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Pete Wilson, also known as King Football, faces a dual crisis. Diagnosed with a serious heart ailment, he learns his career is over. Wilson also must break the news to his star-struck wife, who enjoys the spotlight even more than he does.

"Easy Living" is of course an ironic title. Wilson's life, as a quarterback and as a husband, is anything but easy. As the story evolves, he must come to terms with both the loss of his livelihood and the possible end of his marriage. Victor Mature, who played gladiators both ancient and modern, does his best but he isn't quite up to the emotional demands of the role. And Lizabeth Scott, ever the ice princess, never comes across as Wilson's wife. The supporting cast, featuring Lloyd Nolan as the head coach and Lucille Ball as his son's widow, is generally stronger. Jack Paar, in one of his rare film roles, pops up as the team's PR man.

The film's climax, in which Wilson slaps his wife in desperation, could never be made today but still was acceptable in 1949. Frankly though, you can't help share Wilson's frustration with this frivolous woman and you have to wonder what you would do in his place.

Highly recommended, both as a study of mid-century social attitudes and for an early Hollywood view of the NFL

EASY LIVING takes you back to major league football circa 1949 and focuses on a star performer just before and after his career tops out. The direction is first rate and all the actors deliver top performances --- particularly Victor Mature, Lizabeth Scott, Lloyd Nolan and Lucille Ball. Lucy didn't always play comedy; no comedy in this one. On location filming --- a common asset to RKO Radio pictures --- adds a lot to this one. This Irwin Shaw drama doesn't have much football in it, but instead focuses on the lives of the people involved in sports.

First seen in 1949 at age 11, I looked for it again at Video Vault. It was issued in VHS so you can buy it or rent it if you look. Incidentally, RKO pictures weren't usually big hits 50 years ago but are sought after these days for their grit and on location filming. Savvy sellers in eBay include RKO in their headline.

Final comment: Unlike 2007's major hits like Pirates #3 and Potter #5, this film has an actual story, beginning, middle, end ---not relying on an overpowering musical score to sugarcoat junk. It's apt to appeal to grown-ups --- actually 11 and up.

How interesting to see the difference in our society then versus now! When Liza receives her two slaps at the end of the movie, one more or less as punishment for things done and one to sort of set her straight, I wonder what the reactions were in audiences at the theaters. Today I suppose there would be an uproar over this for many reasons. On the other hand, we all need a "slap in the face" sometimes - male or female. Whenever we cross over that line, the one that separates my "rights" from the way we should treat others, we're elevating ourselves above everyone else. When we act like spoiled little children maybe it's okay to be treated like them? As most parents recognize (or should), their are times when the correct amount of corporal punishment administered with love is the best treatment for the lives they are shaping. Everyone should note the circumstances under which Victor's character slapped his wife, and that he did it because he loved her and wanted to save their marriage.

It is difficult to determine where this story is set -- period. The sports team in "Easy Living" is the Chiefs, the helmets worn by this teams are those of the Rams, but yet this team (and ultimately, this story) is based in New York City.

Well, the Kansas City Chiefs began as the Dallas Texans and never existed as a franchise in New York City. The St. Louis Rams, and their iconic ram horn helmet design, has only been seen in three markets, Cleveland, Los Angeles and St. Louis. Again, a club that was never in New York City.

It is also more than odd that the main character, a quarterback, wears number 66, not a customary number for a quarterback to wear. But, it is this lack of accurate detailing that reveals a project mired in vagaries.

These type of historical inaccuracies reveal a more deep-seated lack of focus from this film. Despite its promise, Easy Living just lacks any type of focus. The plot slides around seemingly unsure of where it wants to go or needs to go. primarily, the essential points in the plot development are buried behind a lot of pointless distractions...and characters.

This perpetually 'out-of-focus' plot is enhanced by dialog which is trite, and contrived. It seems the writers of this screenplay were hellbent on being melodramatic and vague.

The movie seems to starts somewhere in the middle. Unfortunately, Easy Living runs like a stage play that is missing too many essential scenes, not just the beginning!

There are two stories here. The stronger one deals with a quarterback for the New York Chiefs pushed toward retirement by a heart murmur. This story offers interesting glimpses at the state of professional football, circa 1949. The team takes the train to "away" games, for instance, and it seems to have only one black player. And get this --making the Championship Playoffs means at least an extra $1000 for every man on the team! (But this was in an era of nickel pay-phone calls, when college football coaches made $3200 a year.)

The other story centers on the quarterback's troubled relationship with his ambitious, social-climbing wife who's not above using her seductive charm to make a success of her interior decorating business. Here again there are intriguing insights into the world of 1949, where "uppity" women had to be taken down a notch or two lest they forget their proper roles as wives and mothers.

These two stories don't merge particularly well, resulting in an awkward blend of "locker room" and "Park Avenue," and the ending seems forced and unconvincing. (This may have been due to the Production Code's dim view of divorce.) However, the cast still makes the movie worth a look, with solid work from Lucille Ball, Lloyd Nolan, Jim Backus, Art Baker, Jack Paar, etc. Lizabeth Scott -- she of the spectacular eyebrows -- seems a tad "overheated" as the self-centered wife but the script probably forced this kind of performance. Victor Mature has the better part and he acquits himself in adequate fashion. In his locker room scene he gets to strip off his shirt and thus reveal one of the great torsos in the movies. (And how gloriously it was soon to be whipped and otherwise tortured in such films as "Samson and Delilah," "The Robe," "Zarak," and "Timbuktu.") Too bad the movie as a whole isn't equal to its star's chest measurement.