El gran robo

There's really not much to this film, basically just a car chase and a double cross concerning money. But Don Siegel delivers the action with humor and élan. Jane Greer was not the first choice to play Robert Mitchum's buddy. Several others were not permitted by their studios to work with Mitchum because of his recent pot bust. "The Big Steal" would have died on the vine had Greer not gladly stepped in. The spark between the two is essential and what repartee. The clever dialog causes the film to glide along like a soft summer breeze south of the border.

Mitchum and Greer get the needed support from the rest of the cast. William Bendix was a versatile and talented actor. He could play comedy as well as the best comedians of the day. In "Who Done It?" Bendix out clowned Lou Costello--no easy task. He was so funny that Lou refused to work with him again because he was stealing the show. He could also play the dumb but tough thug as he did so well in "Dark Corner." He could play straight drama as in "Lifeboat," "The Hairy Ape," and "The Time of Your Life." He could play a psycho as in "The Blue Dahlia" as well as Tony Perkins. Why, he even played Babe Ruth and made people believe it. He made "The Life of Riley" come to life on early TV. He plays Capt. Vincent Blake in "The Big Steal," who is chasing Duke Halliday (Mitchum) who is chasing Jim Fiske (Patric Knowles) who is trying to keep a rendezvous with Hulius Seton (John Qualen), the fence for the stolen money. One of the funniest scenes in the movie involve William Bendix and a mob (not a herd) of sheep. Watch for it. Silent movie star Ramon Novarro plays Col. Ortega, who is content to sit back and let the bad guys eliminate each other. He is also trying to learn English from Lt. Ruiz but has a few problems with American slang. Also look for Mitchum's wife, Dorothy, as one of the tourists.

It's easy to see shades of Dirty Harry in the action sequences, a sign of good things to come. Because of Don Siegel's direction and a well-written script, "The Big Steal" will steal you away.

This above average crime drama holds one's interest due to good writing, excellent cinematography, and Robert Mitchum. The film must have been subsidized by the Mexican Tourist Bureau, so fetching are the scenes of the Mexican countryside. Ramon Novarro is excellent as the craftily sly police chief, and Willima Bendix puts in a good turn. Worth watching.

The Big Steal (1949)

You can't go totally wrong with Robet Mitchum, and he is with Jane Greer, who was his sometimes girlfriend in Jacques Tourneur's fabulous Out of the Past (1947). This fast, chase chase chase movie is a lot of fun, and it careens through Mexico in a slightly insensitive but slightly exotic way.

Slightly. It sometimes seems like a quickie movie, for sure, but hey, this is about a love affair trying to bud amidst the chaos of crime, and there's nothing wrong with that. And one very nice thing is the Spanish is clean and honest. Even Greer's Spanish is very good, and there is no pandering to the audience too much (no subtitles, and when it switches to English it's natural).

Director Don Siegel has two legendary movies to his name, which is more than many greater directors can say: Dirty Harry (1971) and Invasion of the Body Snatchers (1956), as well as the highly regarded The Shootist (1976). I say all this partly to show he's got something special happening, and even a flawed effort like The Big Steal is going to have things to love, and to watch for.

So what to watch for? For one, even more that Mitchum who is always likable and convincing, is Greer. She brings a confident, brave, not quite hardened edge to her character and it's bracing. She never coys it up, never becomes the femme fatale of more stereotypical films. Mithcum is a good match for her, and as the race through the landscape, we get a continuation of the chemistry they started in Tourneur's film (which was set in California).

William Bendix is always a treat, even if a little bit easy to caricature, and he is cardboard here, for sure. But what the heck, he's just the one chasing, and if he become too interesting the film would start to look like fine art, which it isn't. In fact, if there is one thing that Siegel avoids it's high minded goals. He has something more pithy and immediate in mind, and gets it, and gets you, in the gut, and with an exhilaration that's really fine, really well done, not a cheap thrill at all.

A rogue's runaway with the cash, a payroll, there's quite a backlash, Duke Halliday's on the hook, accusations that he took, ran away with the wages in a flash. There's Joan who's been conned by Jim Fiske, a fiancé she thought had no risk, but he's off with her cash, her hard earned saved stash, his escape is increasingly brisk. Captain Blake's on the tail of them all, along tracks, along trails he trawls, a man on a mission, with a mean disposition, intent on recovering the haul.

I's entertaining fayre, with a chase around the highways and byways of Mexico, with the delightful Jane Greer stealing the show.

The Big Steal is directed by Don Siegel and adapted by Gerald Drayson Adams & Daniel Mainwaring from the short story "The Road to Carmichael's" written by Richard Wormser. It stars Robert Mitchum, Jane Greer, William Bendix, Patric Knowles & Ramon Novarro. Music is by Leigh Harline and the cinematographer is Harry J. Wild.

U.S. Army Lieutenant Duke Halliday (Mitchum) is robbed of a $300,000 payroll and pursues the man responsible into Mexico. But on his tail is Captain Vincent Blake (Bendix), who suspects him of being behind the robbery himself. Meeting up with Joan Graham (Greer), it turns out that she too has an agenda with the man Duke is after. Originally suspicious of each other, the duo form an uneasy alliance in the hope of achieving their aims.

At just 71 minutes in length The Big Steal is a briskly put together movie, one that is sharply scripted, acted accordingly and directed without fuss or filler. Lensed on location in and around Mexico City to add authenticity, it gets straight into its plot from the get go. This at first gives a slight feeling of confusion, but it's not before long when the narrative pulls together and the audience can sit back and lap up the various twists, turns and choice dialogue exchanges. More comedy crime caper than film noir stinger, The Big Steal is an enjoyable enough experience. 6.5/10