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Yes, I know.

I'd never seen it - it was MacDonald's last film - what better way for MGM to say you are a has- been than to make her a "mother" in a Lassie movie. Drek! I prepared to "endure it" for Jeannette's sake.

I was utterly captivated. What a lovely movie - classed up there with Friendly Persuasion in terms of truly loving, and truly honest human emotion. I keep trying to convince myself to pass this along, but I cry too much, it's too real, too human, too GOOD for that. For the lovers of what President Wilson tried to do for the US and what Obama in his footsteps is still unable to do for us, this is what the ideal of the US is as it lives on in ideals, honesty, and right thinking and feeling.

Jeannette has four classical aria/song moments - a French song, a repetition of Puccini's Un Bel Di (Broadway Serenade), Songs My Mother Taught Me, and Romance. Not much to go on, but it doesn't matter. She is fine dramatically, as a war widow , whose son dies and is left alone, but is brought to life by her encounter with an orphan {exceptional performance by young actor, Claude Jarman, Jr.] Her son exits at 10 minutes into the film, young Jarman arrives at 20 minutes.

Lewis Stone is seen briefly as an adviser. Percy Kilbridge is brilliant in a Charles Butterworth role as the local sage. Margaret Hamilton is unforgettable as a fashion-conscious spinster. Poor Lloyd Nolan doesn't arrive until an hour and 3 minutes in, but we know he will anchor the film, as he always did {most successfully in Peyton Place).

Oh, do see it - that dog will melt you as will the story and the deft acting, direction and over-all good intentions of it.

Jeannette MacDonald (as Helen Lorfield Winter) is an opera singer making a comeback, after three years of mourning for her deceased husband. She is devoted to her son, and he is devoted to his dog, Lassie. After a successful comeback concert, Ms. MacDonald's son is killed in a horrific accident; he is hit by a truck while running for Lassie. MacDonald is understandably devastated. Initially, she blames Lassie for contributing to her son's death, but MacDonald is able to forgive Lassie, and she comes to care for the dog as her son would have wished. Pained by the sound of children playing, MacDonald takes Lassie, and moves to the country, where she hopes to enjoy a life of solitude. Then, she and Lassie meet young Claude Jarman Jr. (as Jerry), from a neighboring orphanage…

The sentimental storyline in "The Sun Comes Up" is most predictable; but, it hardly matters, as the film does what it does well. First of all, this (the fifth in the original series) is the best "Lassie" since the 1943 original. Richard Thorpe is an unexpected success, seamlessly directing a seemingly difficult mix of children, seasoned professionals, and Lassie. In her last feature film, Jeannette MacDonald could not have been more capable; certainly, she ends her movie career on a high note. Jarman Jr., of "The Yearling" is a well-chosen Lassie co-star. Lassie performs expertly. André Previn provides an appropriately swell score. The film ends with a well-done fiery rescue.

When the film threatens to become too predictable, or sentimental, you can enjoy delightful supporting pros, like: Lewis Stone (an MGM classic), Percy Kilbride ("Pa Kettle"), and Margaret Hamilton (Oz' Wicked Witch). Tarzan's "boy" Johnny Sheffield appears (to have hanged up his loincloth). Other kids making impressions are: Dwayne Hickman ("Dobie Gillis") as "Hank", Teddy Infuhr (also from the "Ma and Pa Kettle" series) as "Junebug", and Michael McGuire (who'll possess the "Dark Shadows" cast in 1970) as "Cleaver".

******* The Sun Comes Up (1/27/49)) Richard Thorpe ~ Jeanette MacDonald, Claude Jarman Jr., Lloyd Nolan, Lassie

Jeanette MacDonald stars as a widowed concert singer who suffers another disaster and yearns to retire from the world. She loads up her nifty wood-paneled convertible (a Plymouth?) and dog (Lassie) and sets out. She finds a house in the mountains of a small Southern town and settles in. But she's never runs a household before and discovers she must do her own household chores, cooking, etc. This puts her into contact with the comical-but-wise town grocer (Percy Kilbride) and some other locals. Most annoying, however, is the boy Kilbride has sent to do chores. The boy and dog instantly bond. Slowly, MacDonald gets back her hold on her life, learns to love the boy (Claude Jarman) and return to her own world. But she'll never be the same.

Full of funny moments and a few that will tug your heart strings, this is a nice old-fashioned film and well done by all involved. The Technicolor is also beautiful.

MacDonald, in her final film appearance, looks great and turns in a terrific performance as the woman who learns to love again. She also sings a few songs, including a beautiful rendition of "Un Bel di Vedremo" from MADAMA BUTTERFLY. Kilbride is hilarious as is Margaret Hamilton as the nosy spinster. Jarman is solid in a role that could have been cloying. Others include Lloyd Nolan, Lewis Stone, Ida Moore, Dwayne Hickman, Hope Landin, and Barbara Billingsley.

What a shame the great MacDonald never found another film vehicle. Voice aside, she was a marvelous actress with a great sense of comic timing. Her final film doesn't rank with her unforgettable films with Nelson Eddy, but it's a fine and memorable film in its own right.

