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You Gotta Stay Happy was produced by William Dozier who at the time was married to Joan Fontaine. I think Fontaine was trying to lighten her image a bit and decided to try this throwback comedy involving a missing runaway heiress. Very familiar territory from the Thirties, postwar audiences wanted a little more realism.

Anyway she was able to land James Stewart as her leading man and he even accepted second billing here. Well, in affect she was the boss on this set. And they got a good cast of familiar faces from past screwball comedies to help this along.

Watching this, I couldn't help thinking that Joan Fontaine was going into territory Jean Arthur knew by heart. If Arthur was the heiress, this thing might have been a classic. This picture would have been so right for Jean Arthur.

I particularly enjoyed Percy Kilbride playing Pa Kettle under a different name. He's a farmer with a tribe of kids in Oklahoma where pilot James Stewart and his animal, human, and vegetable cargo have landed. Eddie Albert as Stewart's co-pilot and sidekick is also just fine.

It's an enjoyable comedy, but it will never be in the first rank of films of either Fontaine or Stewart.

Though screwball comedies like Bringing Up Baby and It Happened One Night had run their cycle by World Way II, Universal was persuaded to try it again with this frothy story about runaway heiress Fontaine escaping her stuffy groom for the charms of pilot Jimmy Stewart who is running a shoestring flying service. Stewart's finesse with this genre shows as does Eddie Albert's as yet another snappy best friend. Fontaine is more sweet than brittle with a comedic line, but thanks to a great supporting cast like Porter Hall, Roland Young, Percy Kilbride, and a cigar-smoking chimp,You Gotta works pretty well. The frantic pace relaxes more than it should when the cast gets airborne, but this is a very entertaining film of its kind with more than a few laughs.

Real-life airman James Stewart is enjoyed here in the first of his pilot roles. Eddie Albert, who would somehow not enjoy outdoing himself five years later in Roman Holiday, is well cast. Joan Fontaine lifted my already high opinion of her by delightfully playing an heiress whose charm and beauty are only matched by her extraordinary wealth.

You Gotta Stay Happy is one of Stewart's more rarely seen pictures despite my high rating. Fans of the aforementioned actors should consider it recommended.

Though "You Gotta Stay Happy" came after the heyday of screwball comedies, it follows the recipe well enough: take one zany heiress, mix up with earnest hero, add wise-cracking best friend, toss in some comic stereotypes for support, add a dash of innocent deception to get the plot rolling, then a pinch of mistaken identity (or something like it) to keep things stirred up, and top off with some chaste romance. Bake (or half-bake) for a little over an hour and a half, garnish with a cigar-smoking chimpanzee, and... voilà! Enjoyable light entertainment. You may be hungry an hour later, but it's fun while it lasts.

Jimmy Stewart's Marvin Payne is a variation on the actor's patented good-guy persona: a decent if sometimes cranky pilot, he's trying to keep his ramshackle airline *and* his carefully crafted life-plan running smoothly. Joan Fontaine, proving surprisingly proficient at comedy, plays indecisive rich girl Dee-Dee Dillwood, whose antics seem calculated to throw Marvin off schedule in both arenas. And Eddie Albert, as "Bullets" Baker, shines in an early and excellent incarnation of what would become his trademark 1950s character-- the lovable sidekick.

It's hard to outline the plot without giving it all away-- partly because all the pieces are intertwined, and partly because there aren't all that many pieces-- but I'll try. Fontaine's running from the altar, and Stewart, not fully aware of her circumstances, is somehow persuaded to let her aboard his cargo plane. Meanwhile, co-pilot Albert has enterprisingly sold seats to a few other unauthorized personnel. Will our intrepid fly-boys manage to steer their two-engine plane through stormy weather to complete all deliveries and stave off bankruptcy, or will they be too distracted by the fact that the police seem to be looking for one of their illicit passengers? And how about Stewart's heart, which seems to be flip-flopping for Fontaine a full six years ahead of schedule (he's penciled in "love" for 1954)? Will he be relieved or upset, if and when he learns her full story? It'd be too much to say that "the plane lifts off and hilarity ensues," but I was both amused by the proceedings and invested enough in the leads to care whether they got their happy ending. A warning: some of the aforementioned comic stereotypes-- naive Native Americans, women content to stay in their place-- haven't aged as well as others, so put on your 1940s hat before popping in the DVD.

You Gotta Stay Happy (1948) : Brief Review -

You gotta enjoy H. C. Potter's version of It Happened One Night (1934). The world can never get over Frank Capra's 1934 classic rom-com, nor can it overlook the influence it left on others over the decades. Potter's You Gotta Stay Happy happens to be one such film, and you gotta see it and enjoy it despite its predictability. The film carries a similar plot, though framed within a different world and set of circumstances. A rich heiress fleeing from her wedding (with a slightly altered marriage subplot) and falling in love with a common man-this is the basic setup, strongly reminiscent of Capra's cult screwball. Interestingly, the female character here is more dominant than the male, which is quite the opposite of the earlier film. To put it simply, You Gotta Stay Happy is about a wealthy heiress, Diana, who is coerced into marriage and decides to run away on her wedding night. She barges into a neighboring hotel room belonging to a pilot, Marvin, who lets her stay the night. Diana instantly starts liking him, and by the next day, manages to tag along with him on his journey. During the trip, Marv too falls for her, but things take a downturn when he discovers her true identity and her recent marriage. I never imagined I'd enjoy Joan Fontaine in such a charming and comedic role, but I absolutely did. James Stewart and she make a fine couple, though-just to set the record straight-they're not quite on par with Gable and Colbert's finesse. Yet, there's a definite spark between them, and their chemistry lends a certain enchantment to the film. H. C. Potter has directed several delightful comedies, and this one stands out as another hidden gem in his oeuvre. Not a masterpiece, but certainly a delightful watch. This film brings back memories of a bygone era-when movies like these were made with such warmth. Now, all we can do is cherish the memories because they don't make it like this anymore.

RATING - 7/10*

By - #samthebestest.