La ciudad turbulenta

In the immediate aftermath of the Civil War a Confederate officer by the name of "Clay Fletcher" (John Payne) returns to his home in Charleston, South Carolina, to restart his law profession. Upon hearing that a former sweetheart named "Susan Jeffers" (Gail Russell) and her father "Judge Henry Jeffers" (Henry Hull) have moved to El Paso, Texas, he volunteers to take some important legal papers to him. When he gets to El Paso he finds that a group of thugs have taken control of the small town and are manipulating the alcoholic judge to enforce their corrupt interests. Now, rather than detailing the entire story, I will just say that this film had a "Grade B" feel from start to finish. None of the actors distinguished themselves, the plot was shaky and some of the scenes seemed a bit corny at times. To be fair though, some of these criticisms can be attributed to the time-period in which this film was made. Even so, I thought it could have been better and so I have scored it as slightly below average.

"El Paso" is an ugly looking film. I assume it looked a lot better when it first debuted, but the print from Netflix is yucky looking. Part of this might be because it used Cinecolor (a very inexpensive but far from perfect color system) and part of it surely is due to the effects of degradation over time. All I know for sure is that the film is full of sepia tones and green-grays but many other colors are absent.

The film begins just after the Civil War. A lawyer (John Payne) is sent from Charleston to El Paso to get some papers signed by a judge who used to live in South Carolina. Unfortunately, when Payne arrives, he finds that the judge (Henry Hull) is a drunk and the town is run by an evil boss (Sterling Hayden) whose aim is to steal away everyone's land. Can Payne use the law to his advantage or will he and his new friends have to take the law into their own hands?

The evil boss-man theme is a very, very familiar one in American films of this era--perhaps THE most familiar. I am pretty sure it was used long before it was in "Birth of a Nation" (this was an evil boss film despite its sick racist message). Because it's become a bit of a cliché, "El Paso" certainly lacks originality. But, despite the familiar, the film is handled well on several levels. While the boss-man story is overused, using an alcoholic judge to help make the land-grab 'legal' was an inspired change to the standard story. Additionally, Payne and Hayden are both good actors and make the most of the material. In addition, it was nice to see the way Mexicans were handled in the film. Too often, they are simpletons in westerns, but here they are both noble AND manly--with Eduardo Noriega's character being one of the better ones in this era. Along for the ride is old reliable Gabby Hayes for a nice bit of comic relief. In addition, while the film might be a bit blood-thirsty, it sure did make it exciting and better than the usually over-sanitized western of the day. The overall package manages to breath life into an ancient sort of story and makes the film a lot better than it should be. Worth seeing--particularly if you like westerns.

Frankly attractive main and support cast in an acceptable Western professionally directed by Lewis R. Foster. Set in El Paso, where arrives the lawyer and ex-Confederate captain Clay Fletcher (John Payne). Fletcher reunites with his once lady-friend, Susan Jeffers (Gail Russell) , when his father, Judge Fletcher, sends him on an errand to El Paso, Texas to get the signature of Susan's father, Judge Jeffers (Hemry Hull), on a legal document. Once there he finds the judge has become a drunk and a laughing stock, doing the bidding of local magnate Bert Donner (Sterling Hayden) and his running dog, Sheriff La Farge (Dick Foran). So the town is run by a crooked landowner, the judge is a drunk and the sheriff is corrupt. Along the way, Fletcher befriends a sympathetic elderly man, Pesky Tees (George 'Gabby' Hayes). Later on, Fletcher forms a vigilante group to bring law and order to a town. As our captain has to confront nasty powerful owners, villain sheriffs and deputies, and eventually taking justice into his own hands, acting as judge, jury and executioner .Here was one law in El Paso ... you learned to kill quick ... if you wanted to live long!

This is a tornado and adventure movie from Pine-Thomas Productions , containing thrills , emotion , action, go riding and crossfire. A decent western with a twisted and interesting intrigue written by Lewis R. Foster and based on a story by Robert Bren. Dealing with the thoughful issues of expeditiously applying justice when the ordinary legal regime does not work, our protagonists take justice into their own hands, leading to cruel hangings and executions. Nice-looking but run-of-the-mill International Universal Picture Western , including some novelties , but also with usual elements , such as franctic action , thrills , crossfire , drama , romance and some spectacular action scenes . A blending of functional main actors with great character players of whom John Payne holds the best role as an ex-captain/lawyer who leaves the legal system and instead adopt the murderous tactics of a vigilante. A warm and moving storyline and thanks to a personable and breathtaking action scenes makes an enjoyable movie , a real pleasure to listen to as well as watch . Being a vigorous western with nice performances provided by a good cast with plento of familiaar faces at the time , such as: Gail Russell, Sterling Hayden, Dick Foran, Eduardo Noriega, Henry Hull, Mary Beth Hughes, H. B. Warner, Arthur Space and, of course , the always likable George 'Gabby' Hayes.

The picture was effficiently produced but in medium budget by William H. Pine and William C. Thomas, this were known in the industry as "The Dollar Bills" because they made movies so quickly and efficiently that their films seldom, if ever, lost money. The film was well directed by Lewis R Foster . He was a prolific composer, songwriter, author and director, educated at the University of California. He began his directorial and film-writing career in 1920. Joined Hal Roach Studios as a writer/gagman in 1923, the same year as director Leo McCarey. He also worked as a newspaperman in San Francisco. He joined ASCAP in 1960. Foster was the director who gave Stan Laurel the freedom to do things his way in films . Worked as a director at Universal Pictures from 1936-37, at Paramount Pictures from 1949-53. And directed a lots of films such as 1953 Tropic zone , 1953 Those Redheads from Seattle ,1950 The Eagle and the Hawk 1950 Captain China , 1949 Manhandled ,1949 El Paso , 1949 The Lucky Stiff ,1937 Armored Car , 1937 She's Dangerous , 1936 Love Letters of a Star . And for TV the successful series : El Zorro with Guy Williams. Rating El Paso: 6.5/10. Well worth watching.

That's for me one of the best westerns from Paramount Pictures, just after SHANE of course, but it is an underrated film, using the Civil War element, as so many other westerns of this period, starring Randolph Scott, Brian Donlevy, Zachary Scott, from Warner Bros or RKO pictures. The story itself is not that new but the production design is splendid and John Payne still "in progress" in his career, already very promising for his further filmography. It looks very like a Warner Bros films, starring Errol Flynn. Lewis Foster's splendid movie, one of his most ambitious, but his favorite feature were adventure flicks taking place in South sea islands, Caribbean area. John Payne was for Lewis Foster the same John Wayne with John Ford. Check Payne's movies, you'll often find Foster as director. And beware, pay attention, that's as far as I know, the only film where Sterling Hayden is a villain; I mean a TRUE villain, against the lead hero; here John Payne. But of course Hayden played outlaws in his films, westerns - JOHNNY GUITAR - or gangsters - ASPHALT JUNGLE, only he was then question of the movies hero, lead character, and not a villain. See the difference?

As kids we're always told to stand up to bullies; but try putting that into practise at work with your boss! Lawyer John Payne proves similarly naïve in thinking Sterling Hayden and his brutal henchman Dick Foran will be as easily dissuaded by due process; and after 80 rather garrulous and conventional minutes this film finally makes you sit up and take notice when Payne and the rest of the townsfolk at last take the law into their own hands and fight fire with gunfire.

But did anyone ever stand trial for the accidental lynching of the newly arrived minister?