THE SUN COMES UP (Metro-Goldwyn-Mayer, 1948), directed by Richard Thorpe, is a sentimental drama notable for being both movie featuring the famous collie by the name of Lassie, introduced five years earlier in LASSIE COME HOME (MGM, 1943), and the final movie appearance of opera singer/actress, Jeanette MacDonald. MacDonald has come a long way in movies by this point, making her film debut in THE LOVE PARADE (Paramount, 1929), starring Maurice Chevalier, with whom she teamed in three more musical-comedies. Aside from non-musical works for other studios such as Fox, she found both home and success at MGM starting in 1934, where the studio developed her talents more towards opera, with a new screen partner being Nelson Eddy. By the 1940s, her style of movies began to wane, marking the close for MGM by 1942. In 1948, she returned to the screen, and MGM, this time playing singing-mother roles starting with THREE DARING DAUGHTERS. Whether MacDonald intended on ending her movie career or not with THE SUN COMES UP is uncertain. At least she managed to hold her own against her scene stealing co-stars, especially from the dog named Lassie.

Plot summary: Helen Lorfield Winter (Jeanette MacDonald) is a widowed mother with a teenage son, Hank (Dwayne Hickman) with a collie, Lassie, who adores him. Since the death of her husband, Helen has devoted her time towards her family and home life. A former opera singer by profession, and through the assistance of her manager, Arthur Norton (Lewis Stone), Helen gets her new beginning returning to concert singing for the first time in three years. Her concert proves successful, but her happiness is shattered by the sudden death of her son after getting struck by a passing truck while trying to prevent Lassie from getting hit while on the street. Weeks pass. Helen gives up her career. Unable to be around people, especially children, Helen packs up her belongings to go someplace far away to forget. Though she blames Lassie for her son's death, she takes Lassie with her anyway on a car trip leading her to Bushy Gap, a hillbilly residence located somewhere in the mountains. Helen's new beginning restarts as she rents a furnished home belonging to the out-of-town, Thomas I. Chandler. She soon finds herself disliked by town folks through her attitude towards their children. Through the kindly but blunt assistance of storekeeper, William B. Willigoode (Percy Kilbride), who tells her the truth about herself, Helen's attitude soon changes, especially after meeting with a teenage boy named Jerry (Claude Jarman Jr.). After saving Lassie from a rattlesnake, Helen hires Jerry as her handyboy. Though fond of Jerry, she knows very little about him. It takes her landlord, Thomas Chandler (Lloyd Nolan), having returned from his trip, to let her figure things out for herself. Others in the cast include: Hope Landin (Mrs. Pope); Nicholas Joy (Victor Alvord); Mickey McGuire (Cleaver) and Teddy Infuhr (Junebug).

Not the typical MacDonald movie from the past, THE SUN COMES UP, actually resembles that of an episode from a "Lassie" television series a decade later. Though second billed, Lloyd Nolan comes in 63 minutes into the start of the movie, while Claude Jarman Jr., best known for his performance in THE YEARLING (MGM, 1946), takes up much of the proceedings playing a likable harmonica teenager who bonds well with Lassie. Being more drama than musical, the presence of comical types as Percy Kilbride, Margaret Hamilton and Ida Moore, highlight greatly to its lighter moment. Even MacDonald does a brief comedy turn for one scene involving snuff. Because of MacDonald's reputation as a singer, song numbers are inserted into the story, including: "Un Bel De Vedremo" from Giacomo Puccini's MADAME BUTTERFLY; "Songs My Mother Taught Me" by Antonin Dvorak; Rene Rabey's "Tes Jolies Yeux" "Cousin Ebenezer" (with MacDonald and group of orphan boys); and "If You Were Mine" by Artur Rubenstein.

THE SUN COMES UP may not be a MacDonald favorite for anyone in favor of her singing opposite Nelson Eddy in eight musicals from 1935 to 1942, or working opposite Clark Gable and Spencer Tracy in SAN FRANCISCO (MGM, 1936), but it is satisfactory screen entertainment of MGM's 93 minutes of Technicolor family style mode. Formerly available on video cassette and later on DVD, THE SUN COMES UP, can often be found on the Turner Classic Movies cable channel. (**1/2)

Even if you don't like Jeanette McDonald, and even if you don't like child actors, and even if you don't like Lassie, do yourself a favor and rent The Sun Comes Up just to listen to the main theme during the opening credits. André Previn earned a well-deserved Rag nomination for his first film composition. It's such a beautiful, layered theme that sounds exactly as it's supposed to. It sounds like a sunrise, the promise of a brighter future, and a deep inhalation after years of shallow breathing.

If you want to watch more than the opening credits, you'll get to see Jeanette McDonald in a drama where she barely sings. She starts the movie off as a successful performer, but when her young son is accidentally killed, she tells her manager, Lewis Stone, that she's going to retire and retreat into the country. She packs up her car and her grief and drives to a small mountain town where she can hopefully start over. What she doesn't yet realize is that in a small town, no one leaves you alone! The owner of the one general store, Percy Kilbride, is extremely nosy, a confusing Margaret Hamilton wants to be her friend, and the young errand boy, Claude Jarman Jr., who grows attached to her dog doesn't let her harden her heart as she'd intended.

I didn't really know what to expect out of this movie, but it was pretty enjoyable. My favorite scene was when Jeanette leaves for the countryside. She's left her son's dog, Lassie, behind because it would be too painful to continue to live with her and show her affection; her son was hit by a car while trying to get Lassie out of the middle of the road. But Lassie's lonely and confused too, and it might be some sort of comfort to love who her son loved. Jeanette's very conflicted, and it's a really powerful scene.

I kept waiting for Lloyd Nolan to show up, since he got such a high billing, but he's hardly in the movie. Instead of a romance where a mother can only move on from her tragedy by falling in love, Jeanette grows in other ways. Give this one a shot if it sounds interesting. It gets a bit corny in some parts, but keep in mind it is a Lassie movie. It's supposed to be a little corny.