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Alimony

  • 1949
  • Approved
  • 1h 10min
CALIFICACIÓN DE IMDb
5.3/10
182
TU CALIFICACIÓN
John Beal, Hillary Brooke, and Martha Vickers in Alimony (1949)
CrimenDramaMisterioMúsica

Agrega una trama en tu idiomaA promising young composer is tempted away from his devoted wife by a fortune-seeking woman who cares more for his prospects than for him.A promising young composer is tempted away from his devoted wife by a fortune-seeking woman who cares more for his prospects than for him.A promising young composer is tempted away from his devoted wife by a fortune-seeking woman who cares more for his prospects than for him.

  • Dirección
    • Alfred Zeisler
  • Guionistas
    • George Bricker
    • Royal K. Cole
    • Lawrence Lipton
  • Elenco
    • Martha Vickers
    • John Beal
    • Hillary Brooke
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.3/10
    182
    TU CALIFICACIÓN
    • Dirección
      • Alfred Zeisler
    • Guionistas
      • George Bricker
      • Royal K. Cole
      • Lawrence Lipton
    • Elenco
      • Martha Vickers
      • John Beal
      • Hillary Brooke
    • 9Opiniones de los usuarios
    • 1Opinión de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos3

    Ver el cartel
    Ver el cartel
    Ver el cartel

    Elenco principal27

    Editar
    Martha Vickers
    Martha Vickers
    • Kitty Travers - aka Kate Klinger
    John Beal
    John Beal
    • Dan Barker
    Hillary Brooke
    Hillary Brooke
    • Linda Waring
    Laurie Lind
    • Helen Drake
    Douglass Dumbrille
    Douglass Dumbrille
    • Burton (Burt) Crail
    James Guilfoyle
    • Paul Klinger
    Marie Blake
    Marie Blake
    • Mrs. Nesbitt
    Leonid Kinskey
    Leonid Kinskey
    • Joe Wood
    Ralph Graves
    Ralph Graves
    • George W. Griswold…
    William Ruhl
    • Fred Richards
    Harry Lauter
    Harry Lauter
    • Doctor
    Phil Arnold
    Phil Arnold
    • Bob Lacy
    • (sin créditos)
    Stanley Blystone
    Stanley Blystone
    • Court Bailiff
    • (sin créditos)
    Eddie Borden
    Eddie Borden
    • Courtroom Spectator
    • (sin créditos)
    Ralph Brooks
    Ralph Brooks
    • Courtroom Spectator
    • (sin créditos)
    Jack Chefe
    • Mr. Dumont
    • (sin créditos)
    Tom Coleman
    • Nightclub Waiter
    • (sin créditos)
    Helen Dickson
    Helen Dickson
    • Courtroom Spectator
    • (sin créditos)
    • Dirección
      • Alfred Zeisler
    • Guionistas
      • George Bricker
      • Royal K. Cole
      • Lawrence Lipton
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios9

    5.3182
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    Opiniones destacadas

    dougdoepke

    Good Cast, Spotty Script

    If you can get past the sappy ending and a few plot stretches, this is a pretty good programmer. Seems Dan's (Beal) a struggling songwriter who takes inspiration from Kitty (Vickers) such that he comes up with a popular hit. Trouble is he's had a long relationship with good girl Linda (Brooke) that now comes unglued as Kitty schemes to get a share of the windfall. Thus the narrative follows the romantic and calculating travails of the boardinghouse trio.

    It's a cheap production. However, the acting is good even if the story seldom leaves movie sets. This is a chance to catch two of the 40's premier vixens in the same frame. Brooke is cast against type, all sweetness and light, yet managing to bridge the strained abruptness of Linda's romantic turnarounds. At the same time, Vickers hides her scheming under a pretty face that's hard to resist. To me, the non-handsome Beal is perfect for the beleaguered composer, his disheveled appearance quite appropriate to the role. And too bad this was the only screen appearance of Laurie Lind (Helen) whose mop of hair and distinctive looks are career worthy. Then too, it's a colorful touch casting the so-called mad-Russian, Leonid Kinskey, as the harried music producer. He lends an exotic contrast to the more conventional others.

    It's also worth noting how radio dominates the movie's entertainment scene. However, 1949 was a year when TV was making inroads into the popular media including film, but no hint of that here. Anyway, the distinctive cast makes this contrived story worth a look-see.
    5blanche-2

    Men are fickle - or is love fickle?

    "Alimony" from 1949 is a low budget film that nevertheless sports a good cast: John Beal, Hillary Brooke, Martha Vickers, and Leonid Kinsky.

    Beal is a composer, Dan, who narrates his story in flashback when he is visited by Kitty (Vickers) father, who is trying to find her. Dan admits that he hasn't seen Kitty in a couple of years.

    Dan lives in a convivial rooming house along with his fiancee Linda (Brooke) though they don't share a room. It's 1949 after all. Dan stays up until all hours of the night playing his piano, but no one ever complains.

    Kitty comes along, and, once she hears Dan's compositions are going to be used in a new Broadway musical, decides that he's all hers. And Dan falls for her. He breaks up with a heartbroken Linda.

    The musical falls through, and Kitty is out the door. Dan is left to try to win Linda back. No problem. She succumbs in no time. Dan, however, in the throes of amore, has written a song for Kitty. It becomes a big hit, and now the two are inextricably linked, even touring together, to Linda's disgust. But she decides to fight for her man and get him back. Again.

    Not much point to this. I met John Beal some years ago. He was a lovely man and better than this!
    5CinemaSerf

    Alimony

    Sadly, it's only the musical career of "Dan" (John Beal) that is very promising in this rather disappointing, run-of-the-mill, marital melodrama. He has the misfortune to meet the money-grabbing "Kitty" (Martha Vickers) who has one goal, and one goal only - to get rich quick. She inspires him to write one hit and things look set fair. Except, well it seems that might be his only flirtation with success and pretty soon she has dumped him and moved onto a wealthy businessman. "Dan", meantime, returns to his decent fiancée "Linda" (Hillary Brooke) and that might have been the end of it. Thing is, "Kitty" only married "Burt" (Douglass Dumbrille) for his money and when she starts to make noises about divorce and substantial alimony, he discovers a litany of corrupt activities from his venally motivated wife that drags poor old "Dan" back into a toxic mix of greed and duplicity. The cast actually delivers adequately here, but the story is thin and over-scripted and at times it comes across as a radio play with pictures - and not very inspired pictures either. The characterisations are all too shallow and, to be honest, Vickers makes for a rather unlikely seductress. They do their own singing, to be fair, but otherwise there's very little here to recommend it, sorry.
    4boblipton

    Even The Love Song Is Blah

    Martha Vickers comes to the big town to make some money. Swimsuit modeling requires no skill, and she soon becomes a specialist in being the 'other woman', framing husbands in compromising situations for wives who want a divorce. She decides to steal aspiring songwriter John Beal away from his wife, and inspires him to pen a hit love song. She learns to sing and tours with him as his Inspiration: a floozy chanteuse, taking him for as much money as she can get, while his royalties dry up.

    it's a cheap, sordid little story, with no real point except that men are dogs and need to chase cars and make messes on the living room rug . The performers take it all seriously and do their best, but there isn't much to it. It's from Eagle-Lion, and looks like the script was pulled out of the PRC vault.
    6planktonrules

    The story of a conniver.

    The film begins with Dan talking to Mr. Klinger about the exploits of Klinger's daughter, Kitty. What follows is a very lengthy flashback. It seems that Kitte was interested in getting rich fast. She worked for a while as a girl who would help blackmailers. When a mark came into the room with her along, she'd strip off much of her clothes and grab the guy...while her partner snapped incriminating photos! Tired of this racket, she now set her mind to bigger game and eventually this meant Dan. While Dan was happily dating Linda, Kitty schemed to seduce him away from her...all because she thought Dan was destined for riches. And, when this didn't pan out and Dan's musical career didn't appear to be paying off, she dropped him and was on to the next scheme.

    In many ways, this is like the great Pre-Code film, "Red-Headed Woman"...but more sanitized and without the great style of this earlier film. Now I am not saying it's bad...but "Red-Headed Woman" is so amazing and entertaining that it's no disgrace to not be as good as this scandalous film. Overall, a decent low-budget film...enjoyable because Kitty is so darn awful!

    By the way, the landlady in the film is Marie Blake (also known by the stage name 'Blossom Rock'). That's Jeanette MacDonald's older sister...and Grandmama from the TV show "The Addams Family".

    Argumento

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    • Bandas sonoras
      That's How Dreams Are Made
      Words by L. Wolfe Gilbert

      Music by Alexander Laszlo

      Sung by Martha Vickers

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de junio de 1949 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Streaming on "Broken Trout" YouTube Channel
      • Streaming on "Film Lifestyle" YouTube Channel
    • Idioma
      • Inglés
    • Locaciones de filmación
      • Universal Studios - 100 Universal City Plaza, Universal City, California, Estados Unidos(Studio)
    • Productora
      • Orbit Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 10min(70 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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