De Paris a Trieste

... on a train maneuvering to obtain a stolen diary with international implications. The main cast is Jean Kent, Albert Lieven, Derrick De Marney, and David Tomlinson, with many others in an ensemble cast that tries its best to weave together a half dozen stories, not all of which are interesting. De Marney I expected the most from, as I liked him in Hitchcock's Young and Innocent (1937), but he has matured here into blandness. Lieven I didn't know at all, and he is good and savage as the head spy. Tomlinson with the jug ears is always fun to watch, the pip-pip cheerio Brit.

However -- and it's a big however -- this is a remake of Rome Express from 1932, and it doesn't have near the excitement and suspense of the original. The original had Esther Ralston and a ton of Hitchcock actors: Gordon Harker, Donald Calthrop, Joan Barry, Cedric Hardwicke, and Frank Vosper. Most importantly, it had Conrad Veidt as the head spy. Good as Lieven is in the remake, he can't top Veidt, and really no one could. Veidt gives a strange shading to the most innocuous lines -- he's the kind of villain who would knife Granny if she got too nosy. (He also resembles Bruno Hauptmann somewhat -- I wonder if audiences in 1932 made that connection.)

The 1948 version is good, but the 1932 version is more fun to watch. Both have a killer climactic scene in the train's luggage car -- a chance for both Veidt and later, Lieven, to shine.

I am a person who rarely likes remakes...that is, unless there is something horrible about the original and the remake takes care to correct this. In the case of "Sleeping Car to Trieste", it's a remake of "Rome Express" though I prefer the original and think the remake, though good, is unnecessary.

Three spies manage to steal a diary that might provoke a war (how exactly you never know). But one of the spies is greedy and disappears with the diary. He takes a ride on the Orient Express but doesn't realize that his angry partners are also aboard! Not surprisingly, the end result is pretty bloody.

This film is good...and if you haven't seen the original it should be a satisfying movie. However, it's also a bit uneven and much of the early portion on the train drags a bit. Fortunately, it does pick up and WHAT AN EXCITING ENDING! Well worth seeing and not bad at all.

A combination of Allan MacKinnon's inspired adaptation, and good casting and direction add up to a rare example of a remake being as entertaining as the original. Albert Lieven as Zurta may lack the physical menace Conrad Veidt brought to the part, but his persona as a charming ruthless assassin is succinctly established within the first couple of minutes as he murders in cold blood prior to strolling nonchalantly away. Alan Wheatley was a sound choice as the double-crossing furtive character of Poole, in a role not dissimilar from the one he'd played in Brighton Rock shortly before. Gordon Harker's hearty golfing bore is replaced by two characters, David Tomlinson's well-meaning but thoroughly obtuse Bishop, and David Hutcheson's garrulous patronising Denning, ponderously lecturing the chef how to make 'Roly-Poly Pudding'. Paul Dupuis' Inspector Jolif is a big improvement on his counterpart in the original. The 'MacGuffin' of the politically explosive stolen diary is quite an advancement on the stolen painting in Rome Express, making a more convincing reason to warrant the involvement of the bullying McBain, as well as providing the establishing scene in the embassy, although the motivation of Jean Kent's enigmatic spy Valya is never really explained. Plenty of sly humour too all adds up to an entertaining ninety minutes or so.

This a delightful detective thriller, made in the inimitable British post-war manner. The cast is comprised of more than a dozen unusual characters who have taken the Orient Express to Trieste. A few of them are innocent and charming, but most of them are law-breakers on one level or another, their crimes ranging from evading customs duties to adultery, theft, assault, and murder.

The plot concerns a stolen diary, but the real action is trying to figure out who is in whose compartment at any given time, because as the police move in on the murderer, the matter of timing and alibis becomes of paramount importance.

The documentary shots of the train itself are exemplary. If you are a train buff, you will greatly enjoy this crude, lumbering, noisy hunk of iron, a giant boiler on wheels, barreling down the tracks as the people inside change compartments, eat, drink, and plot their petty and grand crimes.

This is a rattling good post-war thriller.It features customs duty evasion, adultery, espionage, murder, robbery in fact the screen writers attempted to include almost all the major crimes in their script (apart from sex crimes which were denied by the prevailing film code on film producers).The film is mainly played out on the romantic "Orient Express" with an international cast as it journeys from Paris-Simplon-Venice-Trieste across the Continent of Western Europe.Trains are a favourite location for thriller writers and several famous films were made with them as a backdrop: "The 39 Steps" (1935), "The Lady Vanishes" (1938), and "Night Train to Munich" (1940) all of which I can recommend to 1940s film buffs.

I have quite a few films from the 1940s, my favourite era.If fans want to see the principal players from "Sleeping Car to Trieste" cast in leading roles, they should attempt to obtain the following films: Derrick de Marney - George Grant, a younger actor in Hitchcock's "Young & Innocent" (1937), Jean Kent - Valya, still playing rather sadistic roles in "The Browning Version" (1951), Albert Lieven - Zarta, more sympathetic as a portrait painter in "The Seventh Veil" (1945), Paul Depuis - Det.Insp. Jolif, a French Aristocrat in "Madness of the Heart" (1949) & "Passport to Pimlico" (1949), Bonar Colleano - Sgt. West, virtually playing the same role in "The Way to the Stars" (1945), Finalay Currie - Alistair MacBain, such a versatile actor, try the convict in "Great Expectations" (1946) with John Mills, David Tomlinson - Tom Bishop, his best role was as one of the "Three Men in a Boat" (1953).Finally, Alan Wheatley is indelibly imprinted on my memory as the dastardly Sheriff of Nottingham in the 1950s British TV series "The Adventures of Robin Hood" starring Richard Green.

The plot without spoilers has already been indicated by other reviewers so I will restrict my comments on the acting.In the main it was very creditable and it has an interesting mix of international stars.The action never lets up but with the 1940s moral code in place, you know the guilty must eventually receive their comeuppance.In todays politically correct climate I am always fascinated by how often actors in these 1940s films light up and drink copious quantities of Scotch.It makes a refreshing change and reminds me of my youth when steam was the norm on railways.I rated it 6/10.P.S. I was born in 1946.