Sueños de odio

Back in the day William Holden and Glenn Ford both had a unique contractual arrangement with Columbia Pictures. When unknown Bill Holden was up for the lead in Golden Boy, Harry Cohn cast him in return for Paramount selling 50% of his services to Columbia. Holden served two studio masters at the time he was making The Man from Colorado and would for another decade.

Glenn Ford was Columbia's bread and butter leading man at the time and right after The Man From Colorado, Cohn sold half of Ford's contract to MGM and Ford also had two studio masters.

What it meant for these two was that all projects had to be cleared through both studios and that Holden and Ford if they did an outside loan out would also have to be cleared from both. Not that their respective studios didn't keep both these guys very busy.

Holden and Ford had done a well received western, Texas, for Columbia back in 1941. Texas was a rather lighthearted film about two cowboys turning to different sides of the law in post Civil War Texas, though it did feature the death of one of them.

The Man from Colorado is also a story about the activities of Union Army war veterans. But The Man from Colorado doesn't have any light moments whatsoever. It's pretty grim tale about one of them developing a real taste for sadism and killing as a result of the war.

Ford's the sadist here, it's one of the few villain parts he ever did and it works I think because he is so against type. He did very few parts like this, Lust for Gold is another, but his public wouldn't accept him in these roles.

Some of the town businessmen led by Ray Collins just look at the war record and decide Ford would make one fine federal judge. A real law and order type. They get a lot more than they bargain for.

In Texas Holden had the showier role of the young cowboy who take the outlaw route. Here however he's the best friend who stands by his former commanding officer even though he both sees the man has issues and Holden loses Ellen Drew to Ford. Holden takes the outlaw path after giving up his marshal's job when Ford starts running roughshod over due process.

The other really standout performance in this film is that of James Milliken who plays one of Ford's former soldiers who turns outlaw and in fact humiliates him in one of the few funny moments in The Man From Colorado. Ford conceives a burning hate for him that results in tragedy all around.

Ford and Holden were considering another joint project in 1981 when Holden died. I would like to have seen that one come to pass.

Try to see The Man From Colorado back to back with Texas.

Best friends Owen and Del, along with local men, are mustered out of the Union army at Civil War's end. Trouble is Big Ed has grabbed the men's gold-bearing land while the men were gone, and now, as a judge, Owen has to enforce the law in Big Ed's favor. This splits the community into warring factions.

Gritty, character-driven western. We know at outset that Owen (Ford) is a flawed character when his Union detachment shells surrendering Johnny rebs. In fact, Owen hides his killer instinct behind an uptight rendering of authority, whether as a colonel or as a federal judge. Ford plays the authoritarian part so grimly (count the smiles—I stopped at zero), it's hard to see how the charming Caroline would be attracted to him. Nonetheless, the interplay between best-friends Ford and Holden is involving and forms the story's core. Alliances between the various factions are sometimes hard to keep up with, but are more unpredictable than usual. And I especially like that final maneuvering around the bridge that I didn't see coming.

Columbia Studios popped for a lot of extras, along with fine special effects, especially when the burning wall comes down. Funny, though, how mountainous Colorado looks like greater LA. Too bad Columbia didn't pop for sending the crew at least to Lone Pine and the Southern Sierras. All in all, it's a very different kind of horse opera that avoids the usual clichés, with Ford at his absolute grimmest. Clearly, however, he and Holden are on their way up the Hollywood ladder.

One of several morose postwar westerns addressing the untidy aftermath of the Civil War, incongruously shot in pristine Technicolor; all the better, presumably, for Columbia to showcase it's fresh young stars. Glen Ford and Bill Holden.

Ford - giving the strangest performance he probably ever gave as the psychotic sheriff - was in reality two years older than Holden; but the grey-templed hairpiece Ford wears (either to make him look older or to show the toll the war has taken on him) actually makes him look even younger.

Colorado was a large, booming territory in 1865. It did not enter the union until eleven years later, and as the only new state to get admission in 1876 it has the right to remain our "Centennial" State (for the centennial of the Declaration of Independence). In the Civil War there were few engagements in Colorado, but one that did stick out was a massacre (there is no other way of putting it) of Indians by a Colonel Chivington at Sands Creek. Chivington's daughter had been raped by an Indian, and he took advantage of a relatively mild act of legal disobedience by the Indians to kill a good number of them.

"The Man From Colorado" is not dealing directly with the Sands Creek Massacre (no Indians are involved in the story). Instead, Chivington's character is transferred to Glenn Ford, who in the closing days of the Civil War perpetrates a similar atrocity, this time on surrendering Confederates. Ford and his friend William Holden have been through the whole war together, but Holden has managed to retain a sense of balance despite the horrors he has seen. Ford is on a slippery slope. Even after the atrocity he is still aware of his act of cruelty and writes in his diary about it. He can't control himself anymore.

Unfortunately his war record stands him well with the richest men in the territory, especially Ray Collins. Collins has managed to get control of the claims that should be used to pay the ex-Union troops. He wants a strong man to be the Federal judge of Colorado territory. Who better than the no-nonsense Ford? So Ford gets the judicial position. Holden has lost his old girlfriend (Ellen Drew) to Ford, but he remains a friend. However he and Drew are increasingly aware of Ford's mental instability. So is everyone (except Ray Collins), as Ford keeps giving the most draconian decisions from the bench. In particular to his former soldiers, now fighting to get back their claims. This, of course leads to their becoming bandits. A vicious cycle, of course. Holden and Drew may be able to break it - Drew has seen Ford's diary.

In the wake of World War II's returning men, and the many suffering psychological trauma, "The Man From Colorado" was a timely film. Ford never played a psychotic type as well as here. Holden (actually in a supporting role - before his burst into super stardom) is a great balance to Ford. Rains performs well as do most of the cast. And by the time the holocaust unleashed by Ford's appointment to the bench is finished, even Ray Collins wishes he never was dumb enough to put this man on the bench.

"The Man From Colorado", filmed in 1948, portrays two men and how the trauma of the Civil War affected them, and those about them. Glenn Ford delivers a truly mesmerizing performance as a Civil War commander who is slowly being gripped by madness due to the violence of the War, while William Holden plays the part of a veteran of the same war, is able to cope with the aftermath, and yet, is unable to prevent his friend from sinking into degenerate madness.

After the war has ended, both men return to the same hometown to resume their lives. Ford is appointed as a federal judge of the territory, and he, in turn, names Holden as federal marshal. Ultimately, Ford's character sinks deeper into violence and glaring errors in carrying out justice, and Holden has to try and stop his former friend.

Don't let the age of the film deceive you, this movie does pack a message that can be applied today. An 8/10 viewing mark