CALIFICACIÓN DE IMDb
6.3/10
542
TU CALIFICACIÓN
Agrega una trama en tu idiomaOn Chicago's South Side reporter Ed Adams finds the body of a dead girl. Her address book leads to a host of names of men frightened by her death but claiming never to have known her. Adams ... Leer todoOn Chicago's South Side reporter Ed Adams finds the body of a dead girl. Her address book leads to a host of names of men frightened by her death but claiming never to have known her. Adams comes to know quite a lot, dangerously so.On Chicago's South Side reporter Ed Adams finds the body of a dead girl. Her address book leads to a host of names of men frightened by her death but claiming never to have known her. Adams comes to know quite a lot, dangerously so.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I prefered ILLEGAL and CHICAGO DEADLINE from the same director Lewis Allen and also starring Alan Ladd, but all those Paramount Pictures film noirs are true crime noir features, no problem. Alan Ladd is a bit more wooden as usual, and Berry Kroeger is not Paul Stewart - APPOINTMENT WITH DANGER - either. The plot is also weaker than in the other two films which I mentioned just above. The story of investigation could have been grittier, tougher, but this movie remaiins worth watching if you have never seen it before. When Alan Ladd was still a big star, before his fall down. Donna Reed also brings much to this movie. Take advantage of it.
I have seen this excellent movie in 1951 in Barcelona/Spain when I was 20 and I liked it then and continue to like now very much, I considered it one of the greatest noir classic movies in history. Alan Ladd is fantastic in his role as a reporter; Donna Red is beautiful and had great performance in his playback roll, as Arthur Kennedy and the rest of the cast. is a pity that original seams lost. I have a copy of a VHS from a Honolulu TV, but it can be watched pretty well. the story is very well done by writers Warren Duff and Tiffany Thayer, and the development of the history very well done by director Lewis Allen. Alan Ladd one of my preferred actors is superb and I had said all the cast specially June Havoc, beautiful and charm-ant actress. the end of the movie remains on your mind as one of best ends of a movie in Hollywood history. I highly recommend for the be-lovers of noir classics.
Shades of Laura here.
A reporter, Ed Ames (Alan Ladd), looking into the death of a young woman, finds her address book before the police do. He goes through it and tries to uncover information about her. Her name is Rosita.
Most people hang up on him or claim not to know Rosita. He does locate her brother (Arthur Kennedy) and a friend (June Havoc) and learns that Rosita was married and later widowed. Why are so many people afraid to admit they knew her? Why did she spend time living under another name? Intrigued and entranced by her photo, Ames keeps digging.
Good noir with a solid performance by the handsome Ladd, who always underplays and lends a great presence to a film. Reed is lovely, though she actually doesn't have much to do.
Dark, just like a noir should be.
A reporter, Ed Ames (Alan Ladd), looking into the death of a young woman, finds her address book before the police do. He goes through it and tries to uncover information about her. Her name is Rosita.
Most people hang up on him or claim not to know Rosita. He does locate her brother (Arthur Kennedy) and a friend (June Havoc) and learns that Rosita was married and later widowed. Why are so many people afraid to admit they knew her? Why did she spend time living under another name? Intrigued and entranced by her photo, Ames keeps digging.
Good noir with a solid performance by the handsome Ladd, who always underplays and lends a great presence to a film. Reed is lovely, though she actually doesn't have much to do.
Dark, just like a noir should be.
A reporter (Alan Ladd) discovers the body of a beautiful young girl (Donna Reed) in a cheap Chicago hotel, and in trying to retrace the events leading to her death becomes involved with the characters from her past life, all thanks to her diary ...
The host of names of men in the diary seem to be frightened by her death but claim never to have known her. Adams comes to know quite a lot, dangerously so.
Alan Ladd plays a fast talking reporter whose nose is sharp as his line delivery comebacks- he finds a diary of a dead woman and starts prying into her life, thanks to the names in her address book- Ranging from the rich to the crooked, the "names" are a bit nervous to talk about the dead lady.
It's a fast-paced, suspenseful noir mystery that doesn't lose focus and keeps you watching. Not much action, but the plot, the dialogue, and the characters are sharp . Ladd puts in a good performance.
The host of names of men in the diary seem to be frightened by her death but claim never to have known her. Adams comes to know quite a lot, dangerously so.
Alan Ladd plays a fast talking reporter whose nose is sharp as his line delivery comebacks- he finds a diary of a dead woman and starts prying into her life, thanks to the names in her address book- Ranging from the rich to the crooked, the "names" are a bit nervous to talk about the dead lady.
It's a fast-paced, suspenseful noir mystery that doesn't lose focus and keeps you watching. Not much action, but the plot, the dialogue, and the characters are sharp . Ladd puts in a good performance.
Reporter Alan Ladd (Ed Adams) outrageously interferes with things when he steals an address book from the room in which Donna Reed (Rosita) is found dead. He retraces her life by contacting the people in this address book and a few people get bumped off along the way.
Unfortunately Donna Reed hasn't led a very interesting life so God knows why anyone would show any interest in pursuing her address book, especially as her death is not at all suspicious. Alan Ladd is obviously a weirdo.
A lot of time is spent on the telephone in this film. It's just blah blah blah on the blower! Still, the film is OK even if you can't follow the cast of thousands. Alan Ladd sums things up for you at the end with a synopsis of what has just happened. But he delivers it at breakneck speed so it doesn't really help. It's a vehicle for Alan Ladd and it's all a bit pointless.
Unfortunately Donna Reed hasn't led a very interesting life so God knows why anyone would show any interest in pursuing her address book, especially as her death is not at all suspicious. Alan Ladd is obviously a weirdo.
A lot of time is spent on the telephone in this film. It's just blah blah blah on the blower! Still, the film is OK even if you can't follow the cast of thousands. Alan Ladd sums things up for you at the end with a synopsis of what has just happened. But he delivers it at breakneck speed so it doesn't really help. It's a vehicle for Alan Ladd and it's all a bit pointless.
¿Sabías que…?
- TriviaTiffany Thayer's original novel was published in 1933 and was clearly inspired by the notorious Starr Faithfull case of the 1920s. Starr Faithfull (not her real name) was a beautiful girl found dead in the East River, seemingly a suicide. However, her address-book was found to be full of famous names and her diaries went unaccountably missing - rumors therefore abounded that she was a call-girl who had been blackmailing some of her clients and that she had been murdered.
- ConexionesReferenced in El crimen del cine Oriente (1997)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Chicago Deadline?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 26min(86 min)
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta