The History of Mr. Polly

Ever found yourself caught up in a daydream when you should be doing something more important? But just can't help it and prefer to live there than in reality?

Ever wondered what your place in the world is and tried so hard to fit in and follow convention? even though deep down you're not really sure if a conventional life is the one you'd really Belong in?

If you Can relate to these sentiments this is the film for you. You will instantly recognise yourself in Mr Polly. Otherwise I concede you will not understand the appeal of this film. Mr Polly is not meant to be a hero he is just a man who finally finds the courage to follow the beat of his own drum. He starts the film a work shy oddball, one of life's failures who has fallen into a domestic situation with his cousin and contemplates Suicide. But he can't even do this right. Realising that at nearly 40 that if you don't like Your life you can change it instead of ending it, he sets off into the countryside and finds his place in the world.

It's an unusual topic for a film and therefore as time has marched on It's peculiarity has helped to turn it into a minor gem.

John Mills plays the part of Mr Polly wonderfully. This is also the first film he produced and shows he was keen to flex his acting abilities. Apparently the audiences at the time didn't like him playing a middle-aged odd ball, but Modern audiences will be free to see his characterisation without the preconceptions of John Mills being the definitive military hero. The rest of the cast are good too, even Juliet does a good turn as Uncle Jim's Niece.

The musical score is very good and really adds to the comedy/action scenes of the fight with Uncle Jim and the Suicide Attempt. Sometimes the films scores In old films can be a bit too much for my liking, but not in this case.

... because in its entirety the film is very satisfying.

Mr. Polly (John Mills) is hard to root for. He is a lazy employee in a shop who gets fired for reading novels when he should be working. He spends months looking - not very hard - for another job when he gets news his father died. His father left him a small inheritance, and so he decides to open a shop himself, although he hated working in one. Then he decides he needs a wife. He falls for a schoolgirl ten years younger than himself, but it turns out she is just teasing him for the amusement of her friends, so he dispassionately marries a spinster cousin.

15 years later we are shown where Polly is - on the verge of bankruptcy, with his wife constantly nagging him about things that seem to be very true about himself. The shop is a failure, in part because it is chaotic - it does not seem to have a theme at all. So the unhappy Polly decides to commit suicide by burning his shop down with him in it while his wife is at church. Polly succeeds at burning the shop but not himself, and decides to hit the open road. And it is at this point he becomes a completely different kind of person than he has been for the first half of the film. In other words, he does become somewhat admirable - focused, not lazy. The odd thing is that Polly has no real basis for any of the actions he takes at any stage of his life. He certainly isn't doing anything because he wants to do so, and in some cases his actions make him unhappy, and in latter cases they lead to happiness.

The entire thing is very ironic as the first and second parts merge into a very ironic and short third act. It's definitely original, and John Mills always improves any film.

I have loved this film ever since I first saw it at approximately at the age of 6, 7 years on it's still one of my favourites. It's a heart warming tale that the whole family will love. Having never read the book I can't really compare but even so if the film's this good then I'm sure the book will be as good, if not better! I do not understand why the overall rating for this film is an average of 6.6. The people who vote obviously have no taste as this film is a masterpiece of acting. John Mills I credit as one of the best actors to have lived and one year after his death I don't think enough credit has been given to this man and his acting skills.

This is probably H.G.Wells' best story or at least his most human and charming one. It's a petty triviality, but in the small things you can find some golden traces of hidden treasures worth discovering, which is what Mr. Polly does. John Mills is perfect for the job, especially since he fails in all his official ones, while all he is good for is reading old tales of chivalry and dreaming of some faint ideal far beyond his reach. Accidentally he gets married, and she turns out to make the worst for him, so he plans to get away by suicide and fails completely even with that. But a great momentum is waiting for him.

Finlay Currie is equally perfect as the hooligan Uncle Jim, who is only good at making mincemeat of people and tries hard at it, (they were better partnered together just previously in "Great Expectations" as Pip and Magwitch,) but also he fails completely, leaving Mr. Polly out of breeches and in a strange situation with a lost body, which later turns up to most accidentally again save him from further trouble...

The small man finally finds his kingdom and the proper idylls to it, where he can at last get thorough in reading his tales of chivalry and enjoy some meditation and fishing.

It's an idyllic comedy with some hardship to it and a titbit as such, with excellent acting, enjoyable direction and tailor-made music to suit it all as well. I saw it the first time some 40 years ago but enjoyed the revenue even more.

John Mills prefers to read and dream rather than learn the haberdasher's trade, so he's fired. His father up and dies, and leaves him a nice sum of money. He enjoys bicycling around, saying he is "looking for a busienss to invest in", but marriage with his cousin, Betty Ann Davies, forces him to be a shop. It soon turns into a dull routine and marginal business. He burns it down for the insurance, then takes off. Soon he has settled down at a waterside inn run by Meg Jenks, punting the ferry and doing odd jobs.

Anthony Pelissier did not have a tremendously productive career as a writer-director, but he turned out fine screen transitions of literary works. In his first movie, he tackles H. G. Wells novel about a man who just wants to get by and not meddle in affairs that are none of his business.... and as it turns out, he does meddle and demonstrates that, as ridiculous as he appears fighting off Miss Jenks' drunk and vindictive uncle Finlay Currie, time and chance are on his side. What we are to make of this, except that people are ridiculous, I don't really know. But it does demonstrate that. With Diana Churchill, Sally Ann Howe, Juliet Mills, Moore Marriott, and Irene Handl.