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IMDbPro

El enviado del diablo

Título original: Alias Nick Beal
  • 1949
  • Approved
  • 1h 33min
CALIFICACIÓN DE IMDb
7.1/10
1.7 k
TU CALIFICACIÓN
Ray Milland, Thomas Mitchell, and Audrey Totter in El enviado del diablo (1949)
DramaDrama políticoFantasíaFantasía sobrenaturalFilm NoirHorror sobrenaturalMisterioTerrorThriller

Un fiscal de distrito alcanza el éxito político y la gobernación, pero pierde su sentido de la moralidad una vez que comienza a asociarse con el sombrío y quizás diabólico Nick Beal.Un fiscal de distrito alcanza el éxito político y la gobernación, pero pierde su sentido de la moralidad una vez que comienza a asociarse con el sombrío y quizás diabólico Nick Beal.Un fiscal de distrito alcanza el éxito político y la gobernación, pero pierde su sentido de la moralidad una vez que comienza a asociarse con el sombrío y quizás diabólico Nick Beal.

  • Dirección
    • John Farrow
  • Guionistas
    • Jonathan Latimer
    • Mindret Lord
  • Elenco
    • Ray Milland
    • Audrey Totter
    • Thomas Mitchell
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    1.7 k
    TU CALIFICACIÓN
    • Dirección
      • John Farrow
    • Guionistas
      • Jonathan Latimer
      • Mindret Lord
    • Elenco
      • Ray Milland
      • Audrey Totter
      • Thomas Mitchell
    • 42Opiniones de los usuarios
    • 25Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos31

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    + 25
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    Elenco principal94

    Editar
    Ray Milland
    Ray Milland
    • Nick Beal
    Audrey Totter
    Audrey Totter
    • Donna Allen
    Thomas Mitchell
    Thomas Mitchell
    • Joseph Foster
    George Macready
    George Macready
    • Rev. Thomas Garfield
    Fred Clark
    Fred Clark
    • Frankie Faulkner
    Geraldine Wall
    Geraldine Wall
    • Martha Foster
    Henry O'Neill
    Henry O'Neill
    • Judge Hobson
    Darryl Hickman
    Darryl Hickman
    • Larry Price
    Nestor Paiva
    Nestor Paiva
    • Karl
    King Donovan
    King Donovan
    • Peter Wolfe
    Charles Evans
    Charles Evans
    • Paul Norton
    Ernö Verebes
    Ernö Verebes
    • Mr. Cox - Tailor
    • (as Erno Verebes)
    Douglas Spencer
    Douglas Spencer
    • Henry T. Finch
    Arlene Jenkins
    • Aileen - the Fosters' Maid
    Pepito Pérez
    • Poster Man
    • (as Pepito Perez)
    Joey Ray
    • Tommy Ray
    Leon Alton
    Leon Alton
    • Supporter
    • (sin créditos)
    Edward Biby
    Edward Biby
    • Party Guest
    • (sin créditos)
    • Dirección
      • John Farrow
    • Guionistas
      • Jonathan Latimer
      • Mindret Lord
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios42

    7.11.6K
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    Opiniones destacadas

    8krocheav

    Alias Nick Beal - Eerie Morality Play

    This strange story of an honest crime-fighting district attorney certainly has several haunting moments. They involve a dark stranger who has the uncanny ability to appear and disappear at precisely the right moments. This suave, eerie gentleman offers vital evidence to our honest DA against a highly corrupt criminal - that would allow him to be put away forever. No self-respecting DA could pass this up at any cost - but what is the cost? With fog bound meetings on a lonely pier at the wrong end of town, the too good to be true deal is struck. - Now to cover the unrevealed cost.

    Wonderful direction and shadowy cinematography combined with superb performances make this a must see rarity. Most unfortunately it's been locked away in the MCA vaults since Paramount sold it in a package in the 50s. TCM HD is your only hope to see the newly re-printed copy - struck off for one of their Noir festivals. Let's hope they may offer it for sale on DVD sometime in future!

    Some Public Domain copy houses are offering M.0.D. Off-Air copies, some of which are poor but one from the UK, has a reasonably good/OK transfer on offer.
    simonstudios

    Forget Double Indemnity - for me, this is the quintessential film noir

    Forget Double Indemnity - for me, this is the quintessential film noir. Ray Milland was never better, and all the cast are on top form. The editing's great, and there's not a wasted shot. Some say the ending's a cop out (see other comments for plot details), but it's hard to see how else it could have been done without compromising both the essence, and flavour, of the film.

