Nubes negras

WALK A CROOKED MILE is the sort of brisk, documentary style espionage yarn so often made during the '40s, using narration to tell the story of two espionage agents (DENNIS O'KEEFE and LOUIS HAYWARD) assigned to track down whomever is responsible for leaking top secret information developed at a nuclear plant in California.

Most of the action takes place in San Francisco, where O'Keefe and Hayward discover that an artist (ONSLOW STEVENS) is putting coded information beneath his paintings when he receives it from a spy working for the government agency. The story traces how the spy ring operates and it is these details that give the film added interest before the spies are caught. All of the methods must seem dated by today's standards of F.B.I. work, but the manner of presentation is gripping and the clever cat-and-mouse game that is played between the agents and the spies is credible and fascinating.

It's smoothly directed by Gordon Douglas at a fast clip. RAYMOND BURR has his usual "bad guy" role as one of he spies, and LOUISE ALLBRITTON, CARL ESMOND, ART BAKER and CHARLES EVANS all make interesting suspects in the mystery behind the identity of the key traitor.

Well worth viewing.

A 1948 film noir/police procedural. We're in the midst of the Cold War & American agents are on the hunt for Communist operatives which sets the scene as one of ours sees a wanted agent at a sporting event only to be gunned down (shocking for the time I would imagine as we see blood spatter across the man's face) by Raymond Burr (sporting a very Leninesque goatee). Enter the lead FBI agent, played by Dennis O'Keefe, who tracks the spotted man to San Francisco only to find the man murdered in his room even though the FBI were all over him. When they scour their surveillance footage they come up w/another enemy agent, disguised as a priest (which raised no flags), who spends his days in his apartment painting canvases which O'Keefe figures is the means of transporting information. Enter Louis Hayward, a Scotland Yard agent working the same case from the European side of things & he teams up w/O'Keefe to track down the cabal of enemy agents (the info in question is coming from a scientific collective on the cusp of a breakthrough) when they figure out hidden formulas are embedded on the paintings themselves, they figure one of the group is leaking the info. Very procedural in the extreme (I wouldn't be surprised if some would viewers will drop in the ubiquitous "dun dun" from Law & Order as each scene cuts into the next) but immensely engrossing, keeping you on the edge of your seat w/a satisfying gunfight taking place in a darkened home festooned w/Russia's best trying to win the day.

Two things particularly drew me into seeing 'Walk a Crooked Mile'. One was the suitably foreboding title. The other was a nice concept in a genre that has always been a favourite, with many great films in it. Very interesting seeing Louis Hayward in a role never seen in this way before, or at least from my experience. The advertising is not much different from the advertising of other films in the genre or similar, but that didn't matter too much to me.

'Walk a Crooked Mile' is worth a viewing, even if in my view it isn't a must or a genre classic. For me, it was slightly above mixed feelings level. Really appreciated its pull no punches approach and was really surprised by how well Hayward came off, but also really wished that the ending was so much stronger than it turned out. There is a lot to like about 'Walk a Crooked Mile', but it is also a film that is fairly easy to criticise even when taking it for what it is (so not to expect high art).

It does have moments of stylish and moody photography and eerie lighting. The music is suitably ominous without over emphasising the mood. The direction is suitably assured and shows a command and understanding of the genre. Much of the script is fine, really liked its tautness and grit.

A tautness and grit that is present in the uncompromising and sometimes brutal storytelling, which has some nice tension and entertainment value. Its documentary noir style structure is fascinating and is handled very well, not gimmicky or too heavily used. Hayward is hard boiled yet also understated, nothing melodramatic. Dennis O'Keefe is even better and the two work very well together.

However, 'Walk a Crooked Mile' could have been more. The low budget does show at times in the sparse settings and some rushed looking transitions. Some of the dialogue over-explains a little too much, especially the overused narration.

Did wish too that the ending was less anaemic when it came to the suspense and that it was less predictable, that final decision is so cliched and tacked on to the point it jars and doesn't make sense.

Overall, decent. 6/10.

Dennis O'Keefe, (Daniel O'Hara) plays the role as a FBI Agent who is in charge of finding out how a Southern California atomic plant is having leaks of top secret plans and why one of their agents is killed trying to find out this important information. Scotty Grayson, (Louis Hayward) is a Scotland Yard Inspector who is also called into the FBI office and is working with Daniel O'Hara because he has some important information that can help to solve this case. Raymond Burr, (Krebs) plays the role as a communist who is a very dangerous man who will stop anyone trying to upset their plan to obtain this secret information. This picture is dealing with the Cold War period in history and the scientists in the atomic plant are all under investigation. This film is very entertaining and Dennis O'Keefe gave a great performance along with Raymond Burr just starting out his career and giving a great supporting role. Enjoy.

Walk a Crooked Mile was filmed almost entirely on location. FBI agent Dan O'Hara (Dennis O'Keefe) and Scotland Yard operative Philip Grayson (Louis Hayward) team up to investigate a security leak at a Southern California atomic plant. The investigation takes place in San Francisco, where a communist spy ring flourishes. Actors as Raymond Burr and Philip Van Zandt play the communist agents.

The documentary technique gives a factual gloss to the melodramatic format. Action moves back and forth between San Francisco and the atomic plant in southern California. Gordon Douglas' knowledgeable directing keeps the film moving forward. He manages to build suspense through misdirection. The method used to take information out of the atomic plant is well protected thus keeping you guessing.

The movie is typical 40s and early 50s film noir.