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When I first started watching this film, I assumed it would be a schmaltzy family film. However, as it progressed, I realized it was the story about a nasty old man who dominated his family...and the attempt by some of them to break out from under his thumb. I do think many WILL see it as a family film but with me being a father, I sure wanted to bust this guy in the nose!

Mr. Matthews (Walter Brennan) and his children arrive in town and they buy a farm. One of their neighbors is David Barkley (Robert Paige) and he's a college educated agricultural agent. But Matthews is a stubborn old guy and refuses to listen to Barkley--choosing to use his old tried and true methods. Likewise, he doesn't listen to his children but dominates them. He pretends everyone in the family gets a say but uses emotional blackmail to get his way every time. When Matthews is badly hurt and his children have to run the farm, the oldest, Deborah (Marguerite Chapman) decides to loosen up the reins and try new methods. When her father eventually learns of this, he tries to sabotage her efforts--all to prove he was right after all.

One of the beneficiaries of Dad's injury is little Susan (Natalie Wood). She's wanted to raise lambs and join 4-H but he vetoed this because...well...because he could! Now with Dad laid up in bed, Susan tries to prove she can raise sheep on her own.

Fortunately, everything works out by the end of the film....and I stopped hating Matthews! It is a nice little film...just try to ignore Matthews' boorishness that occasionally rears its ugly head. Also, try to ignore the kid in the Aunt Jemima costume at the party! My how times have changed!

Entertaining piece about a stubborn widowed farmer and his children (two girls, one boy and one grown woman) who buys a farm and ignores good advice of how to operate it. Natalie Wood plays youngest child Susan who wants to join the 4-H club and raise lambs. She is inspired by young neighbor Buzz who's success in raising cattle has allowed him to save enough money for college. Walter Brennan plays the father who shames her into thinking that she is selfish to want to achieve individual success outside of the family collective. Natalie gives her usual charming and polished performance and holds the weaker parts of the film together. At times her style is a bit melodramatic, but the film is played so low-keyed, that her over-the-top emotions (a trademark) liven things up. No doubt about it, she is the star of the film. Marguerite Chapman plays the grown child, Deborah Matthews, who is afraid to date the handsome land agent because her father expects her to work the farm and not have a life of her own. She does have some grit and stands up to her father from time to time. The Green Promise is a biblical reference that is delivered nicely by Reverend Benton (Milburn Stone) and drives home the film's themes of putting pride aside and allowing others and themselves to achieve their individual potential. There are scenes of the kids fishing on a fallen tree trunk that are reminiscent of Norman Rockwell and in fact the entire film, written by Monte Collins, is more of a time capsule of the conservative American spirit of that period. It's the type of film Walt Disney made with larger budgets and in color (SO DEAR TO MY HEART, FOLLOW ME BOYS), but the limits of black-and-white film gives it a dust-bowl feel a little inappropriate to the story and setting. Hollywood was filled with Communist themes from such writers as Dalton Trumbo (who penned the similar OUR VINES HAVE TENDER GRAPES) so it's interesting to see such a film for contrast. Far from a classic, fans of Natalie Wood, the 4-H club, and films of this type will find it of interest.

This film is about a widower and farmer, Mr Matthews, played well by Walter Brennan. He buys a farm and moves with four children. His oldest daughter, Deborah, is more of a mother figure in the house. She is well played by Marguerite Chapman. Natalie Wood plays younger sister, Susan. There is brother Phinneus and sister Abigail. Mr Matthews is a stubborn old man who refuses to learn new things or keep up with the times. When he is injured, Deborah takes charge and make changes. Wood's Susan joins the 4 H Club and raises two lambs for a ribbon at a fair. Susan risks her life to save them. The film is fine with decent performances all around. The ending could have been better though. The film is worth watching at least once. There are some light moments. This film is a fine melodrama overall.

It reminded me of those 16mm films we were shown in grade school--this one on the benefits of land conservation and belonging to the 4-H Club. Actually, it was sort of disturbing. Walter Brennan plays an overbearing, out-of-date father to three daughters who fear him---going out of his way to alienate those who would help him. Unfortunately, the arc of his character is more like a straight line with a sharp hook at the end, as he sees the error of his ways in the last 60 seconds of the film. A plus was seeing young Natalie Wood 2 years past her "Miracle on 34th Street" work. Points up what a difference a good story and direction can make. Both Brennan and Wood were ill-used in this filmstrip with sound.

This movie seems like one of those 'family on a farm' B-movies so common in the forties and fifties, about a little girl (or boy) with a horse, a dog, or in this case, baby lambs. It starts off as if it's a promotional film for joining the 4-H, but it gets better towards the end.

It stands out for two reasons: 1) the real star is Natalie Wood, who must have been about ten, and is totally convincing when she repeats the 4-H oath (oh, the nostalgia for the lost innocence of that era!) and 2) the ecological disaster that climaxes the film, with Natalie Wood again doing a great job in an exciting sequence as she fights her way home during a savage rainstorm and saves herself from drowning in the storm's raging waters. (She permanently injured her wrist in this sequence.)

A teenage Martin Milner(uncredited) appears briefly in the 4-H club meeting scene and warns us of ecological peril. Milburn Stone as the preacher is appropriately didactic in spelling out the message of the film.

I'll give it a 5.