Yo maté a Jesse James

a good work, interesting western, smart story. in fact, more than adaptation of an American modern history episode, it seems be adaptation of Ahasverus myth. because it is portrait of a sin committed with noble intention. and that fact is basic virtue of that drama. it does a simple movie, mixture of love and revenge, who can impress first for its deep roots. it is a a film remarkable for actors performance because the acting is , in this case,precise tool not for present a story but to discover the profound human side of characters. and that fact has a correct result and the force of seduction for large public. it is a good work. and that thing is a real admirable virtue for the manner to expose the story in inspired light. and , for that fact, the merit of John Ireland is not little.

Sam Fuller's directorial debut is more of a character study than a traditional western. John Ireland stars as Bob Ford, who kills his friend Jesse James in order to get immunity for his past crimes so that he can settle down with the girl he loves. Wracked with guilt and feelings of inadequacy, Ford pursues the girl in the face of a rival for her heart. Fuller hasn't fully developed his dynamic style yet, in fact, this feels more like a low budget Nicholas Ray film than a Fuller film. A scene where Ford forces a dude to sing the ENTIRE song about Jesse James being killed by "that coward Robert Ford" is priceless and worth the price of admission.

it reminds the Biblical stories. or damned characters of Dostoievski.in fact, it is an inspired western, proposing a hero, a coward mate and the fall of dreams, a show as remind of guilt and the public contempt. a film who did not demonstrate anything. only gives a large picture about gestures and fragile and obscure border between bad and good. and this transforms "I Shot Jesse James" more than a B western but a demonstration about values and expectations and illusion and friendship. the noble Jesse James and the knavish Ford. a story with moral veil who remains nice demonstration about limits and falls.

I think this movie is more about Robert Ford than say Jesse James. John Ireland does a great job as the cowardly Bob Ford.. the James gang just having finished another robbery is on the run hiding out somewhere in Missouri,, Jesse is living under an alias. One thing that this movie presented to me was that the James' somehow are related to the Younger's and the Dalton's interesting fact if its' true. With that price of 10,000 on Jesse's head it becomes almost impossible for Bob Ford to resist it,, he plans on getting a house in the country and marrying his sweetheart Cynthy,, so he figures to cash in on his friend Jesse's head dead or alive,, what he doesn't count on is 2 things,, first being the public outcry of Jesse's death,, also the shrinking of the reward money,, and secondly how Cynthy would react,, he figures she'd be happy so that they could get married and so on.. wrong ,,, she has a conscious, and starts to despise Bob,, and at best pity him. this is a pretty good telling of the story of Jesse getting shot by Bob.

A film which uses a lot of medium close ups. Fuller's medium close-ups of John Ireland are wonderful and stress the emotions of Robert Ford "the Coward," the character Mr Ireland plays. So also the Fuller brings out the best in another actress Barbara Britton in this film. I am once again convinced that Fuller brought out great performances with almost all the actresses he chose to direct.

The high point of the film was the innocent balladeer singing his popular ballad which paints Bob Ford as an evil coward to Bob Ford himself without realizing his identity.

A very engaging and intelligent script with notable performances by both Ireland and Britton. Arguably one of the best performances of Ireland along side his performance in the spaghetti western "Hate for Hate."