    I last saw this classic on TV about 15 years ago, and as far as I know it's never been either repeated, or released on video or DVD. WHY???

    If anyone out there's got a recording they'd be willing to copy for me I'd love to hear from them. Maybe we can trade. Thanks.
    9Hup234!

    Offbeat and well-done psychological drama.

    Nick Beal (not his real name) has a haunting way of whistling in the fog, in which he seems at home. It's a symbol of the mystery of the man, which softly, like the fog itself, reveals itself to us. There are absorbing scenes involving Ray Milland's interplays with George Macready, Thomas Mitchell and Audrey Totter, and there is Franz Waxman's soundtrack score, all contributing to the mood of apprehension which prevails throughout in this quiet study of power. Anything said further here would reveal what we soon learn of .... well, of the man who whistles. Highly recommended.
    7bkoganbing

    Seeds of destruction

    The Faust legend gets yet another retelling in modern post war America with Thomas Mitchell as an honest District Attorney looking for evidence to convict a racketeer. A conviction in this case will propel him to higher office.

    Into the story walks a gentleman named Nicholas Beal played with intensity by Ray Milland. The account books supposedly destroyed Milland says he can produce and produce them he does. Of course Mitchell is grateful and Milland becomes part of his inner circle.

    With Mitchell now being talked about for the governorship, Milland incurs the mistrust of all around him including Mitchell's wife Geraldine Wall and the Reverend George MacReady. MacReady who himself has played many a sinister character on the big and small screen knows sinister when he sees it. In fact he's the first to recognize Milland for what he is.

    When a man's influence doesn't work Milland plants Audrey Totter in Mitchell's circle. This is a whole lot like the way Ray Walston used Gwen Verdon to get at Tab Hunter in Damn Yankees. Only this is far more serious.

    Ray Milland who before The Lost Weekend played all kinds of light parts was now getting heavier dramatic fare in his career and handling it most successfully. He's probably at his most menacing on the screen in Alias Nick Beal.

    As for Mitchell for once he didn't die on the screen. Years ago I had a teacher who said that Thomas Mitchell had to have the record for screen deaths in major motion pictures. Although I can think of a few in addition to this one like Stagecoach and It's A Wonderful Life where he lived until the final end credits, I think the man that taught me might have had something. Mitchell is fine as a man desperately trying to do the right thing and having to contend with his own ambitions at the same time.

    Paramount normally did not go in for noir films, but in this case they produced one with classic satanic overtones. In the end Milland makes a rather interesting confession as the film ends. It explains his attitude and his character.

    I'd make it a point to check it out.
    zippgun

    Otherworldly fantasy meets film noir with Satan as a racketeer

    A rare film-strange considering its many virtues.Ray Milland is perfect as cool diabolical devil in disguise Nick Beal.Thomas Mitchell is a modern Faust who accepts evil methods as a means of becoming Governor (ironically to do good deeds when in office!)Audrey Totter plays an archetypal 40's "dame" splendidly-tough,sexy with pretty elastic principles,but with a conscience under the varnish.This movie is full of great scenes -director John Farrow always gets it just right-I don't think he ever reached these heights again-watch the moment in the apartment where Donna realizes with horror that both she and Foster are saying exactly the words Beal said they would,and the scene where Beal surprises Donna at the station by sliding the cigarette case down the bar.The only real minus for some audiences today is the "studiobound" production,though for me this enhances the claustrophobic "noir" atmosphere of the film.The splendid Franz Waxman score nicely complements the action.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Ray Milland wore the same hat and suit throughout the film, while Audrey Totter had 21 changes of wardrobe.
    • Errores
      (at around 53 mins) The mic and boom shadow can be seen to left of the door as Donna rushes Foster out the door of her apartment.
    • Citas

      Bum: Yes brethren, every word is true. I've walked in the darkness, glory be. I've wrestled the Devil and thrown him. I've pinned his shoulders to the mat. Yes, I've pinned his shoulders to the mat.

      Nick Beal: I wonder if he knows it's two falls out of three?

    • Conexiones
      Spoofed in Papá lo sabe todo: Mister Beal Meets His Match (1958)
    • Bandas sonoras
      A Mighty Fortress
      Written by Martin Luther

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    Preguntas Frecuentes

    • How long is Alias Nick Beal?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 7 de julio de 1949 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Alias Nick Beal
    • Locaciones de filmación
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 33 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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