La mentira candente

Barbara shines as the deceiving wife and does so much with her eyes. Jane and John are also very good. Strong script and not too overly sentimentalized for its era. A very enjoyable soaper with a great supporting cast. Gee, I miss all those great bit players of the thirties and forties. They added so much sparkle and credibility and a type of reassurance not seen in today's movies. Bravo to the entire cast in this little gem.

Barbara Stanwyck plays Helen Ferguson--pregnant and penniless deserted by her ex Steve (Lyle Bettger). On a train she meets Patrice Harkness (Phyllis Thaxter) and her husband Hugh (Richard Denning). Patrice is also pregnant and going to see Hugh's parents who have never seen her before. Then the train crashes. Patrice and Hugh are killed and everybody mistakes Helen for Patrice. She goes along with it for her child. Then her ex shows up in town with blackmail on his mind.

Based on the excellent novel "I Married A Dead Man" by Cornell Woolrich. Now the plot is more than a little ridiculous but this movie (like the novel) is so beautifully done you don't notice. It's shot in beautiful black and white (which fits the mood) and has good acting--especially by Stanwyck. Technically she's too old for the role (she was 45 when she played this) but she's so good that you overlook it. She has a GREAT scene when she realizes what she has to do to get rid of Steve. The look on her face was perfect! When I first saw this in a revival theatre the audience laughed and applauded when that scene came on. The movie looks great with beautiful settings. Also fun to see Thaxter and Denning early in their careers. A very good unsung film noir. Recommended.

Do NOT see the 1996 redo movie called "Mrs. Winterbourne". They turn it into an (unfunny) comedy!

I love this film. I first saw it when I was 10 and always remembered the story and feel of it. This is wonderful noir, with the kind of plot that keeps one enthralled until the final frame.

All the performers deliver: Stanwyck moves from a tragic character with little hope, through loss, the turmoil of deceit to happiness. This was a strong performance for her; John Lund perfectly portrays a man in conflict. Jane Cowl and Catherine Craig are almost a perfect sparing pair as the mother and the maid, their sarcasm to each other provides the humour scattered through the film.

The atmosphere and mood of the latter part of this film is perfectly captured in black and white. It makes you realize the role shooting a film in black and white played in this genre.

If you have not seen this film, do yourself a favour AND SEE IT.

...and I say that with the highest form of flattery. This nail-biter is tightly directed, moves along at a nice swift pace and never drags for even a moment. Barbara Stanwyck gives one of the finest performances I have seen by her and the rest of the cast is all around excellent as well. After Helen Ferguson is left pregnant and penniless by her jerkoff of a boyfriend (the dreamy and steamy Lyle Bettger), a series of events leaves her mistaken for the widow of a rich man. The family takes her in and the brother of her alleged widow (played by handsome John Lund) falls in love with her and everything is hunky-dory - that is, until the jerkoff ex-boyfriend comes back and starts all kinds of trouble. The cherry on top of the whipped cream here is a lovely and sympathetic performance by Jane Cowl as the mother-in-law. A classic soapy film noir!

No Man of Her Own is directed by Mitchell Leisen and adapted to screenplay by Sally Benson and Catherine Turney from the novel "I Married a Dead Man" written by William Irish (Cornell Woolrich. It stars Barbara Stanwyck, John Lund, Jane Cowl, Henry O'Neill, Phyllis Thaxter, Richard Denning and Lyle Bettger.

Callously jilted by the man who has made her pregnant, Helen Ferguson (Stanwyck) survives a train crash and is mistaken for another woman, Patrice Harkness (Thaxter), who was killed in the crash. The woman, who she had befriended on the train, was also pregnant and recently married to a man who also died in the crash (Denning as Hugh Harkness). The rich Harkness in-laws, having never met Patrice, take who they think is Patrice into their home and even though Helen is tormented by her deceit, she spies an opportunity to give her child a grand life. But will she be found out? Will her past come to light with dire consequences?.

Film noir styles meets melodramatic verve in what is still a riveting picture, even if the implausibility of it all is hard to swallow. Stanwyck gives it the whole shebang, carrying the film on her shoulders as she hits all the right emotive beats of a double characterisation that brings guilt, shame and conflict of interests. Lund is sadly bland as the Harkness sibling love interest, but the rest of the cast do sterling work, notably Cowl as the Harkness matriarch. Cowl would pass away the year of the film's release.

From a film noir perspective it's disappointing that the filmic finale is different to that of Woolrich's novel. However, the story of a destitute unmarried woman thrown a bone by the vagaries of fate is in true noir fashions - as is the turn of events when things go dark in the last third as the past comes knocking at the door of settled bliss in the form of Bettger's oily Stephen Morley. A love story, a survivalist story, one of blackmail, deceit and murder, lots going on in a hugely enjoyable entertainment. 8/10