CALIFICACIÓN DE IMDb
6.6/10
329
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe Bowery Boys investigate a murder, and all the evidence points to the involvement of the notorious Loop gang.The Bowery Boys investigate a murder, and all the evidence points to the involvement of the notorious Loop gang.The Bowery Boys investigate a murder, and all the evidence points to the involvement of the notorious Loop gang.
- Dirección
- Guionistas
- Elenco
Fotos
William 'Billy' Benedict
- Whitey
- (as Billy Benedict)
Joe Turkel
- Johnny Mutton
- (as Joseph Turkel)
Benny Bartlett
- Butch
- (as Bennie Bartlett)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Slip (Leo Gorcey) and Sach (Huntz Hall) are lowly copy boys in the New York Daily Chronicle newspaper. They get news that their police friend Gabe Moreno is in the hospital after a shootout. They decide to go undercover to do their own investigation.
This is a satire of a noir crime drama. It's Slip and Sach pretending to be hard. That's a funny concept and I really like the premise initially. The jokes level off and the movie loses steam over time. The funny premise doesn't lead to a lot of laughs. The movie seems to struggle between the two opposing genres and can't quite combine them. It needs to be funnier.
This is a satire of a noir crime drama. It's Slip and Sach pretending to be hard. That's a funny concept and I really like the premise initially. The jokes level off and the movie loses steam over time. The funny premise doesn't lead to a lot of laughs. The movie seems to struggle between the two opposing genres and can't quite combine them. It needs to be funnier.
Angels in Disguise (1949)
** (out of 4)
A rather flat and extremely unfunny entry in the series is perhaps one of the strangest as well. In the film a cop (Gabriel Dell) is shot and injured while his partner is murdered so the Bowery Boys decide to find out who was behind it. Slip (Leo Gorcey) and Sach (Huntz Hall) go undercover in a gang and learn that it's not old-time gangsters but instead a younger group who are smarter and more powerful. This here was the fifteenth entry in the series and what exactly it was trying to do is beyond me. For starters, there aren't any laughs here but what's so strange is that it really doesn't seem like the film was going for any. There's not any of that usual slapstick, no real comic banter and the screenplay seems like all the comedy must have been edited out. The movie features Gorcey doing his usual bit of messed up dialogue but even it comes off rather flat and poorly written. The strangest thing about this movie is that it adds a voice-over narration by Gorcey, which was obviously used to try and make this a noir-like film. This really didn't work because, amongst many things, the dialogue was just poorly written and really didn't add up to much. It's too silly to be taken seriously but it's not funny enough to be a comedy. The only inspired bit comes when Louie (Bernard Gorcey) pretends to be a major gangster and gets to act tough and flirt with a hot dame. The rest of the film goes for a straight drama but for the life of me I wasn't sure what the point was. There's really nothing in the screenplay and this isn't helped by the flat direction. Yarbrough is best known for some Abbott and Costello film (HERE COME THE CO-EDS), some horror flicks (SHE WOLF OF London, THE BRUTE MAN) and some downright horrid stuff (HILLBILLYS IN A HAUNTED HOUSE). He appears to be asleep at the wheel as there's not an ounce of energy to be found here and it's probably one of the most lifeless entries so far. With that said, I wouldn't call this one of the worst. There aren't any laughs and there's really not anything good here but the picture is just so darn weird that you can't help but be mildly caught up in everything that's going on. This one here is certainly for fans only and it's doubtful many of them will enjoy what's happening.
** (out of 4)
A rather flat and extremely unfunny entry in the series is perhaps one of the strangest as well. In the film a cop (Gabriel Dell) is shot and injured while his partner is murdered so the Bowery Boys decide to find out who was behind it. Slip (Leo Gorcey) and Sach (Huntz Hall) go undercover in a gang and learn that it's not old-time gangsters but instead a younger group who are smarter and more powerful. This here was the fifteenth entry in the series and what exactly it was trying to do is beyond me. For starters, there aren't any laughs here but what's so strange is that it really doesn't seem like the film was going for any. There's not any of that usual slapstick, no real comic banter and the screenplay seems like all the comedy must have been edited out. The movie features Gorcey doing his usual bit of messed up dialogue but even it comes off rather flat and poorly written. The strangest thing about this movie is that it adds a voice-over narration by Gorcey, which was obviously used to try and make this a noir-like film. This really didn't work because, amongst many things, the dialogue was just poorly written and really didn't add up to much. It's too silly to be taken seriously but it's not funny enough to be a comedy. The only inspired bit comes when Louie (Bernard Gorcey) pretends to be a major gangster and gets to act tough and flirt with a hot dame. The rest of the film goes for a straight drama but for the life of me I wasn't sure what the point was. There's really nothing in the screenplay and this isn't helped by the flat direction. Yarbrough is best known for some Abbott and Costello film (HERE COME THE CO-EDS), some horror flicks (SHE WOLF OF London, THE BRUTE MAN) and some downright horrid stuff (HILLBILLYS IN A HAUNTED HOUSE). He appears to be asleep at the wheel as there's not an ounce of energy to be found here and it's probably one of the most lifeless entries so far. With that said, I wouldn't call this one of the worst. There aren't any laughs and there's really not anything good here but the picture is just so darn weird that you can't help but be mildly caught up in everything that's going on. This one here is certainly for fans only and it's doubtful many of them will enjoy what's happening.
The usual cast of Leo Gorcey, with his brother, AND his father. Add in Huntz Hall and Bill Benedict, to make up the "Bowery Boys", in this middle chapter of the Bowery Boys films. In this one, Slip is a copy boy at the local newspaper, so he's hearing the good and the bad, first-hand. When he hears of a local robbery, the gang jumps in and starts investigatin'. wordplay. mis-understandings. slapstick comedy. the usual horsing around.... playing to the audience. It's pretty good! Directed by Jean yarbrough; had directed a whole bunch of Bowery Boys films, as well as Abbott & Costello! doesn't get better than that. lots of Yarbrouh's stuff showing on Turner Classics on a regular basis.
Returning to work at New York City's "Daily Chronicle" (see "News Hounds" for an unconnected earlier stint), "The Bowery Boys" get involved in exposing a ring of mobsters, after policeman chum Gabriel Dell (as Gabe Moreno) is hospitalized in a shooting. Journalistic leader Leo Gorcey (as "Slip" Mahoney) is the newspaper's "chief copy boy" - and aspiring investigative reporter. Hapless Huntz Hall (as Horace Debussy "Sach" Jones) is his apprentice. William "Billy" Benedict (as Whitey), Benny "Bennie" Bartlett (as Butch), and David Gorcey (as Chuck) are streetwise paperboys.
This "Naked City"-influenced satire starts off well, but loses steam several times during the running time. The startling opening works well, with Mr. Gorcey awakening in an alley, where he and Mr. Hall have been uncharacteristically beaten to a pulp. From there, Gorcey "narrates" the loopy, nonsensical detective story. Director Jean Yarbrough manages the tight budget reasonably well.
In early film appearances, youngsters Joseph Turkel (as John Mutton), Mickey Knox (as Angles Carson), Richard Benedict (as Miami), and Pepe Hern (as Bertie Spangler) make especially good pool hall hustler impressions. You're likely to forget the plot entirely, later in the running time, when bookworm boy wonder Edward "Eddie" Ryan (as Mr. Carver) and sexy girlfriend Jean Dean (as Vickie Darwell) enter the picture.
Watch for the scene where Mr. Ryan sadistically slaps Mr. Turkel's face, followed by Ms. Dean's sexually-charged entrance; in a dress which fills the movie screen like few others, Dean definitely gives the film a lift. Happily, the often underutilized Bowery supporting cast helps round up the forgettable, frayed storyline, with Bernard Gorcey (as "Big Louie") joining "Whitey the Whip", "Chuck the Chiller", and "Butch the Butcher".
***** Angels in Disguise (9/9/49) Jean Yarbrough ~ Leo Gorcey, Huntz Hall, Joseph Turkel
This "Naked City"-influenced satire starts off well, but loses steam several times during the running time. The startling opening works well, with Mr. Gorcey awakening in an alley, where he and Mr. Hall have been uncharacteristically beaten to a pulp. From there, Gorcey "narrates" the loopy, nonsensical detective story. Director Jean Yarbrough manages the tight budget reasonably well.
In early film appearances, youngsters Joseph Turkel (as John Mutton), Mickey Knox (as Angles Carson), Richard Benedict (as Miami), and Pepe Hern (as Bertie Spangler) make especially good pool hall hustler impressions. You're likely to forget the plot entirely, later in the running time, when bookworm boy wonder Edward "Eddie" Ryan (as Mr. Carver) and sexy girlfriend Jean Dean (as Vickie Darwell) enter the picture.
Watch for the scene where Mr. Ryan sadistically slaps Mr. Turkel's face, followed by Ms. Dean's sexually-charged entrance; in a dress which fills the movie screen like few others, Dean definitely gives the film a lift. Happily, the often underutilized Bowery supporting cast helps round up the forgettable, frayed storyline, with Bernard Gorcey (as "Big Louie") joining "Whitey the Whip", "Chuck the Chiller", and "Butch the Butcher".
***** Angels in Disguise (9/9/49) Jean Yarbrough ~ Leo Gorcey, Huntz Hall, Joseph Turkel
"Angels in Disguise" is certainly the most unusual Bowery Boys film. Instead of their usual style, this one is told like it's film noir...with Leo Gorcey providing noir-style narration and a much darker and more serious tone than their other films. It's also a lot more violent and gritty. It's a real shame...as I think this is the best film the team made...and a shame they didn't do more like it.
Sach and Slip are copy boys working for a newspaper. Soon they learn that a cop friend of the gang is injured...and his partner killed by some mobsters. As you'd expect, Slip decides to investigate on his own and soon ends up involved with the gang...a gang headed by a most unusual and cultured young man.
While Sach is, as usual, dopey and annoying, it's nice to see Slip playing a more serious role...along with his usual malapropisms and odd way of speaking. My favorite of these is in summary!
Overall, a very welcome change for the team. While I've seen nearly all the Bowery Boys' films, I must admit that they are very uneven and quite a few of them are downright terrible. "Angels in Disguise" certainly is not terrible. In fact, I really enjoyed it.
Sach and Slip are copy boys working for a newspaper. Soon they learn that a cop friend of the gang is injured...and his partner killed by some mobsters. As you'd expect, Slip decides to investigate on his own and soon ends up involved with the gang...a gang headed by a most unusual and cultured young man.
While Sach is, as usual, dopey and annoying, it's nice to see Slip playing a more serious role...along with his usual malapropisms and odd way of speaking. My favorite of these is in summary!
Overall, a very welcome change for the team. While I've seen nearly all the Bowery Boys' films, I must admit that they are very uneven and quite a few of them are downright terrible. "Angels in Disguise" certainly is not terrible. In fact, I really enjoyed it.
¿Sabías que…?
- TriviaUnusually for the series, the movie is narrated by Slip, no doubt to add to the film noir tone.
- ErroresThe wall behind the newspaper office telephone switchboard operator shows a dark, white figures on black calendar in close shots, but a small white on black one in long shots.
- Citas
Mr. Slip Mahoney: Let me get my implement of destruction.
- ConexionesFollowed by Sabios locos (1949)
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Detalles
- Tiempo de ejecución1 hora 3 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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