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IMDbPro

La mentira candente

Título original: No Man of Her Own
  • 1950
  • Approved
  • 1h 38min
CALIFICACIÓN DE IMDb
7.4/10
3.1 k
TU CALIFICACIÓN
Barbara Stanwyck, Lyle Bettger, and John Lund in La mentira candente (1950)
Official Trailer
Reproducir trailer2:20
1 video
63 fotos
DramaFilm NoirRomance

Una mujer embarazada adopta la identidad de una víctima de un accidente ferroviario y comienza una nueva vida con los adinerados suegros de la mujer, pero pronto es chantajeada por su taimad... Leer todoUna mujer embarazada adopta la identidad de una víctima de un accidente ferroviario y comienza una nueva vida con los adinerados suegros de la mujer, pero pronto es chantajeada por su taimado ex.Una mujer embarazada adopta la identidad de una víctima de un accidente ferroviario y comienza una nueva vida con los adinerados suegros de la mujer, pero pronto es chantajeada por su taimado ex.

  • Dirección
    • Mitchell Leisen
  • Guionistas
    • Sally Benson
    • Catherine Turney
    • Cornell Woolrich
  • Elenco
    • Barbara Stanwyck
    • John Lund
    • Jane Cowl
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    3.1 k
    TU CALIFICACIÓN
    • Dirección
      • Mitchell Leisen
    • Guionistas
      • Sally Benson
      • Catherine Turney
      • Cornell Woolrich
    • Elenco
      • Barbara Stanwyck
      • John Lund
      • Jane Cowl
    • 58Opiniones de los usuarios
    • 33Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Videos1

    No Man of Her Own
    Trailer 2:20
    No Man of Her Own

    Fotos63

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    + 57
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    Elenco principal52

    Editar
    Barbara Stanwyck
    Barbara Stanwyck
    • Helen Ferguson
    John Lund
    John Lund
    • Bill Harkness
    Jane Cowl
    Jane Cowl
    • Mrs. Harkness
    Phyllis Thaxter
    Phyllis Thaxter
    • Patrice Harkness
    Lyle Bettger
    Lyle Bettger
    • Stephen Morley
    Henry O'Neill
    Henry O'Neill
    • Mr. Harkness
    Richard Denning
    Richard Denning
    • Hugh Harkness
    Carole Mathews
    Carole Mathews
    • Blonde
    Harry Antrim
    Harry Antrim
    • Ty Winthrop
    Catherine Craig
    Catherine Craig
    • Rosalie Baker
    Esther Dale
    Esther Dale
    • Josie
    Milburn Stone
    Milburn Stone
    • Plain-Clothes-Man
    Griff Barnett
    Griff Barnett
    • Dr. Parker
    Jean Andren
    • Louise Russell
    • (sin créditos)
    Georgia Backus
    Georgia Backus
    • Nurse
    • (sin créditos)
    Virginia Brissac
    Virginia Brissac
    • Justice of the Peace's Wife
    • (sin créditos)
    Ivan Browning
    • Porter
    • (sin créditos)
    Ashley Cowan
    • Justice of the Peace's Son
    • (sin créditos)
    • Dirección
      • Mitchell Leisen
    • Guionistas
      • Sally Benson
      • Catherine Turney
      • Cornell Woolrich
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios58

    7.43.1K
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    Opiniones destacadas

    9josephbrando

    Lifetime TV Meets Film Noir...

    ...and I say that with the highest form of flattery. This nail-biter is tightly directed, moves along at a nice swift pace and never drags for even a moment. Barbara Stanwyck gives one of the finest performances I have seen by her and the rest of the cast is all around excellent as well. After Helen Ferguson is left pregnant and penniless by her jerkoff of a boyfriend (the dreamy and steamy Lyle Bettger), a series of events leaves her mistaken for the widow of a rich man. The family takes her in and the brother of her alleged widow (played by handsome John Lund) falls in love with her and everything is hunky-dory - that is, until the jerkoff ex-boyfriend comes back and starts all kinds of trouble. The cherry on top of the whipped cream here is a lovely and sympathetic performance by Jane Cowl as the mother-in-law. A classic soapy film noir!
    bdhammond46

    Good movie, great acting

    I really like this movie. OK, so the plot is unbelievable. When you've got good acting and excellent directing you can overlook it all. I especially like Lyle Bettger's portrayal of the heel boyfriend and blackmailer and Jane Cowl as the kindly mother in law. And what can you say about Barbara Stanwyck that hasn't been said - steady, compelling, convincing. She's the best.

    There's one line in the movie that always makes me laugh. After Barbara has her baby, the doctor and nurse are talking about her progress and agree "if she continues to do well, she can see the baby in a couple of weeks". In our 21st century experience of instant parent/baby bonding, this seems so bizarre!
    wisewebwoman

    One of the best melodramas of the forties

    Barbara shines as the deceiving wife and does so much with her eyes. Jane and John are also very good. Strong script and not too overly sentimentalized for its era. A very enjoyable soaper with a great supporting cast. Gee, I miss all those great bit players of the thirties and forties. They added so much sparkle and credibility and a type of reassurance not seen in today's movies. Bravo to the entire cast in this little gem.
    9iamkendavis

    Barbara Stanwyck, John Lund - What more could you want

    I love this film. I first saw it when I was 10 and always remembered the story and feel of it. This is wonderful noir, with the kind of plot that keeps one enthralled until the final frame.

    All the performers deliver: Stanwyck moves from a tragic character with little hope, through loss, the turmoil of deceit to happiness. This was a strong performance for her; John Lund perfectly portrays a man in conflict. Jane Cowl and Catherine Craig are almost a perfect sparing pair as the mother and the maid, their sarcasm to each other provides the humour scattered through the film.

    The atmosphere and mood of the latter part of this film is perfectly captured in black and white. It makes you realize the role shooting a film in black and white played in this genre.

    If you have not seen this film, do yourself a favour AND SEE IT.
    7preppy-3

    Good film noir

    Barbara Stanwyck plays Helen Ferguson--pregnant and penniless deserted by her ex Steve (Lyle Bettger). On a train she meets Patrice Harkness (Phyllis Thaxter) and her husband Hugh (Richard Denning). Patrice is also pregnant and going to see Hugh's parents who have never seen her before. Then the train crashes. Patrice and Hugh are killed and everybody mistakes Helen for Patrice. She goes along with it for her child. Then her ex shows up in town with blackmail on his mind.

    Based on the excellent novel "I Married A Dead Man" by Cornell Woolrich. Now the plot is more than a little ridiculous but this movie (like the novel) is so beautifully done you don't notice. It's shot in beautiful black and white (which fits the mood) and has good acting--especially by Stanwyck. Technically she's too old for the role (she was 45 when she played this) but she's so good that you overlook it. She has a GREAT scene when she realizes what she has to do to get rid of Steve. The look on her face was perfect! When I first saw this in a revival theatre the audience laughed and applauded when that scene came on. The movie looks great with beautiful settings. Also fun to see Thaxter and Denning early in their careers. A very good unsung film noir. Recommended.

    Do NOT see the 1996 redo movie called "Mrs. Winterbourne". They turn it into an (unfunny) comedy!

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      In-joke: The character played by Barbara Stanwyck is named Helen Ferguson; this is the real name of one of best-known Hollywood publicists of the era, who also represented Stanwyck.
    • Errores
      Patrice decides to go to the Country Club dance with Bill at short notice. Such an event would be limited to members and invited guests. Yet Steven Morley, who does not move in that social circle, is in attendance and makes contact with Patrice.
    • Citas

      Bill Harkness: [returns to car after dumping a dead body onto a moving train] He stayed on, caught on the catwalk or whatever it is, but his hat came off.

      Helen Ferguson: Don't.

    • Versiones alternativas
      This film was published in Italy in an DVD anthology entitled "L'uomo con il mantello", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms.
    • Conexiones
      Featured in Film Review: Changing Faces (1968)
    • Bandas sonoras
      Molly Malone
      (uncredited)

      [Performed by Bill on the piano]

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    Preguntas Frecuentes

    • How long is No Man of Her Own?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de noviembre de 1950 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • No Man of Her Own
    • Locaciones de filmación
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 38 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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