Romance en alta mar

This was Doris Day's first film and what a fun one it was. I saw it as a kid in the old Monache Theater and then later on TV. I was surprised how well it had worn and was delighted to hear Doris Day, 23 years old at the making of this film, using the slang of the day, such as "Natch...Natch but def." Carson, Paige and DeFore were great as was the ever-insufferable curmudgeon, Oscar Levant alongside "Cuddles" Sakal, the perennial loveable Jewish uncle. Carson is especially good doing a Calypso number and the story is pure 1940's cotton candy.

"You sigh the song begins, You speak and I hear violins---It's Magic."

Doris sure captured us all under her spell in her first role as Miss Georgia Garrett in Romance on the High Seas. Georgia is a singer hired by socialite, Mrs. Kent (Janis Paige). Mrs. Kent has suspicions that her husband is cheating on her when he backs out of a trip. She hires Georgia to go in her place on a cruise to South America. Mrs. Kent then is free to spy on her husband. Mr. Kent (Don DeFore) meanwhile has hired a private detective, Peter Virgil (Jack Carson), to trail his wife on her cruise. Talk about lack of trust! The highlight of the film, for me, is when Georgia, posing as Mrs. Kent, and Peter go ashore. They are seated and Georgia begins to sing "It's Magic." It is just beautiful! Soon, Peter and Georgia begin to fall for each other. As this is his client's "wife", Peter knows that this is a no-no. But, have they fallen too far under the spell? **A great cast-Doris Day, Jack Carson, Janis Paige, Don DeFore, and of course SZ Sakall **Terrific songs-"Put 'Em in a Box", "It's Magic", "It's You Or No One", "I'm in Love", "The Tourist Trade", and "Run, Run, Run" **Great dialogue This movie has it all! A must see! Be captivated-it truly is MAGIC!

It's hard to believe 'Romance on the High Seas' is Doris Day's first flick. She's awesome in a role originally intended for Betty Hutton--and everyone has a great time poking fun at manners and morals in this breezy sea breeze of a farce.

When Day and Jack Carson aren't coming up with one-liners, she takes time to sing some nifty tunes--among them, 'Put 'Em in A Box', 'It's You Or No One' and, of course, 'It's Magic'. Her rendering of the latter song in a Cuban nightclub is one of the highlights of the film--and her career. Never has she expressed the simple emotions of the lyric more beautifully with a honey of a voice that is always directly on pitch, warming the heart with great phrasing and tone. And her comedic skills are already in evidence here.

Especially enjoyable is her first night on board the cruise ship when she and Carson mistakenly dress up. "Nobody dresses on first night shipboard," Carson tells her. Posing as a society lady, she asks in cultivated tones, "Really? Don't they get chilly?" She turns and peers into the dining room. "This I gotta see!" she says in her own voice. She uses the cultivated tones to disguise herself as society lady (Janis Paige) whose identity she has taken.

The slim plot revolves entirely around the mistaken identity theme and it's all played for laughs with lots of punch lines. Doris has an amusing scene with the fabulous Eric Blore as a doctor who comes to check on her "illness" and ends up feeling weak when she checks his pulse.

Janis Paige, Don de Fore, S.Z. Sakall, Oscar Levant and the usual Warner Bros. stock players are all adept at this sort of thing. Highly amusing comedy with some great songs--easy to take and always good for a few laughs. Doris Day at the peak of her form.

Doris Day was a huge radio and recording star when she appeared in "Romance on the High Seas". However, she was not a movie star...as this is her first film. Some of this shows...particularly her makeup as she is very freckly...which I thought was quite cute but which the studios hid in subsequent movies. She went over very well regardless and Warner Brothers soon signed her to a seven year contract...and she soon became a mega-star in pictures.

The plot is a bit silly. Elvira Kent (Janis Paige) suspects her husband, Michael (Don Defore), is cheating on her. And, he suspects the same thing of her. So they each come up with a plan...she pays Georgia (Doris Day) to pretend to be her and take a cruise while she stays home and secretly keeps an eye on him. And, he hires a detective (Jack Carson) to take the cruise and follow Elvira and prove she's been cheating! But there's a problem...the detective slowly begins to fall in love with the woman who he THINKS is Elvira!

The plot is quite slight...but the picture excellent for many reasons. Carson and Day are simply terrific and Day sings some very lovely tunes. The picture also is quite romantic...and fun and made more so by the presence of some wonderful character actors (S.Z. Sakall, Franklin Pangborn and Oscar Levant). All in all, this is the sort of fun picture Warner Brothers could make best...and you can't help but enjoy it.

By the way, while Defore and Paige receive higher billing, clearly Doris Day was the star or at least co-star of the film. I guess the studio just didn't have much faith in her drawing power...but that wasn't to last!

Make no mistake, this is Doris Day's movie, first one or not. And that's no small accomplishment. She is up against not just two, but three veteran scene-stealers in Oscar Levant, "Cuddles" Szakall and Jack Carson. Yet the sheer naturalness of her winning personality is enough to launch one of Hollywood's most successful screen careers.

On the whole, it's an entertaining film, especially the first third where Day's high spirits are allowed to shine. Once the shipboard romance takes over, things slow down and the mood shifts. Whatever his other many talents, the versatile Jack Carson is a character actor, not a leading man. Too bad he gets romantically serious and we lose his light comedic talents. And, of course, there's the professional wit, the very unHollywood-looking Oscar Levant, always livening things up with a mordant quip.

What a gorgeous movie to look at. The Technicolor is outstanding. Note how well the colors are coordinated, especially the scenes in Rio. This is a neglected phase of movie-making, and here the art director and set designer both deserve industry awards. The plot's fairly clever, having to do with a marital mix-up that keeps the audience interested without straining. Nonetheless, it's Day's movie, showing what an engaging screen personality she is-- too bad she became mockingly identified as America's "professional virgin". Here, her rendition of "It's Magic" is just that. Magic!