive, THIS is one badly in need to be revisited.
    3planktonrules

    It ain't exactly subtle....but it IS entertaining.

    "The Red Menace" is a super-cheap exposé on Communists in America who were working towards the destruction of the country back in 1949. None of the actors in this Republic B-movie are folks you'll recognize...which shows what confidence the studio had in this movie!

    The film begins with a couple driving from California into Arizona. The lady, in particular, is very nervous and you learn via a LONG flashback what it's all about and why she's worried. Bill Jones (Robert Rockwell) is an angry WWII vet. His bitterness attracts the attention of a Communist recruiter who gets him hooked up with folks who seduce him gradually into embracing Communism...and they use women to do this gentle 'guidance'. However, while Bill soon becomes a full-fledged Commie, some of the women working to convert him towards this system are beginning to have their doubts...particularly when they see how vicious their superiors are in dealing with dissent. Bill, too, begins to see how the Party is filled with jerks...folks who couldn't care less about truth or equality.

    So is this film any good? Well, yes and no. As a history teacher, I must point out that there was a Communist Party USA and many of their tactics shown in the film are pretty realistic...despite how we tend to look on the Red Scare as almost comical today. This would especially be true of the Party just before WWII--when folks went from being lionized to demonized by them. But it also comes off as a bit over- earnest...a bit too trite as well---especially at the barf-inducing ending. Subtle, it sure isn't...but it is entertaining. So, despite low production values, it does keep your interest.

    I noticed one review compared this to "Reefer Madness". Well, that's their opinion, but I felt "The Red Menace" had much, much better production values and isn't even close to being as schlocky as "Reefer Madness" or "Sex Madness" (by the same production company). This film is much slicker by comparison...though I gotta admit that speech at the INS office near the end of the film was amazingly over the top...and a bit reminiscent of the guy playing the piano in "Reefer Madness".

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Debut of actresses Barbra Fuller, Betty Lou Gerson, Kay Riehl and Mary DeGolyer.
    • Citas

      [first lines]

      Nina Petrovka: No... Don't let them... I'm afraid.

      Bill Jones: Nina, stop it. It's me, Bill! They can't get us now.

      Nina Petrovka: They're gonna kill us!

      Bill Jones: Nina... Get a hold of yourself. Snap out of it.

      Nina Petrovka: That same dream. Those frightening, sadistic faiths chasing me. Turning guns at me.

      Bill Jones: It's nothing to worry about. They can't get us out here.

      Nina Petrovka: You don't really believe that. You know we can't get away.

      Bill Jones: They haven't caught us yet, have they?

      Nina Petrovka: No, but... they are real! Oh please Bill, let me get myself up. It isn't you they're after, want me, why don't you...

      Bill Jones: This is why.

      [kisses her on the cheek]

      Nina Petrovka: Well, we'll have to stop for the next gas station.

      Bill Jones: Bill... I hate to stop for anything.

      Nina Petrovka: Well, we can't run without gas.

    • Conexiones
      Featured in Hollywood on Trial (1976)
    • Bandas sonoras
      My Country, 'Tis of Thee
      Lyrics by Samuel Francis Smith (1831)

      Sung by a male chorus at the end, over shots of the Statue of Liberty

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    Preguntas Frecuentes

    • How long is The Red Menace?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de agosto de 1950 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Red Menace
    • Locaciones de filmación
      • Republic Studios, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Republic Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 21 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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