Río Rojo

Red River (1948)

A Western with a huge cattle drive at its core. John Wayne plays the head rancher, and among his workers and upstarts are a son-like youngster (Montgomery Clift) and a old-timer best friend (Walter Brennan). There are rivalries, Indians, opposing ranchers, and a woman or two who each intrude or help out Wayne in various ways.

A Howard Hawks Western is about as close as you can get to a John Ford Western. Ford is the one who re-discovered a languishing John Wayne in 1939, and Hawks was a parallel director, about the same age, specializing in male-dominated adventure dramas. But Hawks also directed some amazing other kinds of films, including a few classic screwball comedies, the terrific "Only Angels Have Wings," and some film noirs including his film before this one, "The Big Sleep."

So I expected something really special here and in fact this is well done all around. But it falls into so many of the already established stereotypes of the genre, I was surprised and had to keep my disappointment in check. Wayne is terrific as the kind of John Wayne you'd expect, and Brennan is the earthy, witty, likable type he always plays. It is probably Montgomery Clift who shines best, here in his first year in Hollywood, just before "The Heiress" and a string of other great films. This is apparently his first major acting role, as the film was shot in 1946, though another movie, "The Search" (which is very good), was released first.

It's interesting to see co-directing status for Arthur Rosson (the photographer's brother), partly because Hawks would not seem to need a second hand. But then that points to some of the really complex scenes here--mostly shot on location and with easily hundreds if not a thousand or more actual cattle. You realize as you watch this long trek through the low dry hills that the actors on horses are having to really move the cattle through this country for the filming. I'm sure they have help, and all those extras must have been good hired hands. It's still pretty neat to watch that aspect, going for example through a wide river.

In a way you can get fully invested in the movie based on the action and the acting and the characters. Directly. They are strong, believable, and their lines are well written. It's the plot that will seem to fall into familiarity too often for many of you.

I really enjoyed this the first time I saw it but it got a little slow on the second viewing. Nevertheless, it's a pretty solid classic-era western that has a deep cast. By deep I mean John Wayne, Montgomery Clift, Walter Brennan, Harry Carey Sr., Noah Beery Jr., John Ireland, Joanne Dru, Coleen Gray, etc. This is more of a man's movie as those last two ladies listed both have small roles.

In addition to the western action, you get some nice black-and-white cinematography. The cattle driving scenes are magnificently filmed.

Wayne plays a "Captain Bligh" type of tyrant for most of the film, although he shows a few soft touches. Brennan has a great knack of making all his characters interesting, and this movie is no exception. Clift usually was pretty interesting, too.

My only complaint is the length of the film. This could have been much better with a tighter script and about 15-20 minutes chopped off it. It's still a compelling story.

From 1939 to 1948, two major Westerns done with taste and skill and with an eye to beauty could be mentioned: John Ford's "Stagecoach," and Howard Hawks' "Red River."

"Red River" is a great adventure Western considered as the very best among all Westerns... But could we compared it to Ford's splendidly filmed "Wagon Master"? John Ford maintains his shooting eye at a certain distance while Howard Hawks keeps it nearby... But both are skilled directors of a bunch of great movies…

Ford is closer to Western movies, and Hawks to other genre... Ford treats his Western characters as people behave... Hawks displays it in vivid adventure... In "Red River," "Rio Bravo," and "The Big Sky" Howard Hawks is far from the magnitude of Ford's "The Searchers." Under Ford's instruction, John Wayne is fluent and moderate, refined in conduct and manners as in "The Quiet Man." With Hawks, Wayne's character prevails differential tendency toward passion and fury...

It is soon evident that the cattle boss is tough to the point of obsession… It could be argued that only men of this spirit could have handled and survived the first pioneering cattle drives… One of the drovers (John Ireland) wants to make for Abilene but gets no change out of Wayne… When the cattle stampede Wayne goes to 'gun-whip' one of the hands, Clift intervenes… It was then evident that Wayne was going to drive his men just as hard as he intends to drive the cattle…

"Red River" is a Western just as much concerned with human relationships and their tensions as with spectacle and action—a hallmark of Hawks' films and this element is introduced when the pair meet up with a boy leading a cow… The boy confirms the wagon-train massacre, and the boy and the cow from then on are included in the partnership… This is not only a key-point of the narrative but also a highly symbolic moment…

For some years Garfield was the only screen rebel... But in Clift's appearance in "Red River," another rebel was born… In "Red River," Clift plays the adopted son who opposes his father's domineering attitudes and behavior towards himself and also towards the cowhands who work for them on the drive to market… The struggle between father and adopted son, compels delighted interest... Dunson's unfeeling hardhearted style remembers us Captain Bligh in "Mutiny on the Bounty." In the beginning of the film we had admiration for Wayne's persona... We concluded finding him unfriendly, unconscious, unacceptable and faulty... Clift wins our sympathy!

Clift was the withdrawn, introverted man who quietly maintains his integrity as he resists all pressures… These qualities were summed up in the words of Private Prewitt in "From Here to Eternity" probably Clift's finest rebel role!

"Red River" will remain a film with a unique flavor… It has, and will continue to have, its own special niche among honored Westerns…

With two Academy Award Nomination for Writing, splendid music score by Dmitri Tomkin and excellent acting including the supporting cast, the film had all the concepts of Howard Hawks' quality: vigor in action, reality as opposed to emotions and a faculty of scale...

You don't have to use up too much of your imagination to get into and to appreciate this Epic, Howard Hawks does a manificent job in bringing to us a story that depicts the strengths ( and weaknesses ) of early pioneers in the American West. In Red River, Hawks clearly makes us aware of the hardships and loneliness settlers experienced doing their thing, particularly on cattle drives. John Wayne, as always in his element astride a horse, does a great job portraying the single minded cattle Baron Tom Dunson. He looked comfortable in the role with all his regulars like Harry Carey Snr. and Jnr,.Hank Worden and Walter Brennan around him and, along with Hawks is responsible for the Movie being as good as it is. You could almost taste the dust and sweat as Dunson bullies his way along the cattle drive, ignoring advice, doing what a man has to do and saying often, ' I'll read over them in the mornin ', then, being left in the dust himself after his men and his adopted son Matthew Garth...... played by Mongomery Clift.... decide they've had enough. We always knew they'd meet up with each other again, and when they did....what a showdown! Dunson catches up with them in Abeline, gets off his horse when he sees Garth and bullies his way again, this time through a herd of cattle to get to him. That walk Wayne makes amongst the cows is a classic. For a big guy he's got a lot of balance, never losing his stride as he forces his way through the herd, turns, draws and fires at Cherry Valance....played by another resident bad guy of the era, John Ireland....gets hit with a bullet from Valance, crosses the railway track then proceeds to beat up on the only man game enough to stand up to him, and in the process gets a bit of a pasting himself. Fantastic stuff!! Both Clift and Brennan, who played Dunson's old friend Groot Nadine give fine supporting roles, particularly Brennan with his excellent narrative throughout the Movie. Made in 1948, Red River is a great Western and perhaps had much to do in setting standards for others to follow.

I read quite a few references to the ending and how it should have been an "unhappy " one. The screenwriter, Borden Chase, was also very unhappy with it. The original ending was The Duke's death. Hawks changed the ending and Chase never spoke to him again. Mr. Chase was married in 1920 to my Grandmother, Lillian Doran. But, that is another story!