Locos de atar

i'm a big marx bros fan and love most of their films, especially the early paramounts and a day at the races and most of the others so thats pretty much all of them i guess. Room service is the weakest of their output as far as i can tell..

If I was mainly a Groucho fan, which most of the reviewers of Marx Brothers films seem to be, I'd be giving this movie between 1 & 3 stars. His part is minimal, not very funny and is mainly famous for the scene with Marilyn Monroe in one of her first speaking roles (which lasts a few seconds)...

I've just read a review for this film calling it unfunny. Maybe they were watching a different movie? I am completely fed up with reading the nonsense that's been written about this film by people who probably haven't even watched it...

I'm a Harpo fan.........I really think he's a true screen genius, the greatest one of his kind. When he's on screen for me its pure magic.

This film has a special place in my heart.. The screenplay is based on a Harpo story and he is the main star (originally the film was to be a solo vehicle for him). Chico's and Groucho's appearance was an afterthought..Chico performs well and the scenes when he's with Harpo are great and are the equal to any other marx movie. Harpo doesn't disappoint with so many great hilarious scenes that were mainly devised and performed by himself (he did most of his own stunts)...quite amazing considering he was in his early 60's at the time....

The story revolves around a theatre production called 'love happy' and a missing diamond necklace in a sardine tin. The other cast members perform well and the songs are not too cheesy. Chico does a great piano duet with a violinist and harpo plays the harp as beautifully as ever..

If I was hoping to see and hear Groucho in his element, i'd be very disappointed with Love Happy. But, on every other level its a classic. So please, give it a chance - its worth it............

Love Happy is the last movie where the Marx brothers appear together.Harpo is the biggest star of the movie.He gets in a trouble when he steals a sardine can that has Romanoff's diamond inside.Love Happy is good Marx movie.Groucho, Harpo and Chico are as good as they were in their younger days.And you can see Marilyn Monroe in a little part as Groucho's client.A must see for Marx fans, especially Harpo fans.

This last Marx Brothers film is NOT the right place to begin if you've never seen one of their movies before. That said, it's not as bad as its reputation suggests either. It was originally conceived as a vehicle for Harpo, so as a result we get lesser input from Chico and even less from Groucho (which is especially unfortunate). But as it stands, Harpo fans should find some things to chuckle about, on and off.

That's the main problem with LOVE HAPPY - it's not consistent in entertaining you, and the funny bits come and go. It's also too long and veers off into other characters we just don't care about. But you could do worse, and this is noteworthy as Marilyn Monroe's debut film (she's got a tiny part). It's always a pleasure to see Ilona Massey strutting her stuff, too.

The Marx brothers shtik is on its last legs in this one. Some production trivia mentioned in the Turner Classic Movies airing suggest that 'Love Happy' was intended to be a Harpo vehicle, but the backers weren't going to unless Groucho and Chico were also in. A lot of the Marx vaudeville formula is evident and may seem a bit worn, but Harpo still gets me with his crazy mime and charades. He has a scene with Chico that is pretty comical. The REAL gem in 'Love Happy' is Vera-Ellen's Sadie Thompson dance number. Man, that chic could really move it on high-heels. Wow!

"Love Happy" is remembered, primarily, as the last "Official" Marx Brothers film (they would all appear in brief vignettes in "The Story of Mankind", seven years later, but not as a team), but if the film were a baseball statistic, it would have an asterik (*), because it truly isn't a showcase of the brothers, together, but a comedy starring Harpo, with Chico in a supporting role, and Groucho doing narration, and making brief appearances, occasionally (rather like the "General Electric Theater" TV episode the brothers would do, in 1959, where Harpo and Chico played crooks with hearts of gold, and Groucho would make a surprise appearance at the finale, as their lawyer).

As a comedy, "Love Happy" is so-so, with Harpo providing some genuine laughs, particularly during an interrogation scene with villains Raymond Burr, Ilona Massey, Eric Blore, and Bruce Gordon, and in the rooftop finale, with Harpo offering the same kind of outrageous physical humor that he had demonstrated in the classic MGM comedies. But the rest of the plot, while mildly entertaining, is simply a musical variation of "Room Service", as an impoverished group of performers (headed by Paul Valentine and future star Vera-Ellen) struggle to put on a Broadway musical.

The back story of the film is possibly more entertaining than the movie, itself; Harpo had wanted to make a solo film throughout the forties, and had tinkered on the script for several years, while soliciting financial backing for the project. Chico, meanwhile, was running up huge gambling debts, as was often the case (while a brilliant card player, he was a notoriously bad gambler), and just as the Marxes had made "A Night in Casablanca", in 1946, to pay off his debts at that time, Harpo brought him into "Love Happy" to do the same. Unfortunately, the end of the decade was a depressed time for film making (with television making inroads into the ticket-buying public), and backers would only fund the project if all three brothers would appear in the movie.

Groucho, by now a genuine TV star, thanks to the "You Bet Your Life" quiz show, hated the script of "Love Happy", and had little desire to co-star in the film. He was, however, loyal to his brothers, and finally reached a compromise; he would only appear briefly, would not have to wear his trademark greasepaint eyebrows and mustache, and would have final approval of his dialog and the performers working with him. He could honestly say he helped 'discover' Marilyn Monroe, at an open audition (watching two other starlets walk across a stage, followed by Marilyn, when asked for his pick for a small role, he raised his eyebrows and quipped, "You're kidding, right?")

Be warned: While "Love Happy" is not terrible, it certainly is no "Night at the Opera", or "Duck Soup